Short Fiction by M. R. James (inspirational books for women TXT) 📕
Description
Montague Rhodes James was a respected scholar of medieval manuscripts and early biblical history, but he is best remembered today as a writer of ghost stories. His work has been much esteemed by later writers of horror, from H. P. Lovecraft to Steven King.
The stereotypical Jamesian ghost story involves a scholar or gentleman in a European village who, through his own curiosity, greed, or simple bad luck, has a horrifying supernatural encounter. For example, in “ ‘Oh, Whistle, and I’ll Come to You, My Lad,’ ” a professor finds himself haunted by a mysterious figure after blowing a whistle found in the ruins of a Templar church, and in “Count Magnus,” a writer’s interest in a mysterious and cruel figure leads to horrific consequences. Other stories have the scholar as an antagonist, like “Lost Hearts” and “Casting the Runes,” where study of supernatural rites gives way to practice. James’ stories find their horror in their atmosphere and mood, and strike a balance in their supernatural elements, being neither overly descriptive nor overly vague.
This collection includes all the stories from his collections Ghost Stories of an Antiquary, More Ghost Stories, A Thin Ghost and Others, and A Warning to the Curious and Other Ghost Stories.
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- Author: M. R. James
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There was no mistake possible now. It was from outside. “With no language but a cry” was the thought that flashed into my mind. Hideous it was beyond anything I had heard or have heard since, but I could read no emotion in it, and doubted if I could read any intelligence. All its effect was to take away every vestige, every possibility, of enjoyment, and make this no place to stay in one moment more. Of course there was nothing to be seen: but I was convinced that, if I waited, the thing would pass me again on its aimless, endless beat, and I could not bear the notion of a third repetition. I hurried back to the lane and down the hill. But when I came to the arch in the wall I stopped. Could I be sure of my way among those dank alleys, which would be danker and darker now! No, I confessed to myself that I was afraid: so jarred were all my nerves with the cry on the hill that I really felt I could not afford to be startled even by a little bird in a bush, or a rabbit. I followed the road which followed the wall, and I was not sorry when I came to the gate and the lodge, and descried Philipson coming up towards it from the direction of the village.
“And where have you been?” said he.
“I took that lane that goes up the hill opposite the stone arch in the wall.”
“Oh! did you? Then you’ve been very near where Betton Wood used to be: at least, if you followed it up to the top, and out into the field.”
And if the reader will believe it, that was the first time that I put two and two together. Did I at once tell Philipson what had happened to me? I did not. I have not had other experiences of the kind which are called super-natural, or -normal, or -physical, but, though I knew very well I must speak of this one before long, I was not at all anxious to do so; and I think I have read that this is a common case.
So all I said was: “Did you see the old man you meant to?”
“Old Mitchell? Yes, I did; and got something of a story out of him. I’ll keep it till after dinner. It really is rather odd.”
So when we were settled after dinner he began to report, faithfully, as he said, the dialogue that had taken place. Mitchell, not far off eighty years old, was in his elbow-chair. The married daughter with whom he lived was in and out preparing for tea.
After the usual salutations: “Mitchell, I want you to tell me something about the Wood.”
“What Wood’s that, Master Reginald?”
“Betton Wood. Do you remember it?”
Mitchell slowly raised his hand and pointed an accusing forefinger. “It were your father done away with Betton Wood, Master Reginald, I can tell you that much.”
“Well, I know it was, Mitchell. You needn’t look at me as if it were my fault.”
“Your fault? No, I says it were your father done it, before your time.”
“Yes, and I dare say if the truth was known, it was your father that advised him to do it, and I want to know why.”
Mitchell seemed a little amused. “Well,” he said, “my father were woodman to your father and your grandfather before him, and if he didn’t know what belonged to his business, he’d oughter done. And if he did give advice that way, I suppose he might have had his reasons, mightn’t he now?”
“Of course he might, and I want you to tell me what they were.”
“Well now, Master Reginald, whatever makes you think as I know what his reasons might ’a been I don’t know how many year ago?”
“Well, to be sure, it is a long time, and you might easily have forgotten, if ever you knew. I suppose the only thing is for me to go and ask old Ellis what he can recollect about it.”
That had the effect I hoped for.
“Old Ellis!” he growled. “First time ever I hear anyone say old Ellis were any use for any purpose. I should ’a thought you know’d better than that yourself, Master Reginald. What do you suppose old Ellis can tell you better’n what I can about Betton Wood, and what call have he got to be put afore me, I should like to know. His father warn’t woodman on the place: he were ploughman—that’s what he was, and so anyone could tell you what knows; anyone could tell you that, I says.”
“Just so, Mitchell, but if you know all about Betton Wood and won’t tell me, why, I must do the next best I can, and try and get it out
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