The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) ๐
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdropโa world called โMiddle Earthโ by Eddison, thirty-two years before Tolkienโsโand in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchlandโbut the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddisonโs expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgsonโs The Night Land. But where critics often find The Night Landโs prose obtuse and difficult, they have nothing but praise for Eddisonโs beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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The Lord Juss was torn with pity and doubt and wonder, to hear that voice again of his dear brother so beseeching him. Yet he answered and said, โBrother, if that it be thou indeed, then bide till I have won to this mountain top and the citadel of brass which in a dream I saw, that I may know truly thou art not there, but here. Then will I turn again and succour thee. But until I see thee in thine own shape I will mistrust all. For hither I came from the ends of the earth to deliver thee, and I will set my good on no doubtful cast, having spent so much and put so much in danger for thy dear sake.โ
So with a heavy heart he set hand again to those black rocks, iced and slippery to the touch. Therewith up rose an eldritch cry, โRejoice, for this earthborn is mad! Rejoice, for that was not perfect friend, that relinquished his brother at his need!โ But Juss climbed on, and by and by looking back beheld how in that seeming manโs place writhed a grisful serpent. And he was glad, so much as gladness might be in that mountain of affliction and despair.
Now was his strength near gone, as day drew again toward night and he climbed the last crags under the peak of Zora. And he, who had all his days drunk deep of the fountain of the joy of life and the glory and the wonder of being, felt ever deadlier and darker in his soul that lonely horror which he first had tasted the day before at his first near sight of Zora, while he flew through the cold air portent-laden; and his whole heart grew sick because of it.
And now he was come to the ring of fire that was about the summit of the mountain. He was beyond terror or the desire of life, and trod the fire as it had been his own homeโs threshold. The blue tongues of flame died under his foot-tread, making a way before him. The brazen gates stood wide. He entered in, he passed up the brazen stair, he stood on that high roof-floor which he had beheld in dreams, he looked as in a dream on him he had crossed the confines of the dead to find: Lord Goldry Bluszco keeping his lone watch on the unhallowed heights of Zora. Not otherwise was the Lord Goldry, not by an hairsbreadth, than as Juss had aforetime seen him on that first night in Koshtra Belorn, so long ago. He reclined propped on one elbow on that bench of brass, his head erect, his eyes fixed as on distant space, viewing the depths beyond the star-shine, as one waiting till time should have an end.
He turned not at his brotherโs greeting. Juss went to him and stood beside him. The Lord Goldry Bluszco moved not an eyelid. Juss spoke again, and touched his hand. It was stiff and like dank earth. The cold of it struck through Jussโs body and smote him at the heart. He said in himself, โHe is dead.โ
With that, the horror shut down upon Jussโs soul like madness. Fearfully he stared about him. The cloud had lifted from the mountainโs peak and hung like a pall above its nakedness. Chill air that was like the breath of the whole worldโs grave: vast blank cloud-barriers: dim far forms of snow and ice, silent, solitary, pale, like mountains of the dead: it was as if the bottom of the world were opened and truth laid bare: the ultimate Nothing.
To hold off the horror from his soul, Juss turned in memory to the dear life of earth, those things he had most set his heart on, men and women he loved dearest in his lifeโs days; battles and triumphs of his opening manhood, high festivals in Galing, golden summer noons under the Westmark pines, hunting morns on the high heaths of Mealand; the day he first backed a horse, of a spring morning in a primrose glade that opened on Moonmere, when his small brown legs were scarce the length of his forearm now, and his dear father held him by the foot as he trotted, and showed him where the squirrel had her nest in the old oak tree.
He bowed his head as if to avoid a blow, so plain he seemed to hear somewhat within him crying with a high voice and loud, โThou art nothing. And all thy desires and memories and loves and dreams, nothing. The little dead earth-louse were of greater avail than thou, were it not nothing as thou art nothing. For all is nothing: earth and sky and sea and they that dwell therein. Nor shall this illusion comfort thee, if it might, that when thou art abolished these things shall endure for a season, stars and months return, and men grow old and die, and new men and women live and love and die and be forgotten. For what is it to thee, that shalt be as a blown-out flame? and all things in earth and heaven, and things past and things for to come, and life and death, and the mere elements of space and time, of being and not being, all shall be nothing unto thee; because thou shalt be nothing, forever.โ
And the Lord Juss cried aloud in his agony, โFling me to Tartarus, deliver me to the
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