Short Fiction by Nikolai Gogol (primary phonics .TXT) 📕

was now troubling people, inspiring diabolical excitement, beguiling painters from the true path, producing the fearful torments of envy, and so forth. Three catastrophes which occurred afterwards, three sudden deaths of wife, daughter, and infant son, he regarded as a divine punishment on him, and firmly resolved to withdraw from the world.

“As soon as I was nine years old, he placed me in an academy of painting, and, paying all his debts, retired to a lonely cloister, where he soon afterwards took the vows. There he amazed everyone by the strictness of his life, and his untiring observance of all the monastic rules. The prior of the monastery, hearing of his skill in painting, ordered him to paint the principal picture in the church. But the humble brother said plainly that he was unworthy to touch a brush, that his was contaminated, that with toil and great sacrifice must he first purify his spirit in order to render himself fit to undertake such a task. He increased the rigours of monastic life for himself as much as possible. At last, even they became insufficient, and he retired, with the approval of the prior, into the desert, in order to be quite alone. There he constructed himself a cell from branches of trees, ate only uncooked roots, dragged about a stone from place to place, stood in one spot with his hands lifted to heaven, from the rising until the going down of the sun, reciting prayers without cessation. In this manner did he for several years exhaust his body, invigorating it, at the same time, with the strength of fervent prayer.

“At length, one day he returned to the cloister, and said firmly to the prior, ‘Now I am ready. If God wills, I will finish my task.’ The subject he selected was the Birth of Christ. A whole year he sat over it, without leaving his cell, barely sustaining himself with coarse food, and praying incessantly. At the end of the year the picture was ready. It was a really wonderful work. Neither prior nor brethren knew much about painting; but all were struck with the marvellous holiness of the figures. The expression of reverent humility and gentleness in the face of the Holy Mother, as she bent over the Child; the deep intelligence in the eyes of the Holy Child, as though he saw something afar; the triumphant silence of the Magi, amazed by the Divine Miracle, as they bowed at his feet: and finally, the indescribable peace which emanated from the whole picture⁠—all this was presented with such strength and beauty, that the impression it made was magical. All the brethren threw themselves on their knees before it; and the prior, deeply affected, exclaimed, ‘No, it is impossible for any artist, with the assistance only of earthly art, to produce such a picture: a holy, divine power has guided thy brush, and the blessing of Heaven rested upon thy labour!’

“By that time I had completed my education at the academy, received the gold medal, and with it the joyful hope of a journey to Italy⁠—the fairest dream of a twenty-year-old artist. It only remained for me to take leave of my father, from whom I had been separated for twelve years. I confess that even his image had long faded from my memory. I had heard somewhat of his grim saintliness, and rather expected to meet a hermit of rough exterior, a stranger to everything in the world, except his cell and his prayers, worn out, tried up, by eternal fasting and penance. But how great was my surprise when a handsome old man stood before me! No traces of exhaustion were visible on his countenance: it beamed with the light of a heavenly joy. His beard, white as snow, and his thin, almost transparent hair of the same silvery hue, fell picturesquely upon his breast, and upon the folds of his black gown, even to the rope with which his poor monastic garb was girded. But most surprising to me of all was to hear from his mouth such words and thoughts about art as, I confess, I long shall bear in mind, and I sincerely wish that all my comrades would do the same.

“ ‘I expected you, my son,’ he said, when I approached for his blessing. ‘The path awaits you in which your life is henceforth to flow. Your path is pure⁠—desert it not. You have talent: talent is the most priceless of God’s gifts⁠—destroy it not. Search out, subject all things to your brush; but in all see that you find the hidden soul, and most of all, strive to attain to the grand secret of creation. Blessed is the elect one who masters that! There is for him no mean object in nature. In lowly themes the artist creator is as great as in great ones: in the despicable there is nothing for him to despise, for it passes through the purifying fire of his mind. An intimation of God’s heavenly paradise is contained for the artist in art, and by that alone is it higher than all else. But by as much as triumphant rest is grander than every earthly emotion, by so much is the lofty creation of art higher than everything else on earth. Sacrifice everything to it, and love it with passion⁠—not with the passion breathing with earthly desire, but a peaceful, heavenly passion. It cannot plant discord in the spirit, but ascends, like a resounding prayer, eternally to God. But there are moments, dark moments⁠—’ He paused, and I observed that his bright face darkened, as though some cloud crossed it for a moment. ‘There is one incident of my life,’ he said. ‘Up to this moment, I cannot understand what that terrible being was of whom I painted a likeness. It was certainly some diabolical apparition. I know that the world denies the existence of the Devil, and therefore I will not speak of him. I will only