Short Fiction by Leonid Andreyev (fastest ebook reader TXT) π
Description
Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyevβs writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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βDeath! Death to the Tyrant!β
The two deputies were standing lost in a reverie. Time passed on, but still they stood there, unmoved in the maddened chase of shadow shapes and smoke, and it seemed as if they had been standing there for ages. Thousands of spectral years surrounded them with the mighty and majestic silence of eternity, while the shadows whirled on frenziedly, and the shouts rose and fell beating against the window like windswept breakers. At times the weird and mysterious rhythm of the surf could be discerned in the turmoil and the thunderous roar of the breaking waves. βDeath! Death to the tyrant!β At last they stirred from the spot.
βWell let us go in there!β βLet us go in! Fool that I was! I had thought that this day would end the fight with tyranny.β βThe fight is just commencing. Let us go in!β
They passed through dark corridors and dawn marble stairways, through chilly and silent halls that are as damp as cellars. Suddenly a gleam of light, a wave of heated air like the breath of a furnace, a hubbub of voices like a hundred caged parrots talking against time. Then another doorway and at their feet there opens an immense chasm, littered with heads, semi-dark and filled with smoke. Reddish tongues of candles stifling for want of fresh air. Someone is speaking somewhere. Thunderous applause. The speech is apparently ended. At the very bottom of the abyss, between two flickering lights is the small figure of the Twentieth. He is wiping the perspiration from his forehead with a handkerchief, bends low over the table and reads something with an indistinct mumbling voice. He is reading his speech of defense. How hot he feels! Ho, Twentieth! Remember that you are king. Raise your voice ennoble the ax and the executioner! No! He mumbles on, tragically serious in his stupidity.
VIIIMany watched the execution of the king from the roofs, but even the roofs were not sufficient to accommodate the sightseers and many did not succeed after all in seeing how kings are executed. But the high and narrow houses, with the queer coiffure of mobile creatures instead of roofs seemed to have become endowed with life, and their opened windows resembled black, winking eyes. Behind the houses rose church spires and towers, some pointed and others blunt, and at first glance they looked the same as usual, but on closer observation they appeared to be dotted with dark transverse lines which seemed to be swaying to and fro; they, too, were crowded with people. Nothing could be seen from so great a height, but they looked on just the same. Seen from the roofs of houses the scaffold seemed as small as a childβs plaything, something like a toy barrow with broken handles. The few persons who stood apart from the sightseers and in the immediate neighborhood of the scaffold, the only few persons who stood by themselves (the rest of the people having been merged into a dense mass of black), those few persons standing by themselves oddly resembled tiny black ants walking erect. Everything seemed to be on a level, and yet they laboriously and slowly ascended invisible steps. And it seemed strange that right beside one, upon the neighboring roofs, there stood people with large heads, mouths and noses. The drums beat loudly. A little black coach drove up to the scaffold. For quite a little while nothing could be discerned. Then a little group separated itself from the mass and very slowly ascended some invisible steps. Then the group dispersed, leaving in the center a tiny looking individual. The drums beat again and oneβs heart stood still. Suddenly the tattoo came to an end hoarsely and brokenly. All was still. The tiny lone figure raised its hand, dropped it and raised it again. It is evidently speaking, but not a word is heard. What is it saying? What is it saying? Suddenly the drums broke into a tattoo, scattering abroad their martial beats, and rending the air into myriads of particles which hindered one from seeing. Commotion on the scaffold. The little figure has vanished. He is being executed. The drums beat again and all of a sudden, hoarsely and brokenly, cease from their tumult. On the spot where the Twentieth had stood just a moment before there is a new little figure with extended hand. And in that hand there is seen something tiny, that is light on one side and dark on the other, like a pin head dyed in two colors. It is the head of the King. At last! The coffin, with the body and the head of the King, was rushed off somewhere, and the conveyance that bore it away drove off at a breakneck speed, crushing the people in its path. It was feared that the frenzied populace would not spare even the remains of the tyrant. But the people were terrible indeed. Imbued with the ancient slavish fear they could not bring themselves to believe that it had really taken place, that the inviolable sacrosanct and potent sovereign had placed his head under the ax of the executioner: desperately and blindly they besieged the scaffold; eyes very often play tricks on one and the ears deceive. They must touch the scaffold with their hands, they must breathe in the odor of royal blood, steep their arms in it up to the elbows. They fought, scrambled, fell and screamed. There something soft, like a bundle of rags, rolls under the feet of the crowd. It is the body of one crushed to death. Then another and another. Having fought their
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