Notes from Underground by Fyodor Dostoevsky (best black authors .txt) 📕

a certain uneasiness. Now, when I am not only recalling them, but have actually decided to write an account of them, I want to try the experiment whether one can, even with oneself, be perfectly open and not take fright at the whole truth. I will observe, in parenthesis, that Heine says that a true autobiography is almost an impossibility, and that man is bound to lie about himself. He considers that Rousseau certainly told lies about himself in his confessions, and even intentionally lied, out of vanity. I am convinced that Heine is right; I quite understand how sometimes one may, out of sheer vanity, attribute regular crimes to oneself, and indeed I can very well conceive that kind of vanity. But Heine judged of people who made their confessions to the public. I write only for myself, and I wish to declare once and for all that if I write as though I were addressing readers, that is simply because it is easier for me to write in that form. It is a form, an empty form⁠—I shall never have readers. I have made this plain already⁠ ⁠…

I don’t wish to be hampered by any restrictions in the compilation of my notes. I shall not attempt any system or method. I will jot things down as I remember them.

But here, perhaps, someone will catch at the word and ask me: if you really don’t reckon on readers, why do you make such compacts with yourself⁠—and on paper too⁠—that is, that you won’t attempt any system or method, that you jot things down as you remember them, and so on, and so on? Why are you explaining? Why do you apologise?

Well, there it is, I answer.

There is a whole psychology in all this, though. Perhaps it is simply that I am a coward. And perhaps that I purposely imagine an audience before me in order that I may be more dignified while I write. There are perhaps thousands of reasons. Again, what is my object precisely in writing? If it is not for the benefit of the public why should I not simply recall these incidents in my own mind without putting them on paper?

Quite so; but yet it is more imposing on paper. There is something more impressive in it; I shall be better able to criticise myself and improve my style. Besides, I shall perhaps obtain actual relief from writing. Today, for instance, I am particularly oppressed by one memory of a distant past. It came back vividly to my mind a few days ago, and has remained haunting me like an annoying tune that one cannot get rid of. And yet I must get rid of it somehow. I have hundreds of such reminiscences; but at times someone stands out from the hundred and oppresses me. For some reason I believe that if I write it down I should get rid of it. Why not try?

Besides, I am bored, and I never have anything to do. Writing will be a sort of work. They say work makes man kindhearted and honest. Well, here is a chance for me, anyway.

Snow is falling today, yellow and dingy. It fell yesterday, too, and a few days ago. I fancy it is the wet snow that has reminded me of that incident which I cannot shake off now. And so let it be a story à propos of the falling snow.

Part II À Propos of the Wet Snow

When from dark error’s subjugation
My words of passionate exhortation
Had wrenched thy fainting spirit free;
And writhing prone in thine affliction
Thou didst recall with malediction
The vice that had encompassed thee:
And when thy slumbering conscience, fretting
By recollection’s torturing flame,
Thou didst reveal the hideous setting
Of thy life’s current ere I came:
When suddenly I saw thee sicken,
And weeping, hide thine anguished face,
Revolted, maddened, horror-stricken,
At memories of foul disgrace.

Nekrassov (translated by Juliet Soskice) I

At that time I was only twenty-four. My life was even then gloomy, ill-regulated, and as solitary as that of a savage. I made friends with no one and positively avoided talking, and buried myself more and more in my hole. At work in the office I never looked at anyone, and was perfectly well aware that my companions looked upon me, not only as a queer fellow, but even looked upon me⁠—I always fancied this⁠—with a sort of loathing. I sometimes wondered why it was that nobody except me fancied that he was looked upon with aversion? One of the clerks had a most repulsive, pockmarked face, which looked positively villainous. I believe I should not have dared to look at anyone with such an unsightly countenance. Another had such a very dirty old uniform that there was an unpleasant odour in his proximity. Yet not one of these gentlemen showed the slightest self-consciousness⁠—either about their clothes or their countenance or their character in any way. Neither of them ever imagined that they were looked at with repulsion; if they had imagined it they would not have minded⁠—so long as their superiors did not look at them in that way. It is clear to me now that, owing to my unbounded vanity and to the high standard I set for myself, I often looked at myself with furious discontent, which verged on loathing, and so I inwardly attributed the same feeling to everyone. I hated my face, for instance: I thought it disgusting, and even suspected that there was something base in my expression, and so every day when I turned up at the office I tried to behave as independently as possible, and to assume a lofty expression, so that I might not be suspected of being abject. “My face may be ugly,” I thought, “but let it be lofty, expressive, and, above all, extremely intelligent.” But I was positively and painfully certain that it was impossible for my countenance ever to express