The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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Unless she would come to him, he must remain as a nothingness. It was a hard experience. But, after her repeated obliviousness to him, after he had seen so often that he did not exist for her, after he had raged and tried to escape, and said he was good enough by himself, he was a man, and could stand alone, he must, in the starry multiplicity of the night humble himself, and admit and know that without her he was nothing.
He was nothing. But with her, he would be real. If she were now walking across the frosty grass near the sheep-shelter, through the fretful bleating of the ewes and lambs, she would bring him completeness and perfection. And if it should be so, that she should come to him! It should be so—it was ordained so.
He was a long time resolving definitely to ask her to marry him. And he knew, if he asked her, she must really acquiesce. She must, it could not be otherwise.
He had learned a little of her. She was poor, quite alone, and had had a hard time in London, both before and after her husband died. But in Poland she was a lady well born, a landowner’s daughter.
All these things were only words to him, the fact of her superior birth, the fact that her husband had been a brilliant doctor, the fact that he himself was her inferior in almost every way of distinction. There was an inner reality, a logic of the soul, which connected her with him.
One evening in March, when the wind was roaring outside, came the moment to ask her. He had sat with his hands before him, leaning to the fire. And as he watched the fire, he knew almost without thinking that he was going this evening.
“Have you got a clean shirt?” he asked Tilly.
“You know you’ve got clean shirts,” she said.
“Ay—bring me a white one.”
Tilly brought down one of the linen shirts he had inherited from his father, putting it before him to air at the fire. She loved him with a dumb, aching love as he sat leaning with his arms on his knees, still and absorbed, unaware of her. Lately, a quivering inclination to cry had come over her, when she did anything for him in his presence. Now her hands trembled as she spread the shirt. He was never shouting and teasing now. The deep stillness there was in the house made her tremble.
He went to wash himself. Queer little breaks of consciousness seemed to rise and burst like bubbles out of the depths of his stillness.
“It’s got to be done,” he said as he stooped to take the shirt out of the fender, “it’s got to be done, so why balk it?” And as he combed his hair before the mirror on the wall, he retorted to himself, superficially: “The woman’s not speechless dumb. She’s not clutterin’ at the nipple. She’s got the right to please herself, and displease whosoever she likes.”
This streak of common sense carried him a little further.
“Did you want anythink?” asked Tilly, suddenly appearing, having heard him speak. She stood watching him comb his fair beard. His eyes were calm and uninterrupted.
“Ay,” he said, “where have you put the scissors?”
She brought them to him, and stood watching as, chin forward, he trimmed his beard.
“Don’t go an’ crop yourself as if you was at a shearin’ contest,” she said, anxiously. He blew the fine-curled hair quickly off his lips.
He put on all clean clothes, folded his stock carefully, and donned his best coat. Then, being ready, as grey twilight was falling, he went across to the orchard to gather the daffodils. The wind was roaring in the apple trees, the yellow flowers swayed violently up and down, he heard even the fine whisper of their spears as he stooped to break the flattened, brittle stems of the flowers.
“What’s to-do?” shouted a friend who met him as he left the garden gate.
“Bit of courtin’, like,” said Brangwen.
And Tilly, in a great state of trepidation and excitement, let the wind whisk her over the field to the big gate, whence she could watch him go.
He went up the hill and on towards the vicarage, the wind roaring through the hedges, whilst he tried to shelter his bunch of daffodils by his side. He did not think of anything, only knew that the wind was blowing.
Night was falling, the bare trees drummed and whistled. The vicar, he knew, would be in his study, the Polish woman in the kitchen, a comfortable room, with her child. In the darkest of twilight, he went through the gate and down the path where a few daffodils stooped in the wind, and shattered crocuses made a pale, colourless ravel.
There was a light streaming on to the bushes at the back from the kitchen window. He began to hesitate. How could he do this? Looking through the window, he saw her seated in the rocking-chair with the child, already in its nightdress, sitting on her knee. The fair head with its wild, fierce hair was drooping towards the fire-warmth, which reflected on the bright cheeks and clear skin of the child, who seemed to be musing, almost like a grown-up person. The mother’s face was dark and still, and he saw, with a pang, that she was away back in the life that had been. The child’s hair gleamed like spun glass, her face was illuminated till it seemed like wax lit up from the inside. The wind boomed strongly. Mother and child sat motionless, silent, the child staring with vacant dark eyes into the fire, the mother looking into space.
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