Such Is Life by Joseph Furphy (children's books read aloud .TXT) 📕

One glance was enough. Two strange horses were in the paddock; the kerosene-tins still stood in the sheltered angle by the chimney, but the flowers were dead; the smooth-trodden radius round the door was no longer swept except by the winds of heaven, and was becoming a midden whence antiquaries of future ages might sift out priceless relics with unpronounceable names. A strange dog came to the doorstep, gave a single bark, and re-entered; then Jack the Shellback appeared, and, recognising me, got a larger quantity of profanity and indecency into his cordial welcome than you might think possible. Scarce as water was, he cursed me into washing the sand out of my hair with two consecutive goes of the precious liquid, whilst he swore the saddles of my horses, and obscene-languaged some supper for me. Even before the shower, the whole area of my mortal shrine, back from high-water mark round neck and wrists, had been pistol-proof with a thousand samples of dust, patiently collected over the same number of miles; but that didn’t trouble me. I could get rid of it⁠—along with much moral and mental virtue, unfortunately⁠—possibly at the Runnymede swimming-hole, or failing that, at the place where the Lachlan had been.

“Stiff little breeze we had,” I remarked, as I sat down to supper.

“Well, no,” replied Jack, in reluctant and compassionate negative; and this was the only part of his long reply fit to place before the sanctimonious reader. He went on to tell me, in the vulgar tongue, that if I had ever been at sea, I would think nothing of a whiff like that. He told me of storms he had weathered⁠—particularly, one off Christiana Cooner, a solitary island in the south Atlantic⁠—and the effect of his discourse is that I have ever since been careful, in the company of sailors, to avoid speaking of the winds I have encountered.

“I’ll fix you up for a hat,” he continued, in language of matchless force and piquancy. “Bend her; she’ll about fit you. I dropped across her one day I was in the road-paddock.”

“She” was a drab belltopper, in perfect preservation, with a crown nothing less than a foot and a half high, and a narrow, wavy brim. She proved a perfect fit when I “bent” her. I wore her afterward for many a week, till one night she rolled away from my camp, and I saw her no more, though I sought her diligently. Take her for all in all, I shall not look upon her like again.

“Now, if you’d a pair o’ skylights athort your cutwater, you’d be set up for a professor of phrenology, or doxology, or any other ology,” suggested Jack, with one oath, two unseemly expletives, and two obscenities.

“How is that for high?” I asked, putting on a pair of large, round, clouded lenses, which my experience of ophthalmia has warned me to carry continually. Then, without interrupting my good host’s torrent of unrepeatable congratulation, I turned aside and unstrapped a portion of Bunyip’s pack. Presently I advanced and resumed my seat, with the ancestor of all pipes pendent from my mouth. The hat, glasses, and pipe chorded (if I may use that expression) so perfectly that Jack’s merriment died-away in a reverent petition to be struck dead.

The pipe has already been referred to in these annals. It was probably the most artistic, the most opulent-looking, the most scholarly, the most imposing, and, from a Darwinian point of view, the most highly specialised, meerschaum ever seen on earth. It was a pipe such as no smoker parts with during life, but bequeaths to his best-beloved son⁠—a pipe such as would make any man wish to have a Benjamin, but for the fear that the heir-presumptive might be exposed to unfair temptation, and the old man himself to grave peril.

This nonpareil lies before me now, on an old, cracked dinner-plate, with my knife and tobacco. Its head, ideally perfect as that goddess who rose from similar material, carries, in spite of its vast size, no suggestion of the colossal, but rather of the majestic. Its aspect would be overpowering but for the soothing and reassuring effect of colour⁠—as where, at point of contact, the opaque snow of the upper half, with cirrhus-like edge, overlies rather than meets the indescribable wealth of lucent and fathomless umber, which soul-satisfying colour intensifies toward the rounded heel, softening to a paler tint in its serene re-ascent, till the meerschaum terminates in a heavy, semi-cylindrical collar, of almost audacious simplicity. Then a thick, flexible, silk-chequered stem takes up the wondrous tale, in its turn extending, with a most magnanimous restraint, barely four inches ere transferring its glories to the worthy keeping of such a piece of Baltic amber as you shall not match in any democratic community. The slight silver mounting hints a princely concession to the great pipe family; and the two little red crackers, depending from the junction of mouthpiece and stem, whilst giving no encouragement to presumptuous rivalry, soften the austere, unapproachable, super-Phidian perfection of the whole ongsomble.

Here it occurs to the subtle critic that this is something like what a novelist would write. A novelist is always able to bring forth out of his imagination the very thing required by the exigencies of his story⁠—just as he unmasks the villian at the critical moment, and, for the young hero’s benefit, gently shifts the amiable old potterer to a better land in the very nick of time. Such is not life. And to avoid any shadow of the imputation in which that incident-begging novelist wallows, I must now turn aside for one moment to tell how I came into possession of such a pipe as no other Australian bushman ever owned. As for the digression⁠—well, I suppose even the most insubordinate reader is by this time educated up to my style.

Shortly before the previous wool-season, I had found myself, on a rather chilly night, drawing toward the western boundary of Gunbah, on the track