Short Fiction by Robert E. Howard (classic books for 11 year olds .txt) 📕
Description
Conan, the Cimmerian barbarian, romps across the pages of Robert E. Howard’s Hyborian adventures, slicing down enemy after enemy and trying not to fall too hard for a succession of ladies in need of rescue. Although very much a product of the pulp fantasy magazines of the 1930s, Conan has surpassed his contemporaries to become the quintessential barbarian of the fantasy genre: the muscle-bound and instinct-led hero, always willing to fight his way out of any fix.
Collected here are Howard’s public domain short stories, including ten Conan short stories and the history of Hyboria that Howard wrote as a guide for himself to write from. Gods of the North originally was a Conan story, but after being rejected by the first publisher was rewritten slightly to a character called Amra; it was later republished as The Frost-Giant’s Daughter with the name changed back. The stories were serialised (with a couple of exceptions) in Weird Tales magazine between 1925 and 1936, and have gone on to spawn multiple licensed and unlicensed sequels, comics, films and games.
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- Author: Robert E. Howard
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They entered a court paved with marble which gleamed whitely in the starlight. A short flight of broad marble steps led up to the pillared portico. The great bronze doors stood wide open as they had stood for centuries. But no worshippers burnt incense within. In the day men and women might come timidly into the shrine and place offerings to the ape-god on the black altar. At night the people shunned the temple of Hanuman as hares shun the lair of the serpent.
Burning censers bathed the interior in a soft weird glow that created an illusion of unreality. Near the rear wall, behind the black stone altar, sat the god with his gaze fixed forever on the open door, through which for centuries his victims had come, dragged by chains of roses. A faint groove ran from the sill to the altar, and when Conan’s foot felt it, he stepped away as quickly as if he had trodden upon a snake. That groove had been worn by the faltering feet of the multitude of those who had died screaming on that grim altar.
Bestial in the uncertain light Hanuman leered with his carven mask. He sat, not as an ape would crouch, but cross-legged as a man would sit, but his aspect was no less simian for that reason. He was carved from black marble, but his eyes were rubies, which glowed red and lustful as the coals of hell’s deepest pits. His great hands lay upon his lap, palms upward, taloned fingers spread and grasping. In the gross emphasis of his attributes, in the leer of his satyr-countenance, was reflected the abominable cynicism of the degenerate cult which deified him.
The girl moved around the image, making toward the back wall, and when her sleek flank brushed against a carven knee, she shrank aside and shuddered as if a reptile had touched her. There was a space of several feet between the broad back of the idol and the marble wall with its frieze of gold leaves. On either hand, flanking the idol, an ivory door under a gold arch was set in the wall.
“Those doors open into each end of a hairpin shaped corridor,” she said hurriedly. “Once I was in the interior of the shrine—once!” She shivered and twitched her slim shoulders at a memory both terrifying and obscene. “The corridor is bent like a horseshoe, with each horn opening into this room. Totrasmek’s chambers are enclosed within the curve of the corridor and open into it. But there is a secret door in this wall which opens directly into an inner chamber—”
She began to run her hands over the smooth surface, where no crack or crevice showed. Conan stood beside her, sword in hand, glancing warily about him. The silence, the emptiness of the shrine, with imagination picturing what might lie behind that wall, made him feel like a wild beast nosing a trap.
“Ah!” The girl had found a hidden spring at last; a square opening gaped blackly in the wall. “Set!” she screamed, and even as Conan leaped toward her, he saw that a great misshapen hand had fastened itself in her hair. She was snatched off her feet and jerked headfirst through the opening. Conan, grabbing ineffectually at her, felt his fingers slip from a naked limb, and in an instant she had vanished and the wall showed blank as before. Only from beyond it came briefly the muffled sounds of a struggle, a scream, faintly heard, and a low laugh that made Conan’s blood congeal in his veins.
III Black Hands GrippingWith an oath the Cimmerian smote the wall a terrific blow with the pommel of his sword, and the marble cracked and chipped. But the hidden door did not give way, and reason told him that doubtless it had been bolted on the other side of the wall. Turning, he sprang across the chamber to one of the ivory doors.
He lifted his sword to shatter the panels, but on a venture tried the door first with his left hand. It swung open easily, and he glared into a long corridor that curved away into dimness under the weird light of censers similar to those in the shrine. A heavy gold bolt showed on the jamb of the door, and he touched it lightly with his finger tips. The faint warmness of the metal could have been detected only by a man whose faculties were akin to those of a wolf. That bolt had been touched—and therefore drawn—within the last few seconds. The affair was taking on more and more of the aspect of a baited trap. He might have known Totrasmek would know when anyone entered the temple.
To enter the corridor would undoubtedly be to walk into whatever trap the priest had set for him. But Conan did not hesitate. Somewhere in that dim-lit interior Zabibi was a captive, and, from what he knew of the characteristics of Hanuman’s priests, he was sure that she needed help badly. Conan stalked into the corridor with a pantherish tread, poised to strike right or left.
On his left, ivory, arched doors opened into the corridor, and he tried each in turn. All were locked. He had gone perhaps seventy-five feet when the corridor bent sharply to the left, describing the curve the girl had mentioned. A door opened into this curve, and it gave under his hand.
He was looking into a broad, square chamber, somewhat more clearly lighted than the corridor. Its walls were of white marble, the floor of ivory, the ceiling of fretted silver. He saw divans of rich satin,
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