The Night Land by William Hope Hodgson (best new books to read .txt) π
Description
The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earthβs far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.
The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramidβwhich he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land βone of the most potent pieces of macabre imagination ever written.β
The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his βbrain elements,β which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a βmaster wordβ sent by the caller may verify the integrity of the signalβa description of a kind of early public-key cryptography.
The narrator survives on food pellets and βpowdered water,β predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by βEarth current,β which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.
Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the bookβs more difficult aspects. Critics also frequently cite the bookβs highly repetitious nature, simplistic characterization, and inordinate lengthβnearly 200,000 wordsβas major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.
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- Author: William Hope Hodgson
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Now, in a while, we past a basin of rock, in a place among the trees; and there was a warm spring bubbling in the rock, and the basin to be full of water, very warm and with some smelling of chemistry.
And the Maid told me that she would wash, and I to think it a good place for that end. And when I had tasted the water, I found that it did seem smooth and proper for our intent, as that there did be a verity of an alkali in it.
And truly we washed, and after that I was done, the Maid bid me that I turn my back; and I to do this, and she to mock me very naughty whilst that I could not see her, and to seem very quiet; for indeed, I heard no splashings of water, though I stood off from her a long while, and she alway to say naughty things unto me, as that she did mind truly to have me angered; for, indeed, she did have a plain intent that she mock at me, and to ease not her wit. And surely, after that I had stood a great while, I askt the Maid when that she did be like to be done; but she to say that she was nowise ended of her toilets. And I knew very sudden that she made foolishness upon me also in this matter; and I turned upon her, and lo! she did be sitting upon a little rock, very sedate, even as when she had bid me turn from her; and to have made no more forward, but only to have been there at ease, that she keep me turned away to please her naughty mood, and all the while have a double liberty to have impudence upon me.
And, in verity, I did be a little angered; but scarce that I did know it; for I did love her very great, and was stirred inwardly with her dearness and that she did look just that-wise that I knew not whether I to need to kiss her, or to shake her; and truly, how should I know; for my heart did ache that I have her to mine arms; but my brain to say that she did go over-far in the joke; and truly you to see that I did not be unreasonable, neither to be lacking of grace; for indeed I do think that I was swayed all-ways, because that I saw all the dear way that her pretty nature did work; and to conceive of her mood and to understand and be stirred; but yet to shape a little in my manhood unto hardening, and in my judgement unto sternness.
Yet, truly, I scolded Mine Own with no more than a little jesting, and did be nice and gentle with her, because she did be so dear, and I to know just-wise her mood and the cause and working of it.
And I told her that I did love her, and that she hasten now and let us again to the journey. But, indeed, she only to make a face at me, so that I did be near like to shake her unto sedateness. And she then to be both merry, and a rogue, as we do say, and to stop her ears and again to sing very gleeful; and all so that she might not hear aught that I said. And surely she lookt a very dainty Rebellious One.
And I went then straightway to her, and took her hands from her ears; and I kist her pretty ears very gentle that I not to deafen her. And I kist her lips as she did sing; and afterward shook her, that she be not such a sweet Torment. But this to have no success that way; for she only to put out her toes to be kist; for her foot-gear was off from her feet. And, indeed, I laughed, even as I made to frown; and truly I kist her pretty toes, and tried then to coax her to go forward something speedy with her hair, and to be ready to the journey. But she only to sing, and to refuse to be sedate.
And, in verity, in the end, I caught her up in mine arms, and had her bundle in my hand, and so went off with her very sudden, with her hair all loose upon me in a lovely and soft shining, and her feet bare as they did be.
And this action I made, because that I was grown truly a little stern with Mine Own; for, indeed, she did half to need that she be whipt unto properness, as you shall think, that have seen how she did be thiswise only because that her nature did be stirred strangely, and her Womanhood and her Maidenhood to be all unto war, and in part to make a rebellion against me that she did know glad to be her true Master; but yet she to be thus, even though she did be so glad.
And this to act so that she did be in the same moment both sweet and wise and yet to show a dainty foolishness and a true naughtiness that did make me to feel somewhat of a real anger; but yet did have me to know that all my being did be stirred by her; so that I did think with one thought that she did be very foolish, and with another that she did be lovely wayward.
Now, when that I
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