The Ambassadors by Henry James (read people like a book .TXT) 📕

the hot night had kept out lamps, but there was a pair of clusters of candles that glimmered over the chimneypiece like the tall tapers of an altar. The windows were all open, their redundant hangings swaying a little, and he heard once more, from the empty court, the small plash of the fountain. From beyond this, and as from a great distance⁠—beyond the court, beyond the corps de logis forming the front⁠—came, as if excited and exciting, the vague voice of Paris. Strether had all along been subject to sudden gusts of fancy in connection with such matters as these⁠—odd starts of the historic sense, suppositions and divinations with no warrant but their intensity. Thus and so, on the eve of the great recorded dates, the days and nights of revolution, the sounds had come in, the omens, the beginnings broken out. They were the smell of revolution, the smell of the public temper⁠—or perhaps simply the smell of blood.

It was at present queer beyond words, “subtle,” he would have risked saying, that such suggestions should keep crossing the scene; but it was doubtless the effect of the thunder in the air, which had hung about all day without release. His hostess was dressed as for thunderous times, and it fell in with the kind of imagination we have just attributed to him that she should be in simplest coolest white, of a character so old-fashioned, if he were not mistaken, that Madame Roland must on the scaffold have worn something like it. This effect was enhanced by a small black fichu or scarf, of crape or gauze, disposed quaintly round her bosom and now completing as by a mystic touch the pathetic, the noble analogy. Poor Strether in fact scarce knew what analogy was evoked for him as the charming woman, receiving him and making him, as she could do such things, at once familiarly and gravely welcome, moved over her great room with her image almost repeated in its polished floor, which had been fully bared for summer. The associations of the place, all felt again; the gleam here and there, in the subdued light, of glass and gilt and parquet, with the quietness of her own note as the centre⁠—these things were at first as delicate as if they had been ghostly, and he was sure in a moment that, whatever he should find he had come for, it wouldn’t be for an impression that had previously failed him. That conviction held him from the outset, and, seeming singularly to simplify, certified to him that the objects about would help him, would really help them both. No, he might never see them again⁠—this was only too probably the last time; and he should certainly see nothing in the least degree like them. He should soon be going to where such things were not, and it would be a small mercy for memory, for fancy, to have, in that stress, a loaf on the shelf. He knew in advance he should look back on the perception actually sharpest with him as on the view of something old, old, old, the oldest thing he had ever personally touched; and he also knew, even while he took his companion in as the feature among features, that memory and fancy couldn’t help being enlisted for her. She might intend what she would, but this was beyond anything she could intend, with things from far back⁠—tyrannies of history, facts of type, values, as the painters said, of expression⁠—all working for her and giving her the supreme chance, the chance of the happy, the really luxurious few, the chance, on a great occasion, to be natural and simple. She had never, with him, been more so; or if it was the perfection of art it would never⁠—and that came to the same thing⁠—be proved against her.

What was truly wonderful was her way of differing so from time to time without detriment to her simplicity. Caprices, he was sure she felt, were before anything else bad manners, and that judgement in her was by itself a thing making more for safety of intercourse than anything that in his various own past intercourses he had had to reckon on. If therefore her presence was now quite other than the one she had shown him the night before, there was nothing of violence in the change⁠—it was all harmony and reason. It gave him a mild deep person, whereas he had had on the occasion to which their interview was a direct reference a person committed to movement and surface and abounding in them; but she was in either character more remarkable for nothing than for her bridging of intervals, and this now fell in with what he understood he was to leave to her. The only thing was that, if he was to leave it all to her, why exactly had she sent for him? He had had, vaguely, in advance, his explanation, his view of the probability of her wishing to set something right, to deal in some way with the fraud so lately practised on his presumed credulity. Would she attempt to carry it further or would she blot it out? Would she throw over it some more or less happy colour; or would she do nothing about it at all? He perceived soon enough at least that, however reasonable she might be, she wasn’t vulgarly confused, and it herewith pressed upon him that their eminent “lie,” Chad’s and hers, was simply after all such an inevitable tribute to good taste as he couldn’t have wished them not to render. Away from them, during his vigil, he had seemed to wince at the amount of comedy involved; whereas in his present posture he could only ask himself how he should enjoy any attempt from her to take the comedy back. He shouldn’t enjoy it at all; but, once more and yet once more, he could trust her. That is he