The Way of All Flesh by Samuel Butler (beautiful books to read .TXT) ๐
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The Way of All Flesh is often considered to be Samuel Butlerโs masterpiece, and is frequently included in many lists of best English-language novels of the 20th century. Despite this acclaim, Butler never published it in his lifetimeโperhaps because the novel, a scathing, funny, and poignant satire of Victorian life, would have hit his contemporaries too close to home.
The novel traces four generations of the Pontifex family, though the central character is Ernest Pontifex, the third-generation wayward son. The reader follows Ernest through the eyes of his watchful godfather, Mr. Overton, as he strikes out from home to find his way in life. His struggles along the way illustrate the complex relationships between a son and his family, and especially his father; all while satirizing Victorian ideas about family, church, marriage, and schooling.
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- Author: Samuel Butler
Read book online ยซThe Way of All Flesh by Samuel Butler (beautiful books to read .TXT) ๐ยป. Author - Samuel Butler
Except that Joey and Charlotte were more fully developed, the house and its inmates, organic and inorganic, were little changed since Ernest had last seen them. The furniture and the ornaments on the chimneypiece were just as they had been ever since he could remember anything at all. In the drawing-room, on either side of the fireplace there hung the Carlo Dolci and the Sassoferrato as in old times; there was the water colour of a scene on the Lago Maggiore, copied by Charlotte from an original lent her by her drawing master, and finished under his direction. This was the picture of which one of the servants had said that it must be good, for Mr. Pontifex had given ten shillings for the frame. The paper on the walls was unchanged; the roses were still waiting for the bees; and the whole family still prayed night and morning to be made โtruly honest and conscientious.โ
One picture only was removedโ โa photograph of himself which had hung under one of his father and between those of his brother and sister. Ernest noticed this at prayer time, while his father was reading about Noahโs ark and how they daubed it with slime, which, as it happened, had been Ernestโs favourite text when he was a boy. Next morning, however, the photograph had found its way back again, a little dusty and with a bit of the gilding chipped off from one corner of the frame, but there sure enough it was. I suppose they put it back when they found how rich he had become.
In the dining-room the ravens were still trying to feed Elijah over the fireplace; what a crowd of reminiscences did not this picture bring back! Looking out of the window, there were the flower beds in the front garden exactly as they had been, and Ernest found himself looking hard against the blue door at the bottom of the garden to see if there was rain falling, as he had been used to look when he was a child doing lessons with his father.
After their early dinner, when Joey and Ernest and their father were left alone, Theobald rose and stood in the middle of the hearthrug under the Elijah picture, and began to whistle in his old absent way. He had two tunes only, one was โIn My Cottage Near a Wood,โ and the other was the Easter Hymn; he had been trying to whistle them all his life, but had never succeeded; he whistled them as a clever bullfinch might whistle themโ โhe had got them, but he had not got them right; he would be a semitone out in every third note as though reverting to some remote musical progenitor, who had known none but the Lydian or the Phrygian mode, or whatever would enable him to go most wrong while still keeping the tune near enough to be recognised. Theobald stood before the middle of the fire and whistled his two tunes softly in his own old way till Ernest left the room; the unchangedness of the external and changedness of the internal he felt were likely to throw him completely off his balance.
He strolled out of doors into the sodden spinney behind the house, and solaced himself with a pipe. Ere long he found himself at the door of the cottage of his fatherโs coachman, who had married an old ladyโs maid of his motherโs, to whom Ernest had been always much attached as she also to him, for she had known him ever since he had been five or six years old. Her name was Susan. He sat down in the rocking-chair before her fire, and Susan went on ironing at the table in front of the window, and a smell of hot flannel pervaded the kitchen.
Susan had been retained too securely by Christina to be likely to side with Ernest all in a moment. He knew this very well, and did not call on her for the sake of support, moral or otherwise. He had called because he liked her, and also because he knew that he should gather much in a chat with her that he should not be able to arrive at in any other way.
โOh, Master Ernest,โ said Susan, โwhy did you not come back when your poor papa and mamma wanted you? Iโm sure your ma has said to me a hundred times over if she has said it once that all should be exactly as it had been before.โ
Ernest smiled to himself. It was no use explaining to Susan why he smiled, so he said nothing.
โFor the first day or two I thought she never would get over it; she said it was a judgement upon her, and went on about things as she had said and done many years ago, before your pa knew her, and I donโt know what she didnโt say or wouldnโt have said only I stopped her; she seemed out of her mind like, and said that none of the neighbours would ever speak to her again, but the next day Mrs. Bushby (her that was Miss Cowey, you know) called, and your ma always was so fond of her, and it seemed to do her a power oโ good, for the next day she went through all her dresses, and we settled how she should have them altered; and then all the neighbours called for miles and miles
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