Main Street by Sinclair Lewis (ink book reader .TXT) 📕
Description
Carol Milford grows up in a mid-sized town in Minnesota before moving to Chicago for college. After her education, during which she’s exposed to big-city life and culture, she moves to Minneapolis to work as a librarian. She soon meets Will Kennicott, a small-town doctor, and the two get married and move to Gopher Prairie, Kennicott’s home town.
Carol, inspired by big-city ideas, soon begins chafing at the seeming quaintness and even backwardness of the townsfolk, and their conservative, self-satisfied way of life. She struggles to try to reform the town in her image, while finding meaning in the seeming cultural desert she’s found herself in and in her increasingly cold marriage.
Gopher Prairie is a detailed, satirical take on small-town American life, modeled after Sauk Centre, the town in which Lewis himself grew up. The town is fully realized, with generations of inhabitants interacting in a complex web of village society. Its bitingly satirical portrayal made Main Street highly acclaimed by its contemporaties, though many thought the satirical take was perhaps a bit too dark and hopeless. The book’s celebration and condemnation of small town life make it a candidate for the title of the Great American Novel.
Main Street was awarded the 1921 Pulitzer Prize, but the decision was overturned by the prize’s Board of Trustees and awarded instead to Edith Wharton for The Age of Innocence. When Lewis went on to win the 1926 Pulitzer for Arrowsmith, he declined it—with the New York Times reporting that he did so because he was still angry at the Pulitzers for being denied the prize for Main Street.
Despite the book’s snub at the Pulitzers, Lewis went on to win the Nobel Prize in Literature in 1930, with Main Street being cited as one of the reasons for his win.
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- Author: Sinclair Lewis
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The two men shook hands a dozen times and, in the Western fashion, bumbled, “Well, well, well, well, you old hellhound, you old devil, how are you, anyway? You old horse-thief, maybe it ain’t good to see you again!” While Sam nodded at her over Kennicott’s shoulder, she was embarrassed.
“Perhaps I should never have gone away. I’m out of practise in lying. I wish they would get it over! Just a block more and—my baby!”
They were home. She brushed past the welcoming Aunt Bessie and knelt by Hugh. As he stammered, “O mummy, mummy, don’t go away! Stay with me, mummy!” she cried, “No, I’ll never leave you again!”
He volunteered, “That’s daddy.”
“By golly, he knows us just as if we’d never been away!” said Kennicott. “You don’t find any of these California kids as bright as he is, at his age!”
When the trunk came they piled about Hugh the bewhiskered little wooden men fitting one inside another, the miniature junk, and the Oriental drum, from San Francisco Chinatown; the blocks carved by the old Frenchman in San Diego; the lariat from San Antonio.
“Will you forgive mummy for going away? Will you?” she whispered.
Absorbed in Hugh, asking a hundred questions about him—had he had any colds? did he still dawdle over his oatmeal? what about unfortunate morning incidents? she viewed Aunt Bessie only as a source of information, and was able to ignore her hint, pointed by a coyly shaken finger, “Now that you’ve had such a fine long trip and spent so much money and all, I hope you’re going to settle down and be satisfied and not—”
“Does he like carrots yet?” replied Carol.
She was cheerful as the snow began to conceal the slatternly yards. She assured herself that the streets of New York and Chicago were as ugly as Gopher Prairie in such weather; she dismissed the thought, “But they do have charming interiors for refuge.” She sang as she energetically looked over Hugh’s clothes.
The afternoon grew old and dark. Aunt Bessie went home. Carol took the baby into her own room. The maid came in complaining, “I can’t get no extra milk to make chipped beef for supper.” Hugh was sleepy, and he had been spoiled by Aunt Bessie. Even to a returned mother, his whining and his trick of seven times snatching her silver brush were fatiguing. As a background, behind the noises of Hugh and the kitchen, the house reeked with a colorless stillness.
From the window she heard Kennicott greeting the Widow Bogart as he had always done, always, every snowy evening: “Guess this’ll keep up all night.” She waited. There they were, the furnace sounds, unalterable, eternal: removing ashes, shoveling coal.
Yes. She was back home! Nothing had changed. She had never been away. California? Had she seen it? Had she for one minute left this scraping sound of the small shovel in the ash-pit of the furnace? But Kennicott preposterously supposed that she had. Never had she been quite so far from going away as now when he believed she had just come back. She felt oozing through the walls the spirit of small houses and righteous people. At that instant she knew that in running away she had merely hidden her doubts behind the officious stir of travel.
“Dear God, don’t let me begin agonizing again!” she sobbed. Hugh wept with her.
“Wait for mummy a second!” She hastened down to the cellar, to Kennicott.
He was standing before the furnace. However inadequate the rest of the house, he had seen to it that the fundamental cellar should be large and clean, the square pillars whitewashed, and the bins for coal and potatoes and trunks convenient. A glow from the drafts fell on the smooth gray cement floor at his feet. He was whistling tenderly, staring at the furnace with eyes which saw the black-domed monster as a symbol of home and of the beloved routine to which he had returned—his gipsying decently accomplished, his duty of viewing “sights” and “curios” performed with thoroughness. Unconscious of her, he stooped and peered in at the blue flames among the coals. He closed the door briskly, and made a whirling gesture with his right hand, out of pure bliss.
He saw her. “Why, hello, old lady! Pretty darn good to be back, eh?”
“Yes,” she lied, while she quaked, “Not now. I can’t face the job of explaining now. He’s been so good. He trusts me. And I’m going to break his heart!”
She smiled at him. She tidied his sacred cellar by throwing an empty bluing bottle into the trash bin. She mourned, “It’s only the baby that holds me. If Hugh died—” She fled upstairs in panic and made sure that nothing had happened to Hugh in these four minutes.
She saw a pencil-mark on a windowsill. She had made it on a September day when she had been planning a picnic for Fern Mullins and Erik. Fern and she had been hysterical with nonsense, had invented mad parties for all the coming winter. She glanced across the alley at the room which Fern had occupied. A rag of a gray curtain masked the still window.
She tried to think of someone to whom she wanted to telephone. There was no one.
The Sam Clarks called that evening and encouraged her to describe the missions. A dozen times they told her how glad they were to have her back.
“It is good to be wanted,” she thought. “It will drug me. But—Oh, is all life, always, an unresolved But?”
XXXV IShe tried to be content, which was a contradiction in terms. She fanatically cleaned house all April. She knitted a sweater for Hugh. She was diligent at Red Cross work. She was silent when Vida raved that though America hated war as much as ever, we must invade Germany and wipe out every man, because it was now proven that there was no soldier in the
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