Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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Whatever his sensations might have been, however, the stern old man would have no confidant. He never mentioned his son’s name to his daughters; but ordered the elder to place all the females of the establishment in mourning; and desired that the male servants should be similarly attired in deep black. All parties and entertainments, of course, were to be put off. No communications were made to his future son-in-law, whose marriage-day had been fixed: but there was enough in Mr. Osborne’s appearance to prevent Mr. Bullock from making any inquiries, or in any way pressing forward that ceremony. He and the ladies whispered about it under their voices in the drawing-room sometimes, whither the father never came. He remained constantly in his own study; the whole front part of the house being closed until some time after the completion of the general mourning.
About three weeks after the 18th of June, Mr. Osborne’s acquaintance, Sir William Dobbin, called at Mr. Osborne’s house in Russell Square, with a very pale and agitated face, and insisted upon seeing that gentleman. Ushered into his room, and after a few words, which neither the speaker nor the host understood, the former produced from an inclosure a letter sealed with a large red seal. “My son, Major Dobbin,” the Alderman said, with some hesitation, “despatched me a letter by an officer of the —th, who arrived in town today. My son’s letter contains one for you, Osborne.” The Alderman placed the letter on the table, and Osborne stared at him for a moment or two in silence. His looks frightened the ambassador, who after looking guiltily for a little time at the grief-stricken man, hurried away without another word.
The letter was in George’s well-known bold handwriting. It was that one which he had written before daybreak on the 16th of June, and just before he took leave of Amelia. The great red seal was emblazoned with the sham coat of arms which Osborne had assumed from the Peerage, with “Pax in bello” for a motto; that of the ducal house with which the vain old man tried to fancy himself connected. The hand that signed it would never hold pen or sword more. The very seal that sealed it had been robbed from George’s dead body as it lay on the field of battle. The father knew nothing of this, but sat and looked at the letter in terrified vacancy. He almost fell when he went to open it.
Have you ever had a difference with a dear friend? How his letters, written in the period of love and confidence, sicken and rebuke you! What a dreary mourning it is to dwell upon those vehement protests of dead affection! What lying epitaphs they make over the corpse of love! What dark, cruel comments upon Life and Vanities! Most of us have got or written drawers full of them. They are closet-skeletons which we keep and shun. Osborne trembled long before the letter from his dead son.
The poor boy’s letter did not say much. He had been too proud to acknowledge the tenderness which his heart felt. He only said, that on the eve of a great battle, he wished to bid his father farewell, and solemnly to implore his good offices for the wife—it might be for the child—whom he left behind him. He owned with contrition that his irregularities and his extravagance had already wasted a large part of his mother’s little fortune. He thanked his father for his former generous conduct; and he promised him that if he fell on the field or survived it, he would act in a manner worthy of the name of George Osborne.
His English habit, pride, awkwardness perhaps, had prevented him from saying more. His father could not see the kiss George had placed on the superscription of his letter. Mr. Osborne dropped it with the bitterest, deadliest pang of balked affection and revenge. His son was still beloved and unforgiven.
About two months afterwards, however, as the young ladies of the family went to church with their father, they remarked how he took a different seat from that which he usually occupied when he chose to attend divine worship; and that from his cushion opposite, he looked up at the wall over their heads. This caused the young women likewise to gaze in the direction towards which their father’s gloomy eyes pointed: and they saw an elaborate monument upon the wall, where Britannia was represented weeping over an urn, and a broken sword
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