Short Fiction by Xavier de Maistre (digital e reader txt) 📕
Description
Xavier de Maistre lived mostly as a military man, fighting in France and Russia around the turn of the 19th century. In 1790 a duel he participated in led him to be put under arrest in Turin; during his confinement in a tiny chamber, he wrote his most famous work, “A Journey Round My Room.”
“Journey” is a short story written as a parody of the grand travelogues popular at the time. He frames his six weeks’ confinement as a long journey across the unknown land of his room, visiting the furniture, the paintings on the wall, and even venturing to the north side. De Maistre didn’t hold the work in very high regard, but after his brother had it published in 1794 it became a fast success, eventually calling for a sequel (“A Night Journey Round My Room”), and warranting allusions in fiction by writers like D. H. Lawrence, Wilkie Collins, W. Somerset Maugham, and Jorge Luis Borges.
The rest of his literary corpus is modest, and consists entirely of short works. “The Leper of the City of Aosta” is a philosophical dialogue on the struggles of a leper whose days are seemingly filled with unending sorrow; “The Prisoners of the Caucasus” is the fictional narrative of a captured general and his faithful servant, set against a rich background of Cossack factions in the Caucasus of Imperial Russia reminiscent of Tolstoy’s Hadji Murád; and “The Young Siberian” is the true story of Prascovia Lopouloff, a poor Russian girl who sets out on a journey to secure an imperial pardon for her exiled father.
De Maistre never set out to have a literary career, but his carefully-considered output made him famous across the continent.
Read free book «Short Fiction by Xavier de Maistre (digital e reader txt) 📕» - read online or download for free at americanlibrarybooks.com
- Author: Xavier de Maistre
Read book online «Short Fiction by Xavier de Maistre (digital e reader txt) 📕». Author - Xavier de Maistre
Above all the rest do I love the poets who carry me back to the remotest antiquity. The death of the ambitious Agamemnon, the madness of Orestes, and the tragical history of the heaven-persecuted family of the Atrides, inspire me with a terror that all the events of modern times could not excite in my breast.
Behold the fatal urn which contains the ashes of Orestes! Who would not shudder at the sight? Electra, unhappy sister! be comforted, for it is Orestes himself who bears the urn, and the ashes are those of his enemies.
No longer are their banks like those of Xanthus or the Scamander. No longer do we visit plains such as those of Hesperia or Arcadia. Where are now the isles of Lemnos and Crete? Where the famous labyrinth? Where is the rock that forlorn Ariadne washed with her tears? Theseus is seen no more; Hercules is gone forever. The men, aye, and the heroes of our day are but pigmies.
When I would visit a scene full of enthusiasm, and put forth all the strength of my imagination, I cling boldly to the flowing robe of the sublime blind poet of Albion at the moment when he soars heavenward, and dares approach the throne of the Eternal. What muse was able to sustain him in a flight so lofty that no man before him ever ventured to raise his eyes so high? From heaven’s dazzling pavement which avaricious Mammon looked down upon with envious eyes, I pass, horror-stricken, to the vast caverns of Satan’s sojourn. I take my place at the infernal council, mingle with the host of rebellious spirits, and listen to their discourse.
But here I must confess a weakness for which I have often reproached myself.
I cannot help taking a certain interest in Satan, thus hurled headlong from heaven. (I am speaking, of course, of Milton’s Satan.) While I blame the obstinacy of the rebel angel, the firmness he shows in the midst of his exceeding great misery, and the grandness of his courage, inspire me, against my will, with admiration. Although not ignorant of the woe resulting from the direful enterprise that led him to force the gate of hell and to trouble the home of our first parents, I cannot for a moment, do what I will, wish he may perish in the confusion of chaos on his way. I even think I could willingly help him, did not shame withhold me. I follow his every movement, and take as much pleasure in travelling with him as if I were in very good company. In vain I consider that after all he is a devil on his way to the ruin of the human race, that he is a thorough democrat not after the manner of those of Athens, but of Paris. All this does not cure me of my prejudice in his favor.
How vast was his project! How great the boldness displayed in its execution!
When the thrice-threefold gates of hell fly open before him, and the dark, boundless ocean discloses itself in all its horror at his feet, with undaunted eye he surveys the realm of chaos, and then, opening his sail-broad wings, precipitates himself into the abyss.10
To me this passage is one of the noblest efforts of imagination, and one of the most splendid journeys ever made, next to the journey round my room.
XXXVIIII should never end if I tried to describe a thousandth part of the strange events I meet with when I travel in my library. The voyages of Cook and the observations of his fellow-travellers Banks and Solander are nothing compared with my adventures in this one district. Indeed, I think I could spend my life there in a kind of rapture, were it not for the bust I have already mentioned, upon which my eyes and thoughts always fix themselves at last, whatever may be the position of my soul. And when my soul is violently agitated, or a prey to despair, a glance at this bust suffices to restore the troubled being to its natural state. It sounds the chord upon which I keep in tune the harmonies, and correct the discords of the sensations and perceptions of which my being is made up. How striking the likeness! Those are the features nature gave to the best of men. O, that the sculptor had been able to bring to view his noble soul, his genius, his character! But what am I attempting! Is it here that his praise should be recorded? Do I address myself to the men that surround me? Ah! what concern is it of theirs?
I am contented to bend before thy image, O best of fathers! Alas, that this should be all that is left me of thee and of my fatherland! Thou quittedst the earth when crime was about to invade it; and so heavy are the ills that oppress thy family, that we are constrained to regard thy loss as a blessing. Many would have been the evils a longer life would have brought upon thee! And dost thou, O my father, dost thou, in thine abode of bliss, know the lot of thy family! Knowest thou that thy children are exiled from the country thou hast served with so much zeal and integrity for sixty years?
Dost thou know that they are forbidden to visit thy grave? But tyranny has not been able to deprive them of the most precious part of thy heritage, the record of thy virtues, and the force of thine example. In the midst of the torrent of crime which has borne their fatherland and their patrimony to ruin, they have steadfastly remained united in the path marked out for them by thee. And when it shall be given them to prostrate themselves once more beside
Comments (0)