Tigana by Guy Kay (novel24 txt) 📕

come into town from their country estates. And being in town they could hardly not be present to see Sandre mourned—for all that many or most of them had bitterly hated him while he ruled, and the fathers or grandfathers of some had paid for poison or hired blades thirty years ago and more in the hope that these same rites might have taken place long since.

The two priests and Adaon’s priestess were already in their seats, seeming, in the manner of clergy everywhere, to be privy to a mystery that they collectively shielded from lesser mortals with the gravity of their repose.

Menico’s company waited in a small room off the courtyard that Tomasso had ordered set aside for their use. All the usual amenities were there, and some that were far from usual: Devin couldn’t remember seeing blue wine offered to performers before. An extravagant gesture, that. He wasn’t tempted though; it was too early and he was too much on edge. To calm himself he walked over to Eghano who was lazily drumming, as he always seemed to be, on a tabletop.

Eghano glanced up at him and smiled. ‘It’s just a performance,’ he said in his soft sibilant voice. ‘We do what we always do. We make music. We move on.’

Devin nodded, and forced a smile in return. His throat was dry though. He went to the side-tables, and one of the two hovering servants hastened to pour him water in a gold and crystal goblet worth more than everything Devin owned in the world. A moment later Menico signalled and they went out into the courtyard.

The dancers began it, backed by hidden strings and pipes. No voices. Not yet.

If Aldine and Nieri had burned love candles late last night it didn’t show—or if it did, only in the concentration and intensity of their twinned movements that morning.

Sometimes seeming to pull the music forward, sometimes following it, they looked—with their thin, whitened faces, their blue-grey tunics and the jet-black gloves that hid their palms—truly otherworldly. Which was as Menico had trained his dancers to be. Not inviting or alluring as some other troupes approached this dance of the rites, nor a merely graceful prelude to the real performance, as certain other companies conceived it. Menico’s dancers were guides, cold and compelling, towards the place of the dead and of mourning for the dead. Gradually, inexorably, the slow grave movements, the expressionless, almost inhuman faces imposed the silence that was proper on that restive, preening audience.

And in that silence the three singers and four musicians came forward and began the ‘Invocation’ to Eanna of the Lights who had made the world, the sun, the two moons and the scattered stars that were the diamonds of her diadem.

Rapt and attentive to what they were doing, using all the contrivances of professional skill to shape an apparent artlessness, the company of Menico di Ferraut carried the lords and ladies and the merchant princes of Astibar with them on a ruthlessly disciplined cresting of sorrow. In mourning Sandre, Duke of Astibar, they mourned—as was proper—the dying of all the Triad’s mortal children, brought through Morian’s portals to move on Adaon’s earth under Eanna’s lights for so short a time. So sweet and bitter and short a season of days.

Devin heard Catriana’s voice reaching upwards towards the high place where Alessan’s pipes seemed to be calling her, cold and precise and austere. He felt, even more than he heard, Menico and Eghano grounding them all with their deep line. He saw the two dancers— now statues in a frieze, now whirling as captives in the trap of time—and at the moment that was proper he let his own voice soar with the two syrenyae into the space that had been left for them to fill, in the middle range where mortals lived and died.

So Menico di Ferraut had shaped his approach to the seldom-performed Full Mourning Rites long ago, bringing forty years of art and a full, much-travelled life to the moment that this morning had become. Even as he began to sing, Devin’s heart swelled with pride and a genuine love for the rotund, unassuming leader who had guided them here and into what they were shaping.

They stopped, as planned, after the sixth stage, for their own sake and their listeners’. Tomasso had spoken with Menico beforehand, and the nobles’ progression past Sandre’s bier would now take place upstairs. After, the company would finish with the last three rites, ending on Devin’s ‘Lament’, and then the body would be brought down and the crowd outside admitted with their leaves for the crystal vase.

Menico led them out from the courtyard amid a silence so deep it was their highest possible accolade. They re-entered the room that had been reserved for their use. Caught up in the mood they themselves had created, no one spoke. Devin moved to help the two dancers into the robes they wore between performances and then watched as they paced the perimeter of the room, slender and cat-like in their grace. He accepted a glass of green wine from one of the servants but declined the offered plate of food. He exchanged a glance but not a smile—not now—with Alessan. Drenio and Pieve, the syrenya-players, were bent over their instruments, adjusting the strings. Eghano, pragmatic as ever, was eating while idly drumming the table with his free hand. Menico walked by, restless and distracted. He gave Devin a wordless squeeze on the arm.

Devin looked for Catriana and saw her just then leaving the room through an inner archway. She glanced back. Their glances met for a second, then she went on. Light, strangely filtered, fell from a high unseen window upon the space where she had been.

Devin really didn’t know why he did it. Even afterwards when so much had come to pass, flowing outwards in all directions like ripples in water from this moment, he was never able to say exactly why he followed her.

Simple curiosity. Desire. A