Short Fiction by Vladimir Korolenko (ready player one ebook TXT) đź“•
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Vladimir Korolenko was a Ukrainian author and humanitarian. His short stories and novellas draw both on the myths and traditions of his birthplace, and his experiences of Siberia as a political exile due to his outspoken criticism of both the Tsars and the Bolsheviks. His first short story was published in 1879, and over the next decade he received many plaudits from critics and other authors, including Chekhov, though he also received some criticism for perceived uneven quality. He continued writing short stories for the rest of his career, but thought of himself more as a journalist and human rights advocate.
Korolenko’s work focuses on the lives and experiences of poor and down-on-their-luck people; this collection includes stories about life on the road (“A Saghálinian” and “Birds of Heaven”), life in the forest (“Makar’s Dream” and “The Murmuring Forest”), religious experience (“The Old Bell-Ringer,” “The Day of Atonement” and “On the Volva”) and many more. Collected here are all of the available public domain translations into English of Korolenko’s short stories and novels, in chronological order of their translated publication. They were translated by Aline Delano, Sergius Stepniak, William Westall, Thomas Seltzer, Marian Fell, Clarence Manning and The Russian Review.
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- Author: Vladimir Korolenko
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“Well, what do you see?” the boys asked from below, with lively curiosity.
I was silent. By peering over the sill I could see down into the interior of the chapel, from whence there rose to meet me all the solemn quiet of an abandoned place of worship. The interior of the tall, narrow building was innocent of paint. The evening sunlight was streaming unobstructed through the open windows, staining the peeling walls a brilliant gold. I saw the inside of the closed door, the crumbling gallery, the ancient tottering columns. The distance from the window to the floor appeared much greater than from the window to the grass outside. I seemed to be looking down into a deep abyss, and at first I could not make out what certain strange objects were whose fantastic forms were resting upon the floor.
Meanwhile my friends were growing weary of standing below waiting for me to give them news, and one of them climbed up by the same method that I had employed, and took his seat beside me, holding on to the window frame.
“That’s the altar,” he said, looking down at one of the strange objects on the floor.
“And that’s the lustre.”
“And that’s the little table for the Bible.”
“Yes, but what’s that?” I asked, pointing to the dark shape that lay beside the altar.
“That’s a priest’s hat.”
“No, it’s a bucket.”
“What would they have used a bucket for?”
“To carry coals for the incense.”
“No, it certainly is a hat. Anyhow, we can find out!” I cried. “Here, let’s tie your belt to the windowsill, and you can let yourself down by it!”
“I like that! Let yourself down if you want to!”
“Do you think I wouldn’t go?”
“Go on then!”
Acting on impulse I tied the two belts together, slipped them under the windowsill, and, giving one end to my companion, let myself down by the other. I trembled as my feet touched the floor, but a glance at my friend’s face bending sympathetically over me reassured me. The sound of my heels rang out under the ceiling, resounding in the chapel’s void, and echoing among its dark corners. A few sparrows started up from their roosts in the gallery and fluttered out through a large hole in the roof. All at once I caught sight of a stern, bearded face under a crown of thorns looking down at me from over the window in which we had been sitting. It was an immense crucifix leaning out from high up under the rafters.
I was seized with dread. My companion’s eyes sparkled, and he held his breath with curiosity and sympathy.
“Are you going any farther?” he asked in a low voice.
“Yes,” I answered in the same tone, summoning all my courage, but at that instant something totally unexpected happened. First, we heard the rattle of plaster falling in the gallery. Then something moved overhead, stirring up clouds of dust, and a big grey mass flapped its wings and rose to the hole in the roof. The chapel was darkened in a moment. A huge old owl, frightened out of a dark corner by our noise, hung poised for a moment in the aperture with outstretched wings, and then sailed away.
A wave of shuddering fear passed over me.
“Pull me up!” I cried to my playmate, and seized the strap.
“Don’t be frightened!” he answered soothingly and prepared to pull me up into the sunshine and the light of day.
But all at once I saw his face become distorted with alarm. He screamed, jumped down from the windowsill, and vanished in an instant. I instinctively looked behind me, and caught sight of a strange apparition which filled me, however, more with surprise than terror.
The dark object that had been the subject of our dispute, and that had first looked like a bucket, then like a hat, and then at last like a kettle, suddenly flashed across my vision and vanished behind the altar. All I could distinguish was the dim outline of a small, what seemed to be a child’s, hand, beckoning the object into its hiding place.
It would be hard to describe my sensations at that moment. They were not painful, the feeling that overcame me could not even be called fear. I seemed to be in another world. From somewhere, as if from the world that I had left, there came to me, a few seconds later, the swift frightened pattering of three pairs of children’s feet. This sound soon died away, and I was left alone in that tomb-like place, in the presence of an apparition inexplicable and strange.
Time ceased to exist for me, therefore I cannot say whether it was soon or not before I was aware of suppressed whispering under the altar.
“Why doesn’t he climb up again?”
“You can see, he’s frightened.”
The first voice seemed to be that of a very little child, the second might have belonged to a boy of my own age. I seemed to see, too, a pair of black eyes shining through the chinks in the old altar.
“What’s he going to do now?” the whisper recommenced.
“Wait and see,” answered the older voice.
Something moved so violently under the altar that the structure trembled, and a little figure emerged from underneath it.
It was a boy of nine, taller than I was, thin and slight as a reed. He was dressed in a dirty shirt, and his hands were thrust into the pockets of a pair of short, tight breeches. His black hair hung in shaggy elf-locks over his dark, pensive eyes.
Although he was a stranger and had appeared on the scene in such an unusual and unexpected manner, and although he was approaching me with that infinitely provocative look with which boys always met each other among our bazaars when they were preparing for a fight, I nevertheless felt very much braver
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