The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“You!” he heard her whisper.
Many times Soames had rehearsed this scene in fancy. Rehearsal served him not at all. He simply could not speak. He had never thought that the sight of this woman whom he had once so passionately desired, so completely owned, and whom he had not seen for twelve years, could affect him in this way. He had imagined himself speaking and acting, half as man of business, half as judge. And now it was as if he were in the presence not of a mere woman and erring wife, but of some force, subtle and elusive as atmosphere itself within him and outside. A kind of defensive irony welled up in him.
“Yes, it’s a queer visit! I hope you’re well.”
“Thank you. Will you sit down?”
She had moved away from the piano, and gone over to a window-seat, sinking on to it, with her hands clasped in her lap. Light fell on her there, so that Soames could see her face, eyes, hair, strangely as he remembered them, strangely beautiful.
He sat down on the edge of a satinwood chair, upholstered with silver-coloured stuff, close to where he was standing.
“You have not changed,” he said.
“No? What have you come for?”
“To discuss things.”
“I have heard what you want from your cousin.”
“Well?”
“I am willing. I have always been.”
The sound of her voice, reserved and close, the sight of her figure watchfully poised, defensive, was helping him now. A thousand memories of her, ever on the watch against him, stirred, and. …
“Perhaps you will be good enough, then, to give me information on which I can act. The law must be complied with.”
“I have none to give you that you don’t know of.”
“Twelve years! Do you suppose I can believe that?”
“I don’t suppose you will believe anything I say; but it’s the truth.”
Soames looked at her hard. He had said that she had not changed; now he perceived that she had. Not in face, except that it was more beautiful; not in form, except that it was a little fuller—no! She had changed spiritually. There was more of her, as it were, something of activity and daring, where there had been sheer passive resistance. “Ah!” he thought, “that’s her independent income! Confound Uncle Jolyon!”
“I suppose you’re comfortably off now?” he said.
“Thank you, yes.”
“Why didn’t you let me provide for you? I would have, in spite of everything.”
A faint smile came on her lips; but she did not answer.
“You are still my wife,” said Soames. Why he said that, what he meant by it, he knew neither when he spoke nor after. It was a truism almost preposterous, but its effect was startling. She rose from the window-seat, and stood for a moment perfectly still, looking at him. He could see her bosom heaving. Then she turned to the window and threw it open.
“Why do that?” he said sharply. “You’ll catch cold in that dress. I’m not dangerous.” And he uttered a little sad laugh.
She echoed it—faintly, bitterly.
“It was—habit.”
“Rather odd habit,” said Soames as bitterly. “Shut the window!”
She shut it and sat down again. She had developed power, this woman—this—wife of his! He felt it issuing from her as she sat there, in a sort of armour. And almost unconsciously he rose and moved nearer; he wanted to see the expression on her face. Her eyes met his unflinching. Heavens! how clear they were, and what a dark brown against that white skin, and that burnt-amber hair! And how white her shoulders.
Funny sensation this! He ought to hate her.
“You had better tell me,” he said; “it’s to your advantage to be free as well as to mine. That old matter is too old.”
“I have told you.”
“Do you mean to tell me there has been nothing—nobody?”
“Nobody. You must go to your own life.”
Stung by that retort, Soames moved towards the piano and back to the hearth, to and fro, as he had been wont in the old days in their drawing-room when his feelings were too much for him.
“That won’t do,” he said. “You deserted me. In common justice it’s for you. …”
He saw her shrug those white shoulders, heard her murmur:
“Yes. Why didn’t you divorce me then? Should I have cared?”
He stopped, and looked at her intently with a sort of curiosity. What on earth did she do with herself, if she really lived quite alone? And why had he not divorced her? The old feeling that she had never understood him, never done him justice, bit him while he stared at her.
“Why couldn’t you have made me a good wife?” he said.
“Yes; it was a crime to marry you. I have paid for it. You will find some way perhaps. You needn’t mind my name, I have none to lose. Now I think you had better go.”
A sense of defeat—of being defrauded of his self-justification, and of something else beyond power of explanation to himself, beset Soames like the breath of a cold fog. Mechanically he reached up, took from the mantel-shelf a little china bowl, reversed it, and said:
“Lowestoft. Where did you get this? I bought its fellow at Jobson’s.” And, visited by the sudden memory of how, those many years ago, he and she had bought china together, he remained staring at the little bowl, as if it contained all the past. Her voice roused him.
“Take it. I don’t want it.”
Soames put it back on the shelf.
“Will you shake hands?” he said.
A faint smile curved her lips. She held out her hand. It was cold to his rather feverish touch. “She’s
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