The Night Land by William Hope Hodgson (best new books to read .txt) π
Description
The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earthβs far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.
The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramidβwhich he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land βone of the most potent pieces of macabre imagination ever written.β
The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his βbrain elements,β which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a βmaster wordβ sent by the caller may verify the integrity of the signalβa description of a kind of early public-key cryptography.
The narrator survives on food pellets and βpowdered water,β predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by βEarth current,β which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.
Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the bookβs more difficult aspects. Critics also frequently cite the bookβs highly repetitious nature, simplistic characterization, and inordinate lengthβnearly 200,000 wordsβas major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.
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- Author: William Hope Hodgson
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And the Maid and I both to have stood a while, that we stare at this thing; for it did be more strange than I have made you to know; but now I did make to our journey again, and did think the Maid followed; but lo! in a moment, when that I lookt, she was to my back, and went toward the great boiling fountain. Then I stopt very swift, and called to her; but she did take no heed of me, and went onward very naughty, unto the danger of the great boil of the Jet, and the constant flying out of the stones, that you do know.
Now, even as I stood and lookt, the Maid drew nigh to the place where the water did thunder; and the Jet in that moment to bellow, so that I knew it came upward again. And I ran then after the Maid, and she to see me, and began likewise to run from me toward the monstrous fountain; and surely I did think that I had done well if that I had whipt or beat her proper before this time; for truly it did be as that her naughtiness had gone nigh unto somewhat that did be near to a wayward madness, so that as I did perceive all her nature did surely work in her toward some deed that should be for regret; and this to come, because that she did be something pusht from her dear balance by her loving, and by the acting of my manhood upon her, so that her nature both to be in rebellion against me and to need me, and all in the same time. And this-way, she to be in an inward turmoil, and to be ready foolishly that she put in danger her beloved life, if only thereby she to make me something adrift, and in the same moment to have some ease of her perverseness. And, in verity, you to know all this, because that I have shown the working of her heart to you before this time.
Now, I caught the Maid among the great rocks, which did stand all about; and before her there did be a monstrous pit whence came the upbursting of the water; and the water to go upward before our faces in a mighty column, so that it did be as that a sea shot up on end, into a pillar of living water, and went upward forever, as it did seem in that moment. And how we should be saved, I knew not, for the water did be as that it overhung us, and should come down upon us and smother us in one moment, forever. And the roar was in our ears and shook all the air of that place with sound, as of an harsh and dreadful thunder; and there was a scalding of beaten water, as fine as an haze, all about us.
And I had the Maid in one instant into mine arms, and I ran very swift, with a fierce running, that I have her away speedy, and so made forlorn trial that I save her life. And lo! as I went from under that huge and dreadful overhang of the great waters, there came downward from the height a great stone that had been cast by the Jet, and it burst upon the rock to my back, and certain of the flinders did strike and ring upon mine armour, and made me to stagger as I ran. But I held the Maid crowded safe against my breast, and she did not be hurt; and truly I was yet able to run, and did save Mine Own, and brought her out from under that grim Spouting.
And I put the Maid down then to her feet; and she not to know how near that she had given us to death, neither of the way that the fragments did strike me; for she laughed very naughty and gleeful. But truly I laughed not; for my heart had been nigh husht with terror for her; so that I did be yet sick in my spirit, and mayhap also something shaken by the blows that I gat from the broken stone.
And, in verity, I to have meant that I flog her, very sharp, if that there be no other way that I might bring her to reason; for, in surety, as you to see, she to be acting so wild as a child, and so unreasoning as only a Maid-in-love; and I to know that she did have to be brought back from this way of spirit, even though I have to hurt her pretty body, that I bring her again to her dear natural wiseness.
Yet, indeed, I could not whip her then, because that she did laugh so joyous, though with a naughty heart, and did look so wondrous dainty, so that even her defyings did but seem that which my heart desired. And you, mayhap, to have been something likewise in the love-days. Yet I pled and reasoned with her to be a wise maid; but, indeed, she only to make a gleeful mock of all that I did say.
Now I went forward again, for I was not harmed by the stone, only that I did be shaked, as you shall think. And the Maid to go offward from me, and to sing, and did oft dance naughtily as she went. But truly, I did be silent with her, for I was but human, and did lack that she come to mine arms, and love me, because that I had pluckt her safe from that place. And, indeed, this to be but
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