Barchester Towers by Anthony Trollope (e reading malayalam books TXT) 📕
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Barchester Towers, published in 1857, is the sequel to Trollope’s The Warden and continues the story of the clerical doings in the fictional cathedral town of Barchester.
As this novel opens, the old Bishop of Barchester lies dying, and there is considerable doubt as to who will replace him. The Bishop’s son Dr. Grantly, the Archdeacon, has high hopes of succeeding him, but these hopes are dashed and a new Bishop, Dr. Proudie, is appointed. Along with Dr. Proudie comes his domineering wife and their ambitious chaplain the Reverend Mr. Slope.
The old clerical party headed by Dr. Grantly and the new, championed by Mrs. Proudie and Mr. Slope, are soon in contention over Church matters. These two parties represent a then-significant struggle between different evangelical approaches in the Church of England. One local issue in particular is fought over—the appointment of a new Warden for Hiram’s Hospital, the focus of the preceding book.
Mrs. Eleanor Bold is the daughter of Mr. Harding, the prior Warden. She has recently been widowed. The wealth she inherited from her late husband makes her an attractive match, and her affections are in contention from several prospective suitors, including the oily Mr. Slope. All of this lends itself to considerable humor and interest.
Though not well received by critics on its initial publication, Barchester Towers is now regarded as one of Trollope’s most popular novels. Together with The Warden, it was made into a very successful television series by the BBC in 1982.
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- Author: Anthony Trollope
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In this affair of his marriage it had been represented to him as a matter of duty that he ought to put himself in possession of Mrs. Bold’s hand and fortune, and at first he had so regarded it. About her he had thought but little. It was the customary thing for men situated as he was to marry for money, and there was no reason why he should not do what others around him did. And so he consented. But now he began to see the matter in another light. He was setting himself down to catch this woman, as a cat sits to catch a mouse. He was to catch her, and swallow her up, her and her child, and her houses and land, in order that he might live on her instead of on his father. There was a cold, calculating, cautious cunning about this quite at variance with Bertie’s character. The prudence of the measure was quite as antagonistic to his feelings as the iniquity.
And then, should he be successful, what would be the reward? Having satisfied his creditors with half of the widow’s fortune, he would be allowed to sit down quietly at Barchester, keeping economical house with the remainder. His duty would be to rock the cradle of the late Mr. Bold’s child, and his highest excitement a demure party at Plumstead Rectory, should it ultimately turn out that the archdeacon would be sufficiently reconciled to receive him.
There was very little in the programme to allure such a man as Bertie Stanhope. Would not the Carrara workshop, or whatever worldly career fortune might have in store for him, would not almost anything be better than this? The lady herself was undoubtedly all that was desirable, but the most desirable lady becomes nauseous when she has to be taken as a pill. He was pledged to his sister, however, and let him quarrel with whom he would, it behoved him not to quarrel with her. If she were lost to him, all would be lost that he could ever hope to derive henceforward from the paternal rooftree. His mother was apparently indifferent to his weal or woe, to his wants or his warfare. His father’s brow got blacker and blacker from day to day, as the old man looked at his hopeless son. And as for Madeline—poor Madeline, whom of all of them he liked the best—she had enough to do to shift for herself. No; come what might, he must cling to his sister and obey her behests, let them be ever so stern—or at the very least seem to obey them. Could not some happy deceit bring him through in this matter, so that he might save appearances with his sister and yet not betray the widow to her ruin? What if he made a confederate of Eleanor? ’Twas in this spirit that Bertie Stanhope set about his wooing.
“But you are not going to leave Barchester?” asked Eleanor.
“I do not know,” he replied; “I hardly know yet what I am going to do. But it is at any rate certain that I must do something.”
“You mean about your profession?” said she.
“Yes, about my profession, if you can call it one.”
“And is it not one?” said Eleanor. “Were I a man, I know none I should prefer to it, except painting. And I believe the one is as much in your power as the other.”
“Yes, just about equally so,” said Bertie with a little touch of inward satire directed at himself. He knew in his heart that he would never make a penny by either.
“I have often wondered, Mr. Stanhope, why you do not exert yourself more,” said Eleanor, who felt a friendly fondness for the man with whom she was walking. “But I know it is very impertinent in me to say so.”
“Impertinent!” said he. “Not so, but much too kind. It is much too kind in you to take any interest in so idle a scamp.”
“But you are not a scamp, though you are perhaps idle. And I do take an interest in you, a very great interest,” she added in a voice which almost made him resolve to change his mind. “And when I call you idle, I know you are only so for the present moment. Why can’t you settle steadily to work here in Barchester?”
“And make busts of the bishop, dean, and chapter? Or perhaps, if I achieve a great success, obtain a commission to put up an elaborate tombstone over a prebendary’s widow, a dead lady with a Grecian nose, a bandeau, and an intricate lace veil; lying of course on a marble sofa from among the legs of which death will be creeping out and poking at his victim with a small toasting-fork.”
Eleanor laughed, but yet she thought that if the surviving prebendary paid the bill, the object of the artist as a professional man would in a great measure be obtained.
“I don’t know about the dean and chapter and the prebendary’s widow,” said Eleanor. “Of course you must take them as they come. But the fact of your having a great cathedral in which such ornaments are required could not but be in your favour.”
“No real artist could descend to the ornamentation of a cathedral,” said Bertie, who had his ideas of the high ecstatic ambition of art, as indeed all artists have who are not in receipt of a good income. “Buildings should be fitted to grace the sculpture, not the sculpture to grace the
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