Notre-Dame de Paris by Victor Hugo (e reader for manga txt) 📕
Description
Esmeralda is a breathtaking beauty and attracts the attention of men all around her, including an actor, a captain, and an archdeacon, to whom she is of course forbidden. But because of a kindness she paid to him, there is one whose love for her is pure: the archdeacon’s bellringer. The actions of the archdeacon, who cannot control his lust for the young woman, ultimately draws all four men into her orbit, and his, with tragic consequences.
Hugo’s tragic novel is an ode to gothic architecture in general and that of Notre-Dame de Paris in particular. Hugo was upset both at the neglect of buildings like Notre-Dame, and the modernization of those that weren’t being neglected. By centering on the building, he was able to bring all classes into his story: from kings and nobles to bellringers and sewer rats. The first American translation changed the title to “The Hunchback of Notre Dame,” shifting attention to the bellringer, but Hugo’s focus was always on Notre-Dame and the beautiful gothic architecture of Paris.
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- Author: Victor Hugo
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Once he raised his voice—
“Pasque Dieu! Monsieur the King of Sicily seals his letters with yellow wax, like a king of France. Perhaps we are in the wrong to permit him so to do. My fair cousin of Burgundy granted no armorial bearings with a field of gules. The grandeur of houses is assured by the integrity of prerogatives. Note this, friend Olivier.”
Again—
“Oh! oh!” said he, “What a long message! What doth our brother the emperor claim?” And running his eye over the missive and breaking his reading with interjection: “Surely! the Germans are so great and powerful, that it is hardly credible—But let us not forget the old proverb: ‘The finest county is Flanders; the finest duchy, Milan; the finest kingdom, France.’ Is it not so, Messieurs Flemings?”
This time Coppenole bowed in company with Guillaume Rym. The hosier’s patriotism was tickled.
The last despatch made Louis XI frown.
“What is this?” he said, “Complaints and fault finding against our garrisons in Picardy! Olivier, write with diligence to M. the Marshal de Rouault:—That discipline is relaxed. That the gendarmes of the unattached troops, the feudal nobles, the free archers, and the Swiss inflict infinite evils on the rustics.—That the military, not content with what they find in the houses of the rustics, constrain them with violent blows of cudgel or of lash to go and get wine, spices, and other unreasonable things in the town.—That monsieur the king knows this. That we undertake to guard our people against inconveniences, larcenies and pillage.—That such is our will, by our Lady!—That in addition, it suits us not that any fiddler, barber, or any soldier varlet should be clad like a prince, in velvet, cloth of silk, and rings of gold.—That these vanities are hateful to God.—That we, who are gentlemen, content ourselves with a doublet of cloth at sixteen sols the ell, of Paris.—That messieurs the camp-followers can very well come down to that, also.—Command and ordain.—To Monsieur de Rouault, our friend.—Good.”
He dictated this letter aloud, in a firm tone, and in jerks. At the moment when he finished it, the door opened and gave passage to a new personage, who precipitated himself into the chamber, crying in affright—
“Sire! sire! there is a sedition of the populace in Paris!”
Louis XI’s grave face contracted; but all that was visible of his emotion passed away like a flash of lightning. He controlled himself and said with tranquil severity—
“Gossip Jacques, you enter very abruptly!”
“Sire! sire! there is a revolt!” repeated Gossip Jacques breathlessly.
The king, who had risen, grasped him roughly by the arm, and said in his ear, in such a manner as to be heard by him alone, with concentrated rage and a sidelong glance at the Flemings—
“Hold your tongue! or speak low!”
The newcomer understood, and began in a low tone to give a very terrified account, to which the king listened calmly, while Guillaume Rym called Coppenole’s attention to the face and dress of the new arrival, to his furred cowl, (caputia fourrata), his short cape, (epitogia curta), his robe of black velvet, which bespoke a president of the court of accounts.
Hardly had this personage given the king some explanations, when Louis XI exclaimed, bursting into a laugh—
“In truth? Speak aloud, Gossip Coictier! What call is there for you to talk so low? Our Lady knoweth that we conceal nothing from our good friends the Flemings.”
“But sire …”
“Speak loud!”
Gossip Coictier was struck dumb with surprise.
“So,” resumed the king—“speak sir—there is a commotion among the louts in our good city of Paris?”
“Yes, sire.”
“And which is moving you say, against monsieur the bailiff of the Palais-de-Justice?”
“So it appears,” said the gossip, who still stammered, utterly astounded by the abrupt and inexplicable change which had just taken place in the king’s thoughts.
Louis XI continued: “Where did the watch meet the rabble?”
“Marching from the Grand Truanderie, towards the Pont-aux-Changeurs. I met it myself as I was on my way hither to obey your majesty’s commands. I heard some of them shouting: ‘Down with the bailiff of the palace!’ ”
“And what complaints have they against the bailiff?”
“Ah!” said Gossip Jacques, “because he is their lord.”
“Really?”
“Yes, sire. They are knaves from the Cour-des-Miracles. They have been complaining this long while, of the bailiff, whose vassals they are. They do not wish to recognize him either as judge or as voyer?”66
“Yes, certainly!” retorted the king with a smile of satisfaction which he strove in vain to disguise.
“In all their petitions to the Parliament, they claim to have but two masters. Your majesty and their God, who is the devil, I believe.”
“Eh! eh!” said the king.
He rubbed his hands, he laughed with that inward mirth which makes the countenance beam; he was unable to dissimulate his joy, although he endeavored at moments to compose himself. No one understood it in the least, not even Master Olivier. He remained silent for a moment, with a thoughtful but contented air.
“Are they in force?” he suddenly inquired.
“Yes, assuredly, sire,” replied Gossip Jacques.
“How many?”
“Six thousand at the least.”
The king could not refrain from saying: “Good!” he went on—
“Are they armed?”
“With scythes, pikes, hackbuts, pickaxes. All sorts of very violent weapons.”
The king did not appear in the least disturbed by this list. Jacques considered it his duty to add—
“If your majesty does not send prompt succor to the bailiff, he is lost.”
“We will send,” said the king with an air of false seriousness. “It is well. Assuredly we will send. Monsieur the bailiff is our friend. Six thousand! They are desperate scamps! Their audacity is marvellous, and we are greatly enraged at it. But we have only a few people about us tonight. Tomorrow morning will be time enough.”
Gossip Jacques exclaimed, “Instantly, sire! there will be time to sack the bailiwick a score of times, to violate the
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