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was only one pair of boots in his window, and those were his own Sunday boots. Every Monday they were put out and exhibited again, so that there should be something to look at.

If he himself was in the shop, talking to the people, his wife would sit in the living-room behind and hammer on a boot, so that it sounded as though there were men in the workshop.

But at Shrovetide Jeppe received some orders. Master Andres came home quite cheerfully one day from Bjerhansen’s cellar; there he had made the acquaintance of some of the actors of a troupe which had just arrived. “They are fellows, too!” he said, stroking his cheeks. “They travel continually from one place to another and give performances⁠—they get to see the world!” He could not sit quiet.

The next morning they came rioting into the workshop, filling the place with their deafening gabble. “Soles and heels!” “Heels that won’t come off!” “A bit of heel-work and two on the snout!” So they went on, bringing great armfuls of boots from under their cloaks, or fishing them out of bottomless pockets, and throwing them in heaps on the window-bench, each with his droll remarks. Boots and shoes they called “understandings”; they turned and twisted every word, tossing it like a ball from mouth to mouth, until not a trace of sense was left in it.

The apprentices forgot everything, and could scarcely contain themselves for laughing, and the young master overflowed with wit⁠—he was equal to the best of them. Now one saw that he really might have luck with the women: there was no boasting or lying about it. The young actress with the hair like the lightest flax could not keep her eyes off him, although she evidently had all the others at her petticoat-tails; she made signs to her companions that they should admire the master’s splendid big mustache. The master had forgotten his lame leg and thrown his stick away; he was on his knees, taking the actress’s measure for a pair of high boots with patent tops and concertina-like folds in the legs. She had a hole in the heel of her stocking, but she only laughed over it; one of the actors cried “Poached egg!” and then they laughed uproariously.

Old Jeppe came tumbling into the room, attracted by the merriment. The blonde lady called him “Grandfather,” and wanted to dance with him, and Jeppe forgot his dignity and laughed with the rest. “Yes, it’s to us they come when they want to have something good,” he said proudly. “And I learned my trade in Copenhagen, and I used to carry boots and shoes to more than one play-actor there. We had to work for the whole theater; Jungfer Patges, who became so famous later on, got her first dancing shoes from us.”

“Yes, those are the fellows!” said Master Andres, as at last they bustled out; “devil take me, but those are the chaps!” Jeppe could not in the least understand how they had found their way thither, and Master Andres did not explain that he had been to the tavern. “Perhaps Jungfer Patges sent them to me,” he said, gazing into the distance. “She must somehow have kept me in mind.”

Free tickets poured in on them; the young master was in the theater every evening. Pelle received a gallery ticket every time he went round with a pair of boots. He was to say nothing⁠—but the price was plainly marked on the sole with chalk.

“Did you get the money?” the master would ask eagerly; he used to stand on the stairs all the time, waiting. No, Pelle was to present their very best wishes, and to say they would come round and settle up themselves.

“Well, well, people of that sort are safe enough,” said the master.

One day Lasse came stamping into the workshop and into the midst of them all, looking the picture of a big farmer, with his fur collar drawn round his ears. He had a sack of potatoes outside; it was a present to Pelle’s employers, because Pelle was learning his trade so well. Pelle was given leave and went out with his father; and he kept looking furtively at the fur collar. At last he could contain himself no longer, but turned it up inquiringly. Disillusioned, he let it fall again.

“Ah, yes⁠—er⁠—well⁠—that’s just tacked on to my driving-cloak. It looks well, and it keeps my ears nice and warm. You thought I’d blossomed out into a proper fur coat? No, it won’t run to that just yet⁠—but it will soon. And I could name you more than one big farmer who has nothing better than this.”

Yes, Pelle was just a trifle disappointed. But he must admit that there was no difference to be perceived between this cloak and the real bearskin. “Are things going on all right?” he asked.

“Oh, yes; at present I am breaking stone. I’ve got to break twenty cords if I’m to pay everybody what’s owing to him by the Devil’s birthday.5 So long as we keep our health and strength, Karna and I.”

They drove to the merchant’s and put up the horses. Pelle noticed that the people at the merchant’s did not rush forward to Lasse quite so eagerly as they did to the real farmers; but Lasse himself behaved in quite an important manner. He stumped right into the merchant’s countinghouse, just like the rest, filled his pipe at the barrel, and helped himself to a drink of brandy. A cold breath of air hung about him as he went backward and forward from the cart with buttoned-up cloak, and he stamped as loudly on the sharp cobblestones as though his boot-soles too were made of stone.

Then they went on to Due’s cottage; Lasse was anxious to see how matters were prospering there. “It isn’t always easy when one of the parties brings a love-child into the business.”

Pelle explained to him how matters stood. “Tell them at Uncle

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