The Worm Ouroboros by E. R. Eddison (nonfiction book recommendations TXT) đź“•
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The Worm Ouroboros is considered to be one of the foundational texts of the high fantasy genre, influencing later authors like J. R. R. Tolkien, C. S. Lewis, Ursula K. Leguin, and James Branch Cabell. It is most frequently compared to The Lord of the Rings in its epic scope set against a medieval, magic-laced backdrop—a world called “Middle Earth” by Eddison, thirty-two years before Tolkien’s—and in its almost mythical portrayal of larger-than-life heroes and villains.
The plot begins simply enough: The Lords of Demonland, a group of heroic warriors enjoying a strained peace, are called upon by an emissary of the warlock king of Witchland, Gorice XI. The emissary demands that Demonland submit to the King of Witchland—but the proud Demons refuse, setting off an epic war that spans their entire world. The heroic struggles of the Demons and their allies against the Witches reflect the circular nature of human history: the snake eating its own tail of the title.
The novel is written in a purposefully archaic, almost Jacobean style. The rich, surprising vocabulary and unusual spelling are testaments to Eddison’s expertise at reading and translating medieval-era texts. To this day, it remains perhaps unique in fantasy literature in the accuracy and precision of its highly affected prose style, perhaps matched only by the out-of-time strangeness of the prose in Hodgson’s The Night Land. But where critics often find The Night Land’s prose obtuse and difficult, they have nothing but praise for Eddison’s beautiful, quotable style.
Eddison had already imagined the story and its heroes as a child, and drawings he made as a youth of events in the book are preserved in the Bodleian library. While the novel is without a doubt the work of a mature and skilled writer, and while some of the events and characters are portrayed differently in the novel than they were in his youthful sketches, the names of many of the characters and places remain unchanged. Some of his contemporaries, like Tolkien, wondered about the strange naming style; others criticized it as taking away from the more serious subject matter.
The Worm Ouroboros remains one of the most influential works in the high fantasy genre to this day, and traces of the foundation it laid can be still be found in genre books a century after its publication.
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- Author: E. R. Eddison
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“Bring him some water,” said Juss. And he with Brandoch Daha gently lifted Corinius and bare him to his chair where he should be more at ease.
Goldry said, “Here is a lady liveth.” For Sriva, that sitting on her father’s left hand had so escaped a poisoned draught at the passing of the cups, rose from the table where she had cowered in fearful silence, and cast herself in a flood of tears and terrified supplications about Goldry’s knees. Goldry bade guard her to the camp and there bestow her in safe asylum until the morning.
Now was Corinius near his end, but he gathered strength to speak, saying, “I do joy that not by your sword were we put down, but by the unequal trumpery of Fortune, whose tool was this Corsus and the King’s devilish pride, that desired to harness Heaven and Hell to his chariot. Fortune’s a right strumpet, to fondle me in the neck and now yerk me one thus i’ the midriff.”
“Not Fortune, my Lord Corinius, but the Gods,” said Goldry, “whose feet be shod with wool.”
By then was water brought in, and Brandoch Daha would have given him to drink. But Corinius would have none of it, but jerked his head aside and o’erset the cup, and looking fiercely on Lord Brandoch Daha, “Vile fellow,” he said, “so thou too art come to insult on Witchland’s grave? Thou’dst strike me now into the centre, and thou wert not more a dancing madam than a soldier.”
“How?” said Brandoch Daha. “Say a dog bite me in the ham: must I bite him again i’ the same part?”
Corinius’s eyelids closed, and he said weakly, “How look thy womanish gewgaws in Krothering since I towsed ’em?” And therewith the creeping poison reached his strong heartstrings, and he died.
Now was silence for a space in that banquet hall, and in the silence a step was heard, and the lords of Demonland turned toward the lofty doorway, that yawned as an arched cavern-mouth of darkness; for Corsus had torn down the arras curtains in his death-throes, and they lay heaped athwart the threshold with his dead body across them, Corinius’s sword-hilts jammed against his ribs and the blade standing a foot’s length forth from his breast. And while they gazed, there walked into the shifting light of the flamboys over that threshold the Lady Prezmyra, crowned and arrayed in her rich robes and ornaments of state. Her countenance was bleak as the winter moon flying high amid light clouds on a windy midnight settling towards rain, and those lords, under the spell of her sad cold beauty, stood without speech.
In a while Juss, speaking as one who needeth to command his voice, and making grave obeisance to her, said, “O Queen, we give you peace. Command our service in all things whatsoever. And first in this, which shall be our earliest task ere we sail homeward, to stablish you in your rightful realm of Pixyland. But this hour is overcharged with fate and desperate deeds to suffer counsel. Counsel is for the morning. The night calleth to rest. I pray you give us leave.”
Prezmyra looked upon Juss, and there was eye-bite in her eyes, that glinted with green metallic lustre like those of a she-lion brought to battle.
“Thou dost offer me Pixyland, my Lord Juss,” said she, “that am Queen of Impland. And this night, thou thinkest, can bring me rest. These that were dear to me have rest indeed: my lord and lover Corund; the Prince my brother; Gro, that was my friend. Deadly enow they found you, whether as friends or foes.”
Juss said, “O Queen Prezmyra, the nest falleth with the tree. These things hath Fate brought to pass, and we be but Fate’s whipping-tops bandied what way she will. Against thee we war not, and I swear to thee that all our care is to make thee amends.”
“O, thine oaths!” said Prezmyra. “What amends canst thou make? Youth I have and some poor beauty. Wilt thou conjure those three dead men alive again that ye have slain? For all thy vaunted art, I think this were too hard a task.”
All they were silent, eyeing her as she walked delicately past the table. She looked with a distant and, to outward seeming, uncomprehending eye on the dead feasters and their empty cups. Empty all, save that one passed on by Viglus, whereof Corsus would not drink; and it stood half drained. Of curious workmanship it was, of pale green glass, its stand formed of three serpents intertwined, the one of gold, another of silver, the third of iron. Fingering it carelessly she raised her glittering eyes once more on the Demons, and said, “It was ever the wont of you of Demonland to eat the egg and give away the shell in alms.” And pointing at the lords of Witchland dead at the feast, she asked, “Were these also your victims in this day’s hunting, my lords?”
“Thou dost us wrong, madam,” cried Goldry. “Never hath Demonland used suchlike arts against her enemies.”
Lord Brandoch Daha looked swiftly at him, and stepped idly forward, saying, “I know not what art hath wrought yon goblet, but ’tis strangely like to one I saw in Impland. Yet fairer is this, and of more just proportions.” But Prezmyra forestalled his outstretched hand, and quietly drew the cup towards her out of reach. As sword crosses sword, the glance of her green eyes crossed his, and she said, “Think not that you have a worse enemy left on earth than me. I it was that sent Corsus and Corinius to trample Demonland in the mire. Had I but some spark of masculine virtue, some soul at least of you should yet be loosed squealing to the shades to attend my dear ones ere I set sail. But I have none.
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