Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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Yours devotedly,
Dorothea Brooke.
Later in the evening she followed her uncle into the library to give him the letter, that he might send it in the morning. He was surprised, but his surprise only issued in a few moments’ silence, during which he pushed about various objects on his writing-table, and finally stood with his back to the fire, his glasses on his nose, looking at the address of Dorothea’s letter.
“Have you thought enough about this, my dear?” he said at last.
“There was no need to think long, uncle. I know of nothing to make me vacillate. If I changed my mind, it must be because of something important and entirely new to me.”
“Ah!—then you have accepted him? Then Chettam has no chance? Has Chettam offended you—offended you, you know? What is it you don’t like in Chettam?”
“There is nothing that I like in him,” said Dorothea, rather impetuously.
Mr. Brooke threw his head and shoulders backward as if someone had thrown a light missile at him. Dorothea immediately felt some self-rebuke, and said—
“I mean in the light of a husband. He is very kind, I think—really very good about the cottages. A well-meaning man.”
“But you must have a scholar, and that sort of thing? Well, it lies a little in our family. I had it myself—that love of knowledge, and going into everything—a little too much—it took me too far; though that sort of thing doesn’t often run in the female-line; or it runs underground like the rivers in Greece, you know—it comes out in the sons. Clever sons, clever mothers. I went a good deal into that, at one time. However, my dear, I have always said that people should do as they like in these things, up to a certain point. I couldn’t, as your guardian, have consented to a bad match. But Casaubon stands well: his position is good. I am afraid Chettam will be hurt, though, and Mrs. Cadwallader will blame me.”
That evening, of course, Celia knew nothing of what had happened. She attributed Dorothea’s abstracted manner, and the evidence of further crying since they had got home, to the temper she had been in about Sir James Chettam and the buildings, and was careful not to give further offence: having once said what she wanted to say, Celia had no disposition to recur to disagreeable subjects. It had been her nature when a child never to quarrel with anyone—only to observe with wonder that they quarrelled with her, and looked like turkey-cocks; whereupon she was ready to play at cat’s cradle with them whenever they recovered themselves. And as to Dorothea, it had always been her way to find something wrong in her sister’s words, though Celia inwardly protested that she always said just how things were, and nothing else: she never did and never could put words together out of her own head. But the best of Dodo was, that she did not keep angry for long together. Now, though they had hardly spoken to each other all the evening, yet when Celia put by her work, intending to go to bed, a proceeding in which she was always much the earlier, Dorothea, who was seated on a low stool, unable to occupy herself except in meditation, said, with the musical intonation which in moments of deep but quiet feeling made her speech like a fine bit of recitative—
“Celia, dear, come and kiss me,” holding her arms open as she spoke.
Celia knelt down to get the right level and gave her little butterfly kiss, while Dorothea encircled her with gentle arms and pressed her lips gravely on each cheek in turn.
“Don’t sit up, Dodo, you are so pale tonight: go to bed soon,” said Celia, in a comfortable way, without any touch of pathos.
“No, dear, I am very, very happy,” said Dorothea, fervently.
“So much the better,” thought Celia. “But how strangely Dodo goes from one extreme to the other.”
The next day, at luncheon, the butler, handing something to Mr. Brooke, said, “Jonas is come back, sir, and has brought this letter.”
Mr. Brooke read the letter, and then, nodding toward Dorothea, said, “Casaubon, my dear: he will be here to dinner; he didn’t wait to write more—didn’t wait, you know.”
It could not seem remarkable to Celia that a dinner guest should be announced to her sister beforehand, but, her eyes following the same direction as her uncle’s, she was struck with the peculiar effect of the announcement on Dorothea. It seemed as if something like the reflection of a white sunlit wing had passed across her features, ending in one of her rare blushes. For the first time it entered into Celia’s mind that there might be something more between Mr. Casaubon and her sister than his delight in bookish talk and her delight in listening. Hitherto she had classed the admiration for this “ugly” and learned acquaintance with the admiration for Monsieur Liret at Lausanne, also ugly and learned. Dorothea had never been tired of listening to old Monsieur Liret when Celia’s feet were as cold as possible, and when it had really become dreadful to see the skin of his bald head moving about. Why then should her enthusiasm not extend to Mr. Casaubon simply in the same way as to Monsieur Liret? And it seemed probable that all learned men had a sort of schoolmaster’s view of young people.
But now Celia was really startled at the suspicion which had darted into her mind. She was seldom taken by surprise in this way, her marvellous quickness in observing a certain order of signs generally preparing her to expect such outward events as she had an interest in. Not that she now
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