A Portrait of the Artist as a Young Man by James Joyce (best way to read books .TXT) 📕
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A Portrait of the Artist as a Young Man is Joyce’s first novel, published after the previous success of his short story collection Dubliners. The novel is written in a modernist style, with dialog and narration blending together in a kind of stream-of-consciousness meant to invoke the blurriness of memory.
Joyce originally planned writing a realist autobiographical novel of 63 chapters titled Stephen Hero. He abandoned the attempt halfway through, and refocused his efforts on Portrait, a shorter, sharper work in the modernist style. His alter-ego remained Stephen Dedalus, named after Daedalus, the mythological Greek craftsman and father of Icarus. Portrait was written while he was waiting for Dubliners to be published, a process that took eight years and so frustrated Joyce that he once threw the manuscript of Portrait into a fire, causing his family to run to save it.
The novel closely traces Joyce’s early years. Like his alter-ego Stephen, Joyce was born into a middle-class family and lived in Dublin as they descended into poverty; he rebelled against his Irish Catholic upbringing to become a star student at Dublin University, and put aside thoughts of priesthood or medicine, the other careers offered him, to become a writer. Joyce doesn’t shy away from sensitive topics, presenting the discoveries of youth in all of their physical detail, including Stephen’s teenage visits to prostitutes (which also mirror Joyce’s youth, and were how he probably contracted the suspected syphilis that plagued his vision and tortured his health for the rest of his life), and the homosexual explorations of children at a Jesuit school.
The writing is in the free indirect style, allowing the narrator to both focus on Stephen and present characters and events through his eyes, until the last chapter, where Stephen’s first-person diary entries suggest he’s finally found his voice. As the novel progresses, the syntax and vocabulary also grow in complexity, reflecting Stephen’s own development.
Of Joyce’s three novels, Portrait is the most straightforward and accessible. But it remains just as rich and complex as any masterpiece, with critics across generations hailing it as work of unique beauty and perception.
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- Author: James Joyce
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—Yes, do. Yes, do, said Cecil Thunder.
—Yes, do. Yes, go up and tell the rector on him, Dedalus, said Nasty Roche, because he said that he’d come in tomorrow again and pandy you.
—Yes, yes. Tell the rector, all said.
And there were some fellows out of second of grammar listening and one of them said:
—The senate and the Roman people declared that Dedalus had been wrongly punished.
It was wrong; it was unfair and cruel; and, as he sat in the refectory, he suffered time after time in memory the same humiliation until he began to wonder whether it might not really be that there was something in his face which made him look like a schemer and he wished he had a little mirror to see. But there could not be; and it was unjust and cruel and unfair.
He could not eat the blackish fish fritters they got on Wednesdays in Lent and one of his potatoes had the mark of the spade in it. Yes, he would do what the fellows had told him. He would go up and tell the rector that he had been wrongly punished. A thing like that had been done before by somebody in history, by some great person whose head was in the books of history. And the rector would declare that he had been wrongly punished because the senate and the Roman people always declared that the men who did that had been wrongly punished. Those were the great men whose names were in Richmal Magnall’s Questions. History was all about those men and what they did and that was what Peter Parley’s Tales about Greece and Rome were all about. Peter Parley himself was on the first page in a picture. There was a road over a heath with grass at the side and little bushes: and Peter Parley had a broad hat like a protestant minister and a big stick and he was walking fast along the road to Greece and Rome.
It was easy what he had to do. All he had to do was when the dinner was over and he came out in his turn to go on walking but not out to the corridor but up the staircase on the right that led to the castle. He had nothing to do but that; to turn to the right and walk fast up the staircase and in half a minute he would be in the low dark narrow corridor that led through the castle to the rector’s room. And every fellow had said that it was unfair, even the fellow out of second of grammar who had said that about the senate and the Roman people.
What would happen? He heard the fellows of the higher line stand up at the top of the refectory and heard their steps as they came down the matting: Paddy Rath and Jimmy Magee and the Spaniard and the Portuguese and the fifth was big Corrigan who was going to be flogged by Mr. Gleeson. That was why the prefect of studies had called him a schemer and pandied him for nothing: and, straining his weak eyes, tired with the tears, he watched big Corrigan’s broad shoulders and big hanging black head passing in the file. But he had done something and besides Mr. Gleeson would not flog him hard: and he remembered how big Corrigan looked in the bath. He had skin the same colour as the turfcoloured bogwater in the shallow end of the bath and when he walked along the side his feet slapped loudly on the wet tiles and at every step his thighs shook a little because he was fat.
The refectory was half empty and the fellows were still passing out in file. He could go up the staircase because there was never a priest or a prefect outside the refectory door. But he could not go. The rector would side with the prefect of studies and think it was a schoolboy trick and then the prefect of studies would come in every day the same, only it would be worse because he would be dreadfully waxy at any fellow going up to the rector about him. The fellows had told him to go but they would not go themselves. They had forgotten all about it. No, it was best to forget all about it and perhaps the prefect of studies had only said he would come in. No, it was best to hide out of the way because when you were small and young you could often escape that way.
The fellows at his table stood up. He stood up and passed out among them in the file. He had to decide. He was coming near the door. If he went on with the fellows he could never go up to the rector because he could not leave the playground for that. And if he went and was pandied all the same all the fellows would make fun and talk about young Dedalus going up to the rector to tell on the prefect of studies.
He was walking down along the matting and he saw the door before him. It was impossible: he could not. He thought of the baldy head of the prefect of studies with the cruel no-coloured eyes looking at him and he heard the voice of the prefect of studies asking him twice what his name was. Why could he not remember the name when he was told the first time? Was he not listening the first time or was it to make fun out of the name? The great men in the history had names like that and nobody made fun of them. It was his own name that he should have made fun of if he wanted to make fun. Dolan: it was like the name of a woman who washed clothes.
He had reached the door and,
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