One of Ours by Willa Cather (best romance ebooks .TXT) 📕
Description
Claude Wheeler is the son of a successful Nebraskan farmer and a very devout mother. He’s sent to a private religious college because his mother feels it’s safer, but he yearns for State college where he might be able expand his knowledge of the real world. Claude doesn’t feel comfortable in any situation, and almost every step he takes is a wrong one. While he’s struggling to find his way in a questionable marriage, the U.S. decides to enter World War I, and Claude enlists. He’s commissioned as a lieutenant, and he and his outfit are deployed to France in the waning months of the war. There Claude finds the purpose he’s been missing his whole life.
One of Ours is Cather’s first novel following the completion of her Prairie Trilogy, which she finished before the U.S. had entered the war. Cather’s cousin Grosvenor had grown up on the farm next to hers, had many of the traits she gave to Claude, and, like her protagonist, went with the Army to France towards the end of the war. After the war was over, she felt compelled to write something different than the novels she had become known for, saying that this one “stood between me and anything else.” Although today it’s not considered her best work, the novel won the Pulitzer Prize for Fiction in 1923.
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- Author: Willa Cather
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When they left the spot and climbed back to the level, Claude again felt an itching to prod Ernest out of his mild and reasonable mood.
“What are you going to do after a while, Ernest? Do you mean to farm all your life?”
“Naturally. If I were going to learn a trade, I’d be at it before now. What makes you ask that?”
“Oh, I don’t know! I suppose people must think about the future sometime. And you’re so practical.”
“The future, eh?” Ernest shut one eye and smiled. “That’s a big word. After I get a place of my own and have a good start, I’m going home to see my old folks some winter. Maybe I’ll marry a nice girl and bring her back.”
“Is that all?”
“That’s enough, if it turns out right, isn’t it?”
“Perhaps. It wouldn’t be for me. I don’t believe I can ever settle down to anything. Don’t you feel that at this rate there isn’t much in it?”
“In what?”
“In living at all, going on as we do. What do we get out of it? Take a day like this: you waken up in the morning and you’re glad to be alive; it’s a good enough day for anything, and you feel sure something will happen. Well, whether it’s a workday or a holiday, it’s all the same in the end. At night you go to bed—nothing has happened.”
“But what do you expect? What can happen to you, except in your own mind? If I get through my work, and get an afternoon off to see my friends like this, it’s enough for me.”
“Is it? Well, if we’ve only got once to live, it seems like there ought to be something—well, something splendid about life, sometimes.”
Ernest was sympathetic now. He drew nearer to Claude as they walked along and looked at him sidewise with concern. “You Americans are always looking for something outside yourselves to warm you up, and it is no way to do. In old countries, where not very much can happen to us, we know that—and we learn to make the most of little things.”
“The martyrs must have found something outside themselves. Otherwise they could have made themselves comfortable with little things.”
“Why, I should say they were the ones who had nothing but their idea! It would be ridiculous to get burned at the stake for the sensation. Sometimes I think the martyrs had a good deal of vanity to help them along, too.”
Claude thought Ernest had never been so tiresome. He squinted at a bright object across the fields and said cuttingly, “The fact is, Ernest, you think a man ought to be satisfied with his board and clothes and Sundays off, don’t you?”
Ernest laughed rather mournfully. “It doesn’t matter much what I think about it; things are as they are. Nothing is going to reach down from the sky and pick a man up, I guess.”
Claude muttered something to himself, twisting his chin about over his collar as if he had a bridle-bit in his mouth.
The sun had dropped low, and the two boys, as Mrs. Wheeler watched them from the kitchen window, seemed to be walking beside a prairie fire. She smiled as she saw their black figures moving along on the crest of the hill against the golden sky; even at that distance the one looked so adaptable, and the other so unyielding. They were arguing, probably, and probably Claude was on the wrong side.
IXAfter the vacation Claude again settled down to his reading in the University Library. He worked at a table next the alcove where the books on painting and sculpture were kept. The art students, all of whom were girls, read and whispered together in this enclosure, and he could enjoy their company without having to talk to them. They were lively and friendly; they often asked him to lift heavy books and portfolios from the shelves, and greeted him gaily when he met them in the street or on the campus, and talked to him with the easy cordiality usual between boys and girls in a coeducational school. One of these girls, Miss Peachy Millmore, was different from the others—different from any girl Claude had ever known. She came from Georgia, and was spending the winter with her aunt on B Street.
Although she was short and plump, Miss Millmore moved with what might be called a “carriage,” and she had altogether more manner and more reserve than the Western girls. Her hair was yellow and curly—the short ringlets about her ears were just the colour of a new chicken. Her vivid blue eyes were a trifle too prominent, and a generous blush of colour mantled her cheeks. It seemed to pulsate there—one had a desire to touch her cheeks to see if they were hot. The Erlich brothers and their friends called her “the Georgia peach.” She was considered very pretty, and the University boys had rushed her when she first came to town. Since then her vogue had somewhat declined.
Miss Millmore often lingered about the campus to walk downtown with Claude. However he tried to adapt his long stride to her tripping gait, she was sure to get out of breath. She was always dropping her gloves or her sketchbook or her purse, and he liked to pick them
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