Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber by Block, Geoffrey (good story books to read .TXT) 📕

———. “Some Words about ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 13–24.

———. See also Morison.

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———. The Musical Theatre: A Celebration. London: Collins, 1986.

Leve, James. John Kander and Fred Ebb. New Haven: Yale University Press, 2009.

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———. “Some Notes on a Musical.” Imperial Theatre program notes, 1956.

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mcclung, bruce d. “Psicosi per musica: Re-examining Lady in the Dark.” A Stranger Here Myself: Kurt Weill Studien, Kim H. Kowalke and Horst Edler, eds., 235–65. Hildesheim: Georg Olms Verlag, 1993.

———. “Life after George: The Genesis of Lady in the Dark’s Circus Dream.” Kurt Weill Newsletter 14/2 (Fall 1996): 4–8.

———. “Lady in the Dark”: Biography of a Musical. New York: Oxford University Press, 2007.

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———. “Notes on ‘Show Boat.’” Notes to EMI/Angel CDS 7–49108–2 (1988), 26–38.

McMillin, Scott. “Paul Robeson, Will Vodery’s ‘Jubilee Singers,’ and the Earliest Script of the Kern-Hammerstein Show Boat.” Theater Survey 41/2 (November 2000): 51–70.

———. The Musical as Drama: A Study of the Principles and Conventions behind Musical Shows from Kern to Sondheim. Princeton: Princeton University Press, 2006.

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———. Not Since Carrie: 40 Years of Broadway Musical Flops. New York: St. Martin’s, 1991.

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Mast, Gerald. Can’t Help Singin’: The American Musical on Stage and Screen. Woodstock, N.Y.: Overlook Press, 1987.

Mast, Gerald, and Bruce F. Kawin. The Movies: A Short History. Rev. and updated. Boston: Allyn and Bacon, 1996.

Mates, Julian. America’s Musical Stage: Two Hundred Years of Musical Theater. New York: Praeger, 1987.

Mauceri, John. Notes to On Your Toes. Polydor 813667–1 Y 1 (1983).

Mellers, Wilfrid. Music in a New Found Land. New York: Oxford University Press, 1964; rev. ed., 1987.

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———. Destructing Harold Hill: An Insider’s Guide to Musical Theatre. Portsmouth, N.H.: Heinemann, 1996.

———. Rebels with Applause: Broadway’s Groundbreaking Musicals. Portsmouth, N.H.: Heinemann, 2001.

Mordden, Ethan. Better Foot Forward: The History of the American Musical Theatre. New York: Grossman, 1976.

———. The Hollywood Musical. New York: St. Martin’s, 1981.

———. Broadway Babies: The People Who Made the American Musical. New York: Oxford University Press, 1983.

———. “‘Show Boat’ Crosses Over.” New Yorker, July 3, 1989, 79–93.

———. Rodgers & Hammerstein. New York: Abrams, 1992.

———. Make Believe: The Broadway Musical in the 1920s. New York: Oxford University Press, 1997.

———. Coming Up Roses: The Broadway Musical in the 1950s. New York: Oxford University Press, 1998.

———. Beautiful Mornin’: The Broadway Musical in the 1940s. New York: Oxford University Press, 1999.

———. Open a New Window: The Broadway Musical in the 1960s. New York: Oxford University Press, 2001.

———. One More Kiss: The Broadway Musical in the 1970s. New York: Oxford University Press, 2003.

———. The Happiest Corpse I’ve Ever Seen: The Last Twenty-Five Years of the Broadway Musical. New York: Palgrave Macmillan, 2004.

———. Sing for Your Supper: The Broadway Musical in the 1930s. New York: Palgrave Macmillan, 2005.

Morison, Patricia, and Miles Kreuger. “Patricia Morison and Miles Kreuger Discuss the Deleted Songs July 5, 1990.” In notes to Kiss Me, Kate. EMI/Angel CDS 54033–2, 18–20.

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Muir, John (see Kennedy).

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———. Astaire Dancing: The Musical Films. New York: Wings Books, 1985.

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New York Theatre Critics’ Reviews. New York: Critics’ Theatre Reviews, 1995. [Vols. 1–55, 1940–1994]

Nolan, Frederick. Lorenz Hart. New York: Oxford University Press, 1994.

———. The Sound of Their Music: The Story of Rodgers & Hammerstein. New York: Applause, 2002.

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Osborne, Conrad L. “‘Happy Fella’ Yields Up Its Operatic Heart.” New York Times, 1 September 1991, sec. 2, 5, and 17.

Perry, George. The Complete “Phantom of the Opera.”