Enchanted Evenings:The Broadway Musical from 'Show Boat' to Sondheim and Lloyd Webber by Block, Geoffrey (good story books to read .TXT) 📕

———. Andrew Lloyd Webber’s “The Phantom of the Opera Companion.” Contains Original Screenplay. London: Pavilion, 2004.

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———. The Memory of All That: The Life of George Gershwin. New York: 1993.

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Pollack, Howard. George Gershwin: His Life and Work. Berkeley: University of California Press, 2006.

Portantiere, Michael. The Theatermania Guide to Musical Theater Recordings. New York: Back Stage, 2004.

Prece, Paul, and William A. Everett. “The Megamusical: The Creation, Internationalization and Impact of a Genre.” In The Cambridge Companion to the Musical. 2nd ed. William A. Everett and Paul R. Laird, 103–23. Cambridge: Cambridge University Press, 2008.

Prince, Harold. Contradictions: Notes on Twenty-six Years in the Theatre. New York: Dodd, Mead, 1974.

———. See also Sondheim, “Author and Director: Musicals.” In Redmond, James, ed. Themes in Drama. Vol. 3. Cambridge: Cambridge University Press, 1981.

Reid, Louis R. “Composing While You Wait.” Dramatic Mirror, June 2, 1917, 5.

Riis, Thomas L. Frank Loesser. New Haven: Yale University Press, 2008.

Rich, Frank. Hot Seat: Theater Criticism for “The New York Times,” 1980–1993. New York: Random House, 1998.

Robbins, Tim. “Cradle Will Rock”: The Movie and the Moment. New York: Newmarket, 2000.

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———. “Reading Libretti and Misreading Opera.” In Opera, Sex, and Other Vital Matters, 30–51. Chicago: University of Chicago Press, 2002.

Rodgers, Richard. Musical Stages: An Autobiography. New York: Random House, 1975; repr. with an introduction by Mary Rodgers. New York: Da Capo, 1995, 2000.

Rosenberg, Bernard, and Ernest Harburg. The Broadway Musical: Collaboration in Commerce and Art. New York: New York University Press, 1993.

Rosenberg, Deena. Fascinating Rhythm: The Collaboration of George and Ira Gershwin. New York: Dutton, 1991.

Salisbury, Mark. Sweeney Todd: The Demon Barber of Fleet Street. With Extracts from the Screenplay by John Logan. London: Titan, 2007.

Sanders, Ronald. The Days Grow Short: The Life and Music of Kurt Weill. New York: Holt, Rinehart & Winston, 1980.

Savran, David. A Queer Sort of Materialism: Recontextualizing American Theater. Ann Arbor: University of Michigan Press, 2003.

Schebera, Jürgen. Kurt Weill: An Illustrated Life. New Haven: Yale University Press, 1995.

Schiff, David. “Re-hearing Bernstein.” Atlantic Monthly (June 1993): 55–76.

Schneider, Wayne, ed. The Gershwin Style: New Looks at the Music of George Gershwin. New York: Oxford University Press, 1999.

Schwartz, Charles. Cole Porter: A Biography. New York: Dial Press, 1977.

———. Gershwin: His Life & Music. New York: Da Capo, 1979.

Scott, Matthew. “Weill in America: The Problem of Revival.” In A New Orpheus, ed. Kim H. Kowalke, 285–95. New Haven: Yale University Press, 1986.

Secrest, Meryle. Leonard Bernstein: A Life. New York: Knopf, 1994.

———. Stephen Sondheim: A Life. New York: Knopf, 1998.

Secrest, Meryle. Somewhere for Me: A Biography of Richard Rodgers. Knopf, 2001.

Simon, Robert. “Jerome Kern.” Modern Music 6/2 (January–February 1929): 20–25.

Singer, Barry. Ever After: The Last Years of Musical Theater and Beyond. New York: Applause, 2004.

Shirley, Wayne. “Porgy and Bess.” Quarterly Journal of the Library of Congress 31 (1974): 97–107.

———. “Reconciliation on Catfish Row: Bess, Serena, and the Short Score of Porgy and Bess.” Quarterly Journal of the Library of Congress 38 (1981): 144–65.

Shout, John D. “The Musical Theater of Marc Blitzstein.” American Music 3 (Winter 1985): 413–28.

Siebert, Lynn Laitman. “Cole Porter: An Analysis of Five Musical Comedies and a Thematic Catalogue of the Complete Works.” Ph.D. dissertation, City University of New York, 1974.

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Smith, Cecil, and Glenn Litton. Musical Comedy in America. New York: Theatre Arts Books, 1950 and 1981.

Smith, June. “Cole Porter in the American Musical Theatre.” In Themes in Drama, Vol. 3, ed. James Redmond, 47–70. Cambridge: Cambridge University Press, 1981.

Snelson, John. Andrew Lloyd Webber. New Haven: Yale University Press, 2004.

Sondheim, Stephen. “Theater Lyrics.” In Playwright, Lyricists, Composers, on Theatre, ed. Otis Guernsey Jr., 61–97. New York: Dodd, Mead, 1974.

———. “Larger than Life: Reflections on Melodrama and Sweeney Todd.” In Melodrama, ed. Daniel Gerould, 3–14. New York: New York Literary Forum, 1980.

———. “An Anecdote.” In Bernstein on Broadway, xi–xii. New York and London: Amberson/G. Schirmer, 1981.

———. “Author and Director: Musicals” (with Harold Prince). In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 355–70. New York: Dodd, Mead, 1985.

———. “The Musical Theater: A Talk by Stephen Sondheim.” In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 228–50. New York: Dodd, Mead, 1985.

———. “Interview with Stephen Sondheim.” In David Savran, In Their Own Words: Contemporary American Playwrights, 223–39. New York: Theatre Communications Group, 1988.

———. “Stephen Sondheim in a Q & A Session: Part I.” Dramatists Guild Quarterly 28/1 (1991): 8–15.

———. “Stephen Sondheim in a Q & A Session: Part II.” Dramatists Guild Quarterly 28/2 (1991): 10–17.

———. “The Art of the Musical.” Paris Review 142 (Spring 1997): 259–78.

———. “The Musical Theater.” In Broadway Song & Story: Playwrights / Lyricists/ Composers Discuss Their Hits, ed. Otis Guernsey Jr., 228–50. New York: Dodd, Mead, 1985.

———. “Interview with Stephen Sondheim.” In “2-Disc Special Edition, Special Feature, “Musical Mayhem: Sondheim’s Sweeney Todd.” DreamWorks Pictures 2007.

Sondheim, Steve. “‘Guys and Dolls,’” Films in Review 6 (December 1955): 524–25.

Spewack, Bella. “How to Write a Musical Comedy.” In “Kiss Me Kate”: A Musical Play, book by Samuel and Bella Spewack, lyrics by Cole Porter. New York: Knopf, 1953.

Starr, Lawrence. “Gershwin’s ‘Bess, You Is My Woman Now’: The Sophistication and Subtlety of a Great Tune.” Musical Quarterly 72 (1986): 429–48.

———. “Toward a Reevaluation of Gershwin’s Porgy and Bess. American Music 2 (Summer 1984): 25–37.

———. “The Broadway Musical as a Critique of Modernist Culture, or Sunday in the Park with Sondheim.” Paper presented at the Society of American Music (formerly the Sonneck Society), at the 1989 Annual Meeting in Nashville.

———. George Gershwin. New Haven: Yale University Press, forthcoming.

Stempel, Larry. “Broadway’s Mozartean Moment, or An Amadeus in Amber.” In Sennets & Tuckets: A Bernstein Celebration, ed. Steven Ledbetter, 39–55. Boston: David R. Godine, 1988.

———. “The Musical Play Expands.” American Music 10 (1992): 136–69.

———. “Street Scene and the Enigma of Broadway Opera.” In A New Orpheus: Essays on Kurt Weill, ed. Kim H. Kowalke,