Short Fiction by Edgar Allan Poe (good books for 7th graders .TXT) 📕
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Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.
Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Graham’s Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didn’t hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.
Collected here are all of Poe’s short fiction stories, in order of their original magazine publication. Notable stories include “The Gold-Bug,” “The Black Cat,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Pit and the Pendulum,” “The Murders in the Rue Morgue,” and many more.
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- Author: Edgar Allan Poe
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The items of evidence and information thus collected by myself, from the newspapers, at the suggestion of Dupin, embraced only one more point—but this was a point of seemingly vast consequence. It appears that, immediately after the discovery of the clothes as above described, the lifeless, or nearly lifeless body of St. Eustache, Marie’s betrothed, was found in the vicinity of what all now supposed the scene of the outrage. A phial labelled “laudanum,” and emptied, was found near him. His breath gave evidence of the poison. He died without speaking. Upon his person was found a letter, briefly stating his love for Marie, with his design of self-destruction.
“I need scarcely tell you,” said Dupin, as he finished the perusal of my notes, “that this is a far more intricate case than that of the Rue Morgue; from which it differs in one important respect. This is an ordinary, although an atrocious instance of crime. There is nothing peculiarly outré about it. You will observe that, for this reason, the mystery has been considered easy, when, for this reason, it should have been considered difficult, of solution. Thus; at first, it was thought unnecessary to offer a reward. The myrmidons of G⸺ were able at once to comprehend how and why such an atrocity might have been committed. They could picture to their imaginations a mode—many modes—and a motive—many motives; and because it was not impossible that either of these numerous modes and motives could have been the actual one, they have taken it for granted that one of them must. But the case with which these variable fancies were entertained, and the very plausibility which each assumed, should have been understood as indicative rather of the difficulties than of the facilities which must attend elucidation. I have before observed that it is by prominences above the plane of the ordinary, that reason feels her way, if at all, in her search for the true, and that the proper question in cases such as this, is not so much ‘what has occurred?’ as ‘what has occurred that has never occurred before?’ In the investigations at the house of Madame L’Espanaye,40 the agents of G⸺ were discouraged and confounded by that very unusualness which, to a properly regulated intellect, would have afforded the surest omen of success; while this same intellect might have been plunged in despair at the ordinary character of all that met the eye in the case of the perfumery-girl, and yet told of nothing but easy triumph to the functionaries of the Prefecture.
“In the case of Madame L’Espanaye and her daughter there was, even at the beginning of our investigation, no doubt that murder had been committed. The idea of suicide was excluded at once. Here, too, we are freed, at the commencement, from all supposition of self-murder. The body found at the Barrière du Roule, was found under such circumstances as to leave us no room for embarrassment upon this important point. But it has been suggested that the corpse discovered is not that of the Marie Rogêt for the conviction of whose assassin, or assassins, the reward is offered, and respecting whom, solely, our agreement has been arranged with the Prefect. We both know this gentleman well. It will not do to trust him too far. If, dating our inquiries from the body found, and thence tracing a murderer, we yet discover this body to be that of some other individual than Marie; or, if starting from the living Marie, we find her, yet find her unassassinated—in either case we lose our labor; since it is Monsieur G⸺ with whom we have to deal. For our own purpose, therefore, if not for the purpose of justice, it is indispensable that our first step should be the determination of the identity of the corpse with the Marie Rogêt who is missing.
“With the public the arguments of L’Etoile have had weight; and that the journal itself is convinced of their importance would appear from the manner in which it commences one of its essays upon the subject—‘Several of the morning papers of the day,’ it says, ‘speak of the conclusive article in Monday’s Etoile.’ To me, this article appears conclusive of little beyond the zeal of its inditer. We should bear in mind that, in general, it is the object of our newspapers rather to create a sensation—to make a point—than to further the cause of truth. The latter end is only pursued when it seems coincident with the former. The print which merely falls in with ordinary opinion (however well founded this opinion may be) earns for itself no credit with the mob. The mass of the people regard as profound only him who suggests pungent contradictions of the general idea. In ratiocination, not less than in literature, it is the epigram which is the most immediately and the most universally appreciated. In both, it is of the lowest order of merit.
“What I mean to say is, that it is the mingled epigram and melodrame of the idea, that Marie Rogêt still lives, rather than any true plausibility in this idea, which have suggested it to L’Etoile, and secured it a favorable reception with the public. Let us examine the heads of this journal’s argument; endeavoring to avoid the incoherence with which it is originally set forth.
“The first aim of the writer is to show, from the brevity of the interval between Marie’s disappearance and the finding of the floating corpse, that this corpse cannot be that of Marie. The reduction of this interval to its smallest possible dimension, becomes thus, at once, an object with the reasoner. In the rash pursuit of this object, he rushes into mere assumption at the outset. ‘It is folly to suppose,’ he says, ‘that the murder, if murder was committed
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