Short Fiction by Edgar Allan Poe (good books for 7th graders .TXT) 📕
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Edgar Allan Poe is one of the primary figures of American nineteenth-century literature. His writing was heavily influenced by Romanticism ideals of emotion and feeling, and although mostly known for his Gothic-tinged horror, his tales jump between many different genres, including science-fiction, satire, humor, mystery, and even early detective fiction.
Poe mostly wrote short stories and poems, published in magazines and periodicals like the Southern Literary Messenger and Graham’s Magazine, although he also turned his hand to essays and novels (including The Narrative of Arthur Gordon Pym of Nantucket). He was one of the first American writers to pursue writing as a career, but was better received in France than in his native country. He struggled to make ends meet and resorted to work as a literary critic. His reputation suffered a further blow after his unfortunately early death in 1849 at the age of 40, when a rival not only wrote an extremely unflattering obituary, but bought the rights to his work and published a compilation with a hit piece for an introduction. This undeserved reputation took many decades to fade, but didn’t hinder praise from other notable authors including Arthur Conan Doyle and H. P. Lovecraft.
Collected here are all of Poe’s short fiction stories, in order of their original magazine publication. Notable stories include “The Gold-Bug,” “The Black Cat,” “The Fall of the House of Usher,” “The Masque of the Red Death,” “The Pit and the Pendulum,” “The Murders in the Rue Morgue,” and many more.
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- Author: Edgar Allan Poe
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“In respect to the insinuations levelled at Beauvais, you will be willing to dismiss them in a breath. You have already fathomed the true character of this good gentleman. He is a busybody, with much of romance and little of wit. Anyone so constituted will readily so conduct himself, upon occasion of real excitement, as to render himself liable to suspicion on the part of the over acute, or the ill-disposed. M. Beauvais (as it appears from your notes) had some personal interviews with the editor of L’Etoile, and offended him by venturing an opinion that the corpse, notwithstanding the theory of the editor, was, in sober fact, that of Marie. ‘He persists,’ says the paper, ‘in asserting the corpse to be that of Marie, but cannot give a circumstance, in addition to those which we have commented upon, to make others believe.’ Now, without re-adverting to the fact that stronger evidence ‘to make others believe,’ could never have been adduced, it may be remarked that a man may very well be understood to believe, in a case of this kind, without the ability to advance a single reason for the belief of a second party. Nothing is more vague than impressions of individual identity. Each man recognizes his neighbor, yet there are few instances in which anyone is prepared to give a reason for his recognition. The editor of L’Etoile had no right to be offended at M. Beauvais’ unreasoning belief.
“The suspicious circumstances which invest him, will be found to tally much better with my hypothesis of romantic busybodyism, than with the reasoner’s suggestion of guilt. Once adopting the more charitable interpretation, we shall find no difficulty in comprehending the rose in the keyhole; the ‘Marie’ upon the slate; the ‘elbowing the male relatives out of the way;’ the ‘aversion to permitting them to see the body;’ the caution given to Madame B⸺, that she must hold no conversation with the gendarme until his return (Beauvais’); and, lastly, his apparent determination ‘that nobody should have anything to do with the proceedings except himself.’ It seems to me unquestionable that Beauvais was a suitor of Marie’s; that she coquetted with him; and that he was ambitious of being thought to enjoy her fullest intimacy and confidence. I shall say nothing more upon this point; and, as the evidence fully rebuts the assertion of L’Etoile, touching the matter of apathy on the part of the mother and other relatives—an apathy inconsistent with the supposition of their believing the corpse to be that of the perfumery-girl—we shall now proceed as if the question of identity were settled to our perfect satisfaction.”
“And what,” I here demanded, “do you think of the opinions of Le Commerciel?”
“That, in spirit, they are far more worthy of attention than any which have been promulgated upon the subject. The deductions from the premises are philosophical and acute; but the premises, in two instances, at least, are founded in imperfect observation.
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