The Forsyte Saga by John Galsworthy (acx book reading txt) 📕
Description
Between 1906 and 1921 John Galsworthy published three novels chronicling the Forsyte family, a fictional upper-middle class family at the end of the Victorian era: The Man of Property, In Chancery, and To Let. In 1922 Galsworthy wrote two interconnecting short stories to bind the three novels together and published the whole as The Forsyte Saga.
While the novels follow the Forsyte family at large, the action centers around Soames Forsyte—the scion of a nouveau-riche London tea merchant—his wife Irene, and their unhappy marriage. Soames and his sprawling family are portrayed as stereotypes of unhappy gilded-age wealth, their family having entered the industrial revolution poor farmers and emerged as wealthy bourgeoise. Their rise was powered by their capacity to acquire, won at the expense of their capacity for almost anything else.
Thematically, the saga focuses on the mores of the wealthy upper-middle class, which was still a newish feature in the class landscape of England at the time; duty, honor, and love; and the rapidly growing differences across generations occurring in a period of war and social change. The characters are complex and nuanced, and the situations they find themselves in—both of their own making, and of the making of society around them—provide a rich field for analyzing the close of the Victorian age, the dawn of the Edwardian age, and the societal frameworks that were forged in that frisson.
Galsworthy went on to win the Nobel Prize for Literature in 1932 for The Forsyte Saga, one of the rare occasions in which the Swedish Academy has awarded a prize for a specific work instead of for a lifetime of work.
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- Author: John Galsworthy
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“Do you ever think of anybody but yourself?” he said.
Irene’s lips quivered; then she answered slowly:
“Do you ever think that I found out my mistake—my hopeless, terrible mistake—the very first week of our marriage; that I went on trying three years—you know I went on trying? Was it for myself?”
Soames gritted his teeth. “God knows what it was. I’ve never understood you; I shall never understand you. You had everything you wanted; and you can have it again, and more. What’s the matter with me? I ask you a plain question: What is it?” Unconscious of the pathos in that enquiry, he went on passionately: “I’m not lame, I’m not loathsome, I’m not a boor, I’m not a fool. What is it? What’s the mystery about me?”
Her answer was a long sigh.
He clasped his hands with a gesture that for him was strangely full of expression. “When I came here tonight I was—I hoped—I meant everything that I could to do away with the past, and start fair again. And you meet me with ‘nerves,’ and silence, and sighs. There’s nothing tangible. It’s like—it’s like a spider’s web.”
“Yes.”
That whisper from across the room maddened Soames afresh.
“Well, I don’t choose to be in a spider’s web. I’ll cut it.” He walked straight up to her. “Now!” What he had gone up to her to do he really did not know. But when he was close, the old familiar scent of her clothes suddenly affected him. He put his hands on her shoulders and bent forward to kiss her. He kissed not her lips, but a little hard line where the lips had been drawn in; then his face was pressed away by her hands; he heard her say: “Oh! No!” Shame, compunction, sense of futility flooded his whole being, he turned on his heel and went straight out.
III Visit to IreneJolyon found June waiting on the platform at Paddington. She had received his telegram while at breakfast. Her abode—a studio and two bedrooms in a St. John’s Wood garden—had been selected by her for the complete independence which it guaranteed. Unwatched by Mrs. Grundy, unhindered by permanent domestics, she could receive lame ducks at any hour of day or night, and not seldom had a duck without studio of its own made use of June’s. She enjoyed her freedom, and possessed herself with a sort of virginal passion; the warmth which she would have lavished on Bosinney, and of which—given her Forsyte tenacity—he must surely have tired, she now expended in championship of the underdogs and budding “geniuses” of the artistic world. She lived, in fact, to turn ducks into the swans she believed they were. The very fervour of her protection warped her judgments. But she was loyal and liberal; her small eager hand was ever against the oppressions of academic and commercial opinion, and though her income was considerable, her bank balance was often a minus quantity.
She had come to Paddington Station heated in her soul by a visit to Eric Cobbley. A miserable Gallery had refused to let that straight-haired genius have his one-man show after all. Its impudent manager, after visiting his studio, had expressed the opinion that it would only be a “one-horse show from the selling point of view.” This crowning example of commercial cowardice towards her favourite lame duck—and he so hard up, with a wife and two children, that he had caused her account to be overdrawn—was still making the blood glow in her small, resolute face, and her red-gold hair to shine more than ever. She gave her father a hug, and got into a cab with him, having as many fish to fry with him as he with her. It became at once a question which would fry them first.
Jolyon had reached the words: “My dear, I want you to come with me,” when, glancing at her face, he perceived by her blue eyes moving from side to side—like the tail of a preoccupied cat—that she was not attending. “Dad, is it true that I absolutely can’t get at any of my money?”
“Only the income, fortunately, my love.”
“How perfectly beastly! Can’t it be done somehow? There must be a way. I know I could buy a small Gallery for ten thousand pounds.”
“A small Gallery,” murmured Jolyon, “seems a modest desire. But your grandfather foresaw it.”
“I think,” cried June vigorously, “that all this care about money is awful, when there’s so much genius in the world simply crushed out for want of a little. I shall never marry and have children; why shouldn’t I be able to do some good instead of having it all tied up in case of things which will never come off?”
“Our name is Forsyte, my dear,” replied Jolyon in the ironical voice to which his impetuous daughter had never quite grown accustomed; “and Forsytes, you know, are people who so settle their property that their grandchildren, in case they should die before their parents, have to make wills leaving the property that will only come to themselves when their parents die. Do you follow that? Nor do I, but it’s a fact, anyway; we live by the principle that so long as there is a possibility of keeping wealth in the family it must not go out; if you die unmarried, your money goes to Jolly and Holly and their children if they marry. Isn’t it pleasant to know that whatever you do you can none of you be destitute?”
“But can’t I borrow the money?”
Jolyon shook his head. “You could rent a Gallery, no doubt, if you could manage it out of your income.”
June uttered a contemptuous sound.
“Yes; and have no income
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