The Souls of Black Folk by W. E. B. Du Bois (phonics story books .TXT) 📕

From the curtains in Benton’s house, down the road, a dark comely face is staring at the strangers; for passing carriages are not everyday occurrences here. Benton is an intelligent yellow man with a good-sized family, and manages a plantation blasted by the war and now the broken staff of the widow. He might be well-to-do, they say; but he carouses too much in Albany. And the half-desolate spirit of neglect born of the very soil seems to have settled on these acres. In times past there were cotton-gins and machinery here; but they have rotted away.

The whole land seems forlorn and forsaken. Here are the remnants of the vast plantations of the Sheldons, the Pellots, and the Rensons; but the souls of them are passed. The houses lie in half ruin, or have wholly disappeared; the fences have flown, and the families are wandering in the world.

Strange vicissitudes have met these whilom masters. Yonder stretch the wide acres of Bildad Reasor; he died in war-time, but the upstart overseer hastened to wed the widow. Then he went, and his neighbors too, and now only the black tenant remains; but the shadow-hand of the master’s grand-nephew or cousin or creditor stretches out of the gray distance to collect the rack-rent remorselessly, and so the land is uncared-for and poor. Only black tenants can stand such a system, and they only because they must. Ten miles we have ridden to-day and have seen no white face.

A resistless feeling of depression falls slowly upon us, despite the gaudy sunshine and the green cottonfields. This, then, is the Cotton Kingdom,—the shadow of a marvellous dream. And where is the King? Perhaps this is he,—the sweating ploughman, tilling his eighty acres with two lean mules, and fighting a hard battle with debt. So we sit musing, until, as we turn a corner on the sandy road, there comes a fairer scene suddenly in view,—a neat cottage snugly en-sconced by the road, and near it a little store. A tall bronzed man rises from the porch as we hail him, and comes out to our carriage. He is six feet in height, with a sober face that smiles gravely. He walks too straight to be a tenant,—yes, he owns two hundred and forty acres. “The land is run down since the boom-days of eighteen hundred and fifty,” he explains, and cotton is low. Three black tenants live on his place, and in his little store he keeps a small stock of tobacco, snuff, soap, and soda, for the neighborhood. Here is his gin-house with new machinery just installed. Three hundred bales of cotton went through it last year. Two children he has sent away to school. Yes, he says sadly, he is getting on, but cotton is down to four cents; I know how Debt sits staring at him.

Wherever the King may be, the parks and palaces of the Cotton Kingdom have not wholly disappeared. We plunge even now into great groves of oak and towering pine, with an undergrowth of myrtle and shrubbery. This was the “home-house” of the Thompsons,—slave-barons who drove their coach and four in the merry past. All is silence now, and ashes, and tangled weeds. The owner put his whole fortune into the rising cotton industry of the fifties, and with the falling prices of the eighties he packed up and stole away.

Yonder is another grove, with unkempt lawn, great magno-lias, and grass-grown paths. The Big House stands in half-ruin, its great front door staring blankly at the street, and the back part grotesquely restored for its black tenant. A shabby, well-built Negro he is, unlucky and irresolute. He digs hard to pay rent to the white girl who owns the remnant of the place. She married a policeman, and lives in Savannah.

Now and again we come to churches. Here is one now, —Shepherd’s, they call it,—a great whitewashed barn of a thing, perched on stilts of stone, and looking for all the world as though it were just resting here a moment and might be expected to waddle off down the road at almost any time.

And yet it is the centre of a hundred cabin homes; and sometimes, of a Sunday, five hundred persons from far and near gather here and talk and eat and sing. There is a schoolhouse near,—a very airy, empty shed; but even this is an improvement, for usually the school is held in the church.

The churches vary from log-huts to those like Shepherd’s, and the schools from nothing to this little house that sits demurely on the county line. It is a tiny plank-house, perhaps ten by twenty, and has within a double row of rough unplaned benches, resting mostly on legs, sometimes on boxes. Opposite the door is a square home-made desk. In one corner are the ruins of a stove, and in the other a dim blackboard. It is the cheerfulest schoolhouse I have seen in Dougherty, save in town. Back of the schoolhouse is a lodgehouse two stories high and not quite finished. Societies meet there,—societies “to care for the sick and bury the dead”; and these societies grow and flourish.

We had come to the boundaries of Dougherty, and were about to turn west along the county-line, when all these sights were pointed out to us by a kindly old man, black, white-haired, and seventy. Forty-five years he had lived here, and now supports himself and his old wife by the help of the steer tethered yonder and the charity of his black neighbors. He shows us the farm of the Hills just across the county line in Baker,—a widow and two strapping sons, who raised ten bales (one need not add “cotton” down here) last year. There are fences and pigs and cows, and the soft-voiced, velvet-skinned young Memnon, who sauntered half-bashfully over to greet the strangers, is proud of his home. We turn now to the west along the county line. Great dismantled trunks of pines tower above the green cottonfields, cracking their naked gnarled fingers toward the border of living forest beyond.

There is little beauty in this region, only a sort of crude abandon that suggests power,—a naked grandeur, as it were.

The houses are bare and straight; there are no hammocks or easy-chairs, and few flowers. So when, as here at Rawdon’s, one sees a vine clinging to a little porch, and homelike windows peeping over the fences, one takes a long breath. I think I never before quite realized the place of the Fence in civilization. This is the Land of the Unfenced, where crouch on either hand scores of ugly one-room cabins, cheerless and dirty. Here lies the Negro problem in its naked dirt and penury. And here are no fences. But now and then the crisscross rails or straight palings break into view, and then we know a touch of culture is near. Of course Harrison Gohagen,—a quiet yellow man, young, smooth-faced, and diligent,—of course he is lord of some hundred acres, and we expect to see a vision of well-kept rooms and fat beds and laughing children. For has he not fine fences? And those over yonder, why should they build fences on the rack-rented land? It will only increase their rent.

On we wind, through sand and pines and glimpses of old plantations, till there creeps into sight a cluster of buildings, —wood and brick, mills and houses, and scattered cabins. It seemed quite a village. As it came nearer and nearer, however, the aspect changed: the buildings were rotten, the bricks were falling out, the mills were silent, and the store was closed. Only in the cabins appeared now and then a bit of lazy life. I could imagine the place under some weird spell, and was half-minded to search out the princess. An old ragged black man, honest, simple, and improvident, told us the tale. The Wizard of the North—the Capitalist—had rushed down in the seventies to woo this coy dark soil. He bought a square mile or more, and for a time the field-hands sang, the gins groaned, and the mills buzzed. Then came a change. The agent’s son embezzled the funds and ran off with them. Then the agent himself disappeared. Finally the new agent stole even the books, and the company in wrath closed its business and its houses, refused to sell, and let houses and furniture and machinery rust and rot. So the Waters-Loring plantation was stilled by the spell of dishonesty, and stands like some gaunt rebuke to a scarred land.

Somehow that plantation ended our day’s journey; for I could not shake off the influence of that silent scene. Back toward town we glided, past the straight and thread-like pines, past a dark tree-dotted pond where the air was heavy with a dead sweet perfume. White slender-legged curlews flitted by us, and the garnet blooms of the cotton looked gay against the green and purple stalks. A peasant girl was hoeing in the field, white-turbaned and black-limbed. All this we saw, but the spell still lay upon us.

How curious a land is this,—how full of untold story, of tragedy and laughter, and the rich legacy of human life; shadowed with a tragic past, and big with future promise!

This is the Black Belt of Georgia. Dougherty County is the west end of the Black Belt, and men once called it the Egypt of the Confederacy. It is full of historic interest. First there is the Swamp, to the west, where the Chickasawhatchee flows sullenly southward. The shadow of an old plantation lies at its edge, forlorn and dark. Then comes the pool; pendent gray moss and brackish waters appear, and forests filled with wildfowl. In one place the wood is on fire, smouldering in dull red anger; but nobody minds. Then the swamp grows beautiful; a raised road, built by chained Negro convicts, dips down into it, and forms a way walled and almost covered in living green. Spreading trees spring from a prodigal luxuriance of undergrowth; great dark green shadows fade into the black background, until all is one mass of tangled semi-tropical foliage, marvellous in its weird savage splendor.

Once we crossed a black silent stream, where the sad trees and writhing creepers, all glinting fiery yellow and green, seemed like some vast cathedral,—some green Milan builded of wildwood. And as I crossed, I seemed to see again that fierce tragedy of seventy years ago. Osceola, the Indian-Negro chieftain, had risen in the swamps of Florida, vowing vengeance. His war-cry reached the red Creeks of Dougherty, and their war-cry rang from the Chattahoochee to the sea.

Men and women and children fled and fell before them as they swept into Dougherty. In yonder shadows a dark and hideously painted warrior glided stealthily on,—another and another, until three hundred had crept into the treacherous swamp. Then the false slime closing about them called the white men from the east. Waist-deep, they fought beneath the tall trees, until the war-cry was hushed and the Indians glided back into the west. Small wonder the wood is red.

Then came the black slaves. Day after day the clank of chained feet marching from Virginia and Carolina to Georgia was heard in these rich swamp lands. Day after day the songs of the callous, the wail of the motherless, and the muttered curses of the wretched echoed from the Flint to the Chickasawhatchee, until by 1860 there had risen in West Dougherty perhaps the richest slave kingdom the modern world ever knew. A hundred and fifty barons commanded the labor of nearly six thousand Negroes, held sway over farms with ninety thousand acres tilled land, valued even in times of cheap soil at three millions of