Master Flea by E. T. A. Hoffmann (drm ebook reader .txt) 📕
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Ernst Theodor Amadeus Hoffmann was a contemporary of Ludwig von Beethoven: a composer himself, a music critic, and a late-German-Romantic-movement writer of novels and numerous short stories. His incisive wit and poetic imagery allow the reader to peer into the foibles of society and the follies of human psychology. (In fact, Hoffmann’s wit may have gotten him into a bit of legal trouble, as parts of Master Flea were censored and had to be reworked when authorities disliked certain satirical criticisms of contemporary dealings of the court system.)
Join gentleman bachelor Peregrine Tyss as his life as a recluse takes a twist, when he gains an epic advantage of tiny proportions. Part proto-science-fiction and part Romantic fantasy, Master Flea follows the fate of a mysterious, captivating princess at the intersection of numerous suitors, human and insect. Like a lesson from a fable or a tale of classical mythology, Hoffmann’s fairy-tale allegory shows how seeking forbidden knowledge can poison the soul, and how following the heart can heal it.
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- Author: E. T. A. Hoffmann
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“I was still too much stunned to skip off his nose and place myself in perfect safety, when the treacherous Leeuwenhoek—he was the magician—caught me dexterously with his fingers, and placed me in his microscope. Notwithstanding it was night, and he was obliged to use a lamp, he was by far too practiced an observer, and too great an adept, not immediately to recognise in me the Master Flea. Delighted that a lucky chance had delivered into his hands such an important prisoner, and resolved to draw every possible advantage from it, he flung poor me into chains, and thus began a painful imprisonment, from which I was yesterday freed by you. The possession of me gave the abominable Leeuwenhoek full power over my vassals, whom he soon collected in swarms about him, and with barbarian cruelty introduced amongst us that which is called education, and which soon robbed us of all freedom, of all enjoyment of life. In regard to scholastic studies, and the arts and sciences in general, Leeuwenhoek soon discovered, to his surprise and vexation, that we knew more than himself; the higher cultivation which he forced upon us consisted chiefly in this: that we were to be something, or at least represent something. But it was precisely this being something, this representing something, that brought with it a multitude of wants which we had never known before, and which were now to be satisfied with the sweat of our brow. The barbarous Leeuwenhoek converted us into statesmen, soldiers, professors, and I know not what besides. All were obliged to wear the dress of their respective ranks, and thus arose amongst us tailors, shoemakers, hairdressers, blacksmiths, cutlers, and a multitude of other trades, only to satisfy an useless and destructive luxury. The worst of it was that Leeuwenhoek had nothing else in view than his own advantage in showing us cultivated people to men, and receiving money for it. Moreover our cultivation was set down entirely to his account, and he got the praise which belonged to us alone. Leeuwenhoek well knew that in losing me he would also lose the dominion over my people; the more closely therefore he drew the spell which bound me to him, and so much the harder was my imprisonment. I thought with ardent desire on the beautiful Gamaheh, and pondered on the means of getting tidings of her fate, but what the acutest reason could not effect, the chance of the moment itself brought about. The friend and associate of my magician, the old Swammerdam, had found the princess in the petal of a tulip, and this discovery he imparted to his friend. By means which, my good Peregrine, I forbear detailing to you, as you do not understand much about these matters, he succeeded in restoring Gamaheh to her natural shape, and bringing her back to life. In the end, however, these very wise persons proved as awkward idiots as the Genius, Thetel, and the Thistle, Zeherit.
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