So Big by Edna Ferber (read books for money .txt) 📕
Description
Selina Peake moves from Chicago to a rural Dutch farming area just outside the city to teach in a one room school. As she attempts to fit into the community, she learns about her own strength in adapting to rural life. She marries an uneducated but sweet Dutch farmer named Pervus DeJong and has a son, Dirk, nicknamed “So Big.” She wishes her son to have the same appreciation for the arts and education she has, and although he becomes an architect, his disillusionment with the architectural apprentice system leads him to a career as a successful bond salesman. He later regrets eschewing his architecture career when he meets a beautiful and eccentric artist.
Ferber was not confident in the book’s prospects when it was first published. Nevertheless, it became very popular, won her the Pulitzer Prize for Fiction in 1925, and was later made into three different motion pictures.
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- Author: Edna Ferber
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On her fifth Sunday in the district she accompanied the Pools to the morning service at the Dutch Reformed Church. Maartje seldom had the time for such frivolity. But on this morning Klaas hitched up the big farm wagon with the double seat and took the family complete—Maartje, Selina, Roelf, and the pigtails. Maartje, out of her kitchen calico and dressed in her best black, with a funereal bonnet made sadder by a sparse and drooping feather whose listless fronds emerged surprisingly from a faded red cotton rose, wore a new strange aspect to Selina’s eyes, as did Klaas in his clumsy sabbaticals. Roelf had rebelled against going, had been cuffed for it, and had sat very still all through the service, gazing at the red and yellow glass church window. Later he confided to Selina that the sunlight filtering through the crude yellow panes had imparted a bilious look to the unfortunates seated within its range, affording him much secret satisfaction.
Selina’s appearance had made quite a stir, of which she was entirely unaware. As the congregation entered by twos and threes she thought they resembled startlingly a woodcut in an old illustrated book she once had seen. The men’s Sunday trousers and coats had a square stiff angularity, as though chopped out of a block. The women, in shawls and bonnets of rusty black, were incredibly cut in the same pattern. The unmarried girls, though, were plump, red-cheeked, and not uncomely, with high round cheekbones on which sat a spot of brick-red which imparted no glow to the face. Their foreheads were prominent and meaningless.
In the midst of this drab assemblage there entered late and rustlingly a tall, slow-moving woman in a city-bought cloak and a bonnet quite unlike the vintage millinery of High Prairie. As she came down the aisle Selina thought she was like a full-sailed frigate. An ample woman, with a fine fair skin and a ripe red mouth; a high firm bosom and great thighs that moved rhythmically, slowly. She had thick, insolent eyelids. Her hands, as she turned the leaves of her hymn book, were smooth and white. As she entered there was a little rustle throughout the congregation; a craning of necks. Though she was bustled and flounced and panniered, you thought, curiously enough, of those lolling white-fleshed and unconventional ladies whom the sixteenth century painters were always portraying as having their toe nails cut with nothing on.
“Who’s that?” whispered Selina to Maartje.
“Widow Paarlenberg. She is rich like anything.”
“Yes?” Selina was fascinated.
“Look once how she makes eyes at him.”
“At him? Who? Who?”
“Pervus DeJong. By Gerrit Pon he is sitting with the blue shirt and sad looking so.”
Selina craned, peered. “The—oh—he’s very good looking, isn’t he?”
“Sure. Widow Paarlenberg is stuck on him. See how she—Sh-sh-sh!—Reverend Dekker looks at us. I tell you after.”
Selina decided she’d come to church oftener. The service went on, dull, heavy. It was in English and Dutch. She heard scarcely a word of it. The Widow Paarlenberg and this Pervus DeJong occupied her thoughts. She decided, without malice, that the widow resembled one of the sleekest of the pink porkers rooting in Klaas Pool’s barnyard, waiting to be cut into Christmas meat.
The Widow Paarlenberg turned and smiled. Her eyes were slippery (Selina’s term). Her mouth became loose and wide with one corner sliding down a trifle into something very like a leer.
With one surge the Dutch Reformed congregation leaned forward to see how Pervus DeJong would respond to this public mark of favour. His gaze was stern, unsmiling. His eyes were fixed on that extremely dull gentleman, the Reverend Dekker.
“He’s annoyed,” thought Selina, and was pleased at the thought. “Well, I may not be a widow, but I’m sure that’s not the way.” And then: “Now I wonder what it’s like when he smiles.”
According to fiction as Selina had found it in the Fireside Companion and elsewhere, he should have turned at this moment, irresistibly drawn by the magnetism of her gaze, and smiled a rare sweet smile that lighted up his stern young face. But he did not. He yawned suddenly and capaciously. The Reformed Dutch congregation leaned back feeling cheated. Handsome, certainly, Selina reflected. But then, probably Klaas Pool, too, had been handsome a few years ago.
The service ended, there was much talk of the weather, seedlings, stock, the approaching holiday season. Maartje, her Sunday dinner heavy on her mind, was elbowing her way up the aisle. Here and there she introduced Selina briefly to a woman friend. “Mrs. Vander Sijde, meet school teacher.”
“Aggie’s mother?” Selina would begin, primly, only to be swept along by Maartje on her way to the door. “Mrs. Von Mijnen, meet school teacher. Is Mrs. Von Mijnen.” They regarded her with a grim gaze. Selina would smile and nod rather nervously, feeling young, frivolous, and somehow guilty.
When, with Maartje, she reached the church porch Pervus DeJong was unhitching the dejected horse that was harnessed to his battered and lopsided cart. The animal stood with four feet bunched together in a drooping and pathetic attitude and seemed inevitably meant for mating with this decrepit vehicle. DeJong untied the reins quickly, and was about to step into the sagging conveyance when the Widow Paarlenberg sailed down the church steps with admirable speed for one so amply proportioned. She made straight for him, skirts billowing, flounces flying, plumes waving. Maartje clutched Selina’s arm. “Look how she makes! She asks him to eat Sunday dinner I bet you! See once how he makes with his head no.”
Selina—and the whole congregation unashamedly watching—could indeed see how he made with his
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