So Big by Edna Ferber (read books for money .txt) 📕
Description
Selina Peake moves from Chicago to a rural Dutch farming area just outside the city to teach in a one room school. As she attempts to fit into the community, she learns about her own strength in adapting to rural life. She marries an uneducated but sweet Dutch farmer named Pervus DeJong and has a son, Dirk, nicknamed “So Big.” She wishes her son to have the same appreciation for the arts and education she has, and although he becomes an architect, his disillusionment with the architectural apprentice system leads him to a career as a successful bond salesman. He later regrets eschewing his architecture career when he meets a beautiful and eccentric artist.
Ferber was not confident in the book’s prospects when it was first published. Nevertheless, it became very popular, won her the Pulitzer Prize for Fiction in 1925, and was later made into three different motion pictures.
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- Author: Edna Ferber
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Selina looked up into the wrathful face of Pervus DeJong. Pervus DeJong looked down into the startled eyes of Selina Peake. Large enough eyes at any time; enormous now in her fright at what she had done.
“I’m sorry! I’m—sorry. I thought if I could—there’s no way of getting my lunch box up there—such a crowd—”
A slim, appealing, lovely little figure in the wine-red cashmere, amidst all those buxom bosoms, and overheated bodies, and flushed faces. His gaze left her reluctantly, settled on the lunch box, became, if possible, more bewildered. “That? Lunch box?”
“Yes. For the raffle. I’m the school teacher. Selina Peake.”
He nodded. “I saw you in church Sunday.”
“You did! I didn’t think you. … Did you?”
“Wait here. I’ll come back. Wait here.”
He took the shoe box. She waited. He ploughed his way through the crowd like a Juggernaut, reached Adam Ooms’s platform and placed the box inconspicuously next a colossal hamper that was one of a dozen grouped awaiting Adam’s attention. When he had made his way back to Selina he again said, “Wait,” and plunged down the wooden stairway. Selina waited. She had ceased to feel distressed at her inability to find the Pools in the crowd, a-tiptoe though she was. When presently he came back he had in his hand an empty wooden soapbox. This he upended in the doorway just behind the crowd stationed there. Selina mounted it; found her head a little above the level of his. She could survey the room from end to end. There were the Pools. She waved to Maartje; smiled at Roelf. He made as though to come toward her; did come part way, and was restrained by Maartje catching at his coat tail.
Selina wished she could think of something to say. She looked down at Pervus DeJong. The back of his neck was pink, as though with effort. She thought, instinctively, “My goodness, he’s trying to think of something to say, too.” That, somehow, put her at her ease. She would wait until he spoke. His neck was now a deep red. The crowd surged back at some disturbance around Adam Ooms’s elevation. Selina teetered perilously on her box, put out a hand blindly, felt his great hard hand on her arm, steadying her.
“Quite a crowd, ain’t it?” The effort had reached its apex. The red of his neck began to recede.
“Oh, quite!”
“They ain’t all High Prairie. Some of ’em’s from Low Prairie way. New Haarlem, even.”
“Really!”
A pause. Another effort.
“How goes it school teaching?”
“Oh—it goes pretty well.”
“You are little to be school teacher, anyway, ain’t you?”
“Little!” She drew herself up from her vantage point of the soapbox. “I’m bigger than you are.”
They laughed at that as at an exquisite piece of repartee.
Adam Oom’s gavel (a wooden potato masher) crashed for silence. “Ladies!” [Crash!] “And gents!” [Crash!] “Gents! Look what basket we’ve got here!”
Look indeed. A great hamper, grown so plethoric that it could no longer wear its cover. Its contents bellied into a mound smoothly covered with a fine white cloth whose glistening surface proclaimed it damask. A Himalaya among hampers. You knew that under that snowy crust lay gold that was fowl done crisply, succulently; emeralds in the form of gherkins; rubies that melted into strawberry preserves; cakes frosted like diamonds; to say nothing of such semiprecious jewels as potato salad; cheeses; sour cream to be spread on rye bread and butter; coffee cakes; crullers.
Crash! “The Widow Paarlenberg’s basket, ladies—and gents! The Widow Paarlenberg! I don’t know what’s in it. You don’t know what’s in it. We don’t have to know what’s in it. Who has eaten Widow Paarlenberg’s chicken once don’t have to know. Who has eaten Widow Paarlenberg’s cake once don’t have to know. What am I bid on Widow Paarlenberg’s basket! What am I bid! WhatmIbidwhatmIbidwhatmIbid!” [Crash!]
The widow herself, very handsome in black silk, her gold neck chain rising and falling richly with the little flurry that now agitated her broad bosom, was seated in a chair against the wall not five feet from the auctioneer’s stand. She bridled now, blushed, cast down her eyes, cast up her eyes, succeeded in looking as unconscious as a complaisant Turkish slave girl on the block.
Adam Ooms’s glance swept the hall. He leaned forward, his fox-like face fixed in a smile. From the widow herself, seated so prominently at his right, his gaze marked the young blades of the village; the old bucks; youths and widowers and bachelors. Here was the prize of the evening. Around, in a semicircle, went his keen glance until it reached the tall figure towering in the doorway—reached it, and rested there. His gimlet eyes seemed to bore their way into Pervus DeJong’s steady stare. He raised his right arm aloft, brandishing the potato masher. The whole room fixed its gaze on the blond head in the doorway. “Speak up! Young men of High Prairie! Heh, you, Pervus DeJong! WhatmIbidwhatmIbidwhatmIbid!”
“Fifty cents!” The bid came from Gerrit Pon at the other end of the hall. A dashing offer, as a start, in this district
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