Short Fiction by P. G. Wodehouse (me reader .txt) 📕
Description
P. G. Wodehouse was an incredibly prolific writer who sold short stories to publications around the world throughout his career. The settings of his stories range from the casinos of Monte Carlo to the dance halls of New York, often taking detours into rural English life, where we follow his wide variety of distinctive characters and their trials, tribulations and follies.
The stories in this volume consist of most of what is available in U.S. public domain, with the exception of some stories which were never anthologized, and stories that are collected in themed volumes (Jeeves Stories, Ukridge Stories, and School Stories). They are ordered by the date they first appeared in magazine form.
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- Author: P. G. Wodehouse
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Did I describe the peculiar isolation of that room on the top floor, where the portrait was? I don’t think I did. It was, as a matter of fact, the only room in those parts, for, in the days when he did his amateur painting, old Harold was strong on the artistic seclusion business and hated noise, and his studio was the only room in use on that floor.
In short, to sum up, the thing was a cinch.
Punctually at ten minutes to seven, I was in readiness on the scene. There was a recess with a curtain in front of it a few yards from the door, and there I waited, fondling my little wedge, for Harold to walk up and allow the proceedings to start. It was almost pitch-dark, and that made the time of waiting seem longer. Presently—I seemed to have been there longer than ten minutes—I heard steps approaching. They came past where I stood, and went on into the room. The door closed, and I hopped out and sprinted up to it, and the next moment I had the good old wedge under the wood—as neat a job as you could imagine. And then I strolled downstairs, and toddled off to the inn.
I didn’t hurry over my dinner, partly because the browsing and sluicing at the inn was really astonishingly good for a roadhouse and partly because I wanted to give Harold plenty of time for meditation. I suppose it must have been a couple of hours or more when I finally turned in at the front door. Somebody was playing the piano in the drawing room. It could only be Hilda who was playing, and I had doubts as to whether she wanted company just then—mine, at any rate.
Eventually I decided to risk it, for I wanted to hear the latest about dear old Harold, so in I went, and it wasn’t Hilda at all; it was Ann Selby.
“Hello,” I said. “I didn’t know you were coming down here.” It seemed so odd, don’t you know, as it hadn’t been more than ten days or so since her last visit.
“Good evening, Reggie,” she said.
“What’s been happening?” I asked.
“How do you know anything has been happening?”
“I guessed it.”
“Well, you’re quite right, as it happens, Reggie. A good deal has been happening.” She went to the door, and looked out, listening. Then she shut it, and came back. “Hilda has revolted!”
“Revolted?”
“Yes, put her foot down—made a stand—refused to go on meekly putting up with Harold’s insane behavior.”
“I don’t understand.”
She gave me a look of pity. “You always were so dense, Reggie. I will tell you the whole thing from the beginning. You remember what I spoke to you about, one day when we were lunching together? Well, I don’t suppose you have noticed it—I know what you are—but things have been getting steadily worse. For one thing, Harold insisted on lengthening his visits to the top room, and naturally Ponsonby complained. Hilda tells me that she had to plead with him to induce him to stay on. Then the climax came. I don’t know if you recollect Amelia’s brother Percy? You must have met him when she was alive—a perfectly unspeakable person with a loud voice and overpowering manners. Suddenly, out of a blue sky, Harold announced his intention of inviting him to stay. It was the last straw. This afternoon I received a telegram from poor Hilda, saying that she was leaving Harold and coming to stay with me, and a few hours later the poor child arrived at my apartment.”
You mustn’t suppose that I stood listening silently to this speech. Every time she seemed to be going to stop for breath I tried to horn in and tell her all these things which had been happening were not mere flukes, as she seemed to think, but parts of a deuced carefully planned scheme of my own. Every time I’d try to interrupt, Ann would wave me down, and carry on without so much as a semicolon.
But at this point I did manage a word in. “I know, I know, I know! I did it all. It was I who suggested to Harold that he should lengthen the meditations, and insisted on his inviting Percy to stay.”
I had hardly got the words out, when I saw that they were not making the hit I had anticipated. She looked at me with an expression of absolute scorn, don’t you know.
“Well, really, Reggie,” she said at last, “I never have had a very high opinion of your intelligence, as you know, but this is a revelation to me. What motive you can have had, unless you did it in a spirit of pure mischief—” She stopped, and there was a glare of undiluted repulsion in her eyes. “Reggie! I can’t believe it! Of all the things I loathe most, a practical joker is the worst. Do you mean to tell me you did all this as a practical joke?”
“Great Scott, no! It was like this—”
I paused for a bare second to collect my thoughts, so as to put the thing clearly to her. I might have known what would happen. She dashed right in and collared the conversation.
“Well, never mind. As it happens, there is no harm done. Quite the reverse, in fact. Hilda left a note for Harold telling him what she had done and where she had gone and why she had gone, and Harold found
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