Short Fiction by Leo Tolstoy (book reader for pc TXT) 📕
Description
While perhaps best known for his novels War and Peace and Anna Karenina, the Russian author and religious thinker Leo Tolstoy was also a prolific author of short fiction. This Standard Ebooks production compiles all of Tolstoy’s short stories and novellas written from 1852 up to his death, arranged in order of their original publication.
The stories in this collection vary enormously in size and scope, from short, page-length fables composed for the education of schoolchildren, to full novellas like “Family Happiness.” Readers who are familiar with Tolstoy’s life and religious experiences—as detailed, for example, in his spiritual memoir A Confession—may be able to trace the events of Tolstoy’s life through the changing subjects of these stories. Some early stories, like “The Raid” and the “Sevastopol” sketches, draw from Tolstoy’s experiences in the Caucasian War and the Crimean War when he served in the Imperial Russian Army, while other early stories like “Recollections of a Scorer” and “Two Hussars” reflect Tolstoy’s personal struggle with gambling addiction.
Later stories in the collection, written during and after Tolstoy’s 1870s conversion to Christian anarcho-pacifism (a spiritual and religious philosophy described in detail in his treatise The Kingdom of God is Within You), frequently reflect either Tolstoy’s own experiences in spiritual struggle (e.g. “The Death of Ivan Ilyitch”) or his interpretation of the New Testament (e.g. “The Forged Coupon”), or both. Many later stories, like “Three Questions” and “How Much Land Does a Man Need?” are explicitly didactic in nature and are addressed to a popular audience to promote his religious ideals and views on social and economic justice.
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- Author: Leo Tolstoy
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“You had better get down, or you will hurt yourself,” he said; “and do put your hair straight; just think what you look like?”
“What makes him pretend? what makes him want to give me pain?” I thought in my vexation. And the same instant brought an irresistible desire to upset his composure again and test my power over him.
“No,” I said; “I mean to pick for myself.” I caught hold of the nearest branch and climbed to the top of the wall; then, before he had time to catch me, I jumped down on the other side.
“What foolish things you do!” he muttered, flushing again and trying to hide his confusion under a pretence of annoyance; “you might really have hurt yourself. But how do you mean to get out of this?”
He was even more confused than before, but this time his confusion frightened rather than pleased me. It infected me too and made me blush; avoiding his eye and not knowing what to say, I began to pick cherries though I had nothing to put them in. I reproached myself, I repented of what I had done, I was frightened; I felt that I had lost his good opinion forever by my folly. Both of us were silent and embarrassed. From this difficult situation Sónya rescued us by running back with the key in her hand. For some time we both addressed our conversation to her and said nothing to each other. When we returned to Kátya, who assured us that she had never been asleep and was listening all the time, I calmed down, and he tried to drop into his fatherly patronizing manner again, but I was not taken in by it. A discussion which we had had some days before came back clear before me.
Kátya had been saying that it was easier for a man to be in love and declare his love than for a woman.
“A man may say that he is in love, and a woman can’t,” she said.
“I disagree,” said he; “a man has no business to say, and can’t say that he is in love.”
“Why not?” I asked.
“Because it never can be true. What sort of a revelation is that, that a man is in love? A man seems to think that whenever he says the word, something will go pop!—that some miracle will be worked, signs and wonders, with all the big guns firing at once! In my opinion,” he went on, “whoever solemnly brings out the words ‘I love you’ is either deceiving himself or, which is even worse, deceiving others.”
“Then how is a woman to know that a man is in love with her, unless he tells her?” asked Kátya.
“That I don’t know,” he answered; “every man has his own way of telling things. If the feeling exists, it will out somehow. But when I read novels, I always fancy the crestfallen look of Lieut. Strélsky or Alfred, when he says, ‘I love you, Eleanora,’ and expects something wonderful to happen at once, and no change at all takes place in either of them—their eyes and their noses and their whole selves remain exactly as they were.”
Even then I had felt that this banter covered something serious that had reference to myself. But Kátya resented his disrespectful treatment of the heroes in novels.
“You are never serious,” she said; “but tell me truthfully, have you never yourself told a woman that you loved her?”
“Never, and never gone down on one knee,” he answered, laughing; “and never will.”
This conversation I now recalled, and I reflected that there was no need for him to tell me that he loved me. “I know that he loves me,” I thought, “and all his endeavours to seem indifferent will not change my opinion.”
He said little to me throughout the evening, but in every word he said to Kátya and Sónya and in every look and movement of his I saw love and felt no doubt of it. I was only vexed and sorry for him, that he thought it necessary still to hide his feelings and pretend coldness, when it was all so clear, and when it would have been so simple and easy to be boundlessly happy. But my jumping down to him in the orchard weighed on me like a crime. I kept feeling that he would cease to respect me and was angry with me.
After tea I went to the piano, and he followed me.
“Play me something—it is long since I heard you,” he said, catching me up in the parlour.
“I was just going to,” I said. Then I looked straight in his face and said quickly, “Sergéy Mikháylych, you are not angry with me, are you?”
“What for?” he asked.
“For not obeying you this afternoon,” I said, blushing.
He understood me: he shook his head and made a grimace, which implied that I deserved a scolding but that he did not feel able to give it.
“So it’s all right,
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