No Name by Wilkie Collins (good books for 7th graders TXT) 📕
Description
No Name is set in England during the 1840s. It follows the fortunes of two sisters, Magdalen Vanstone and her older sister Norah. Their comfortable upper-middle-class lives are shockingly disrupted when, after the sudden deaths of their parents, they discover that they are disinherited and left without either name or fortune. The headstrong Magdalen vows to recover their inheritance, by fair means or foul. Her increasing desperation makes her vulnerable to a wily confidence trickster, Captain Wragge, who promises to assist her in return for a cut of the profits.
No Name was published in serial form like many of Wilkie Collins’ other works. They were tremendously popular in their time, with long queues forming awaiting the publication of each episode. Though not as well known as his The Woman in White and The Moonstone, No Name is their equal in boasting a gripping plot and strong women characters (a rarity in the Victorian era). Collins’ mentor Charles Dickens is on record as considering it to be far the superior of The Woman in White.
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- Author: Wilkie Collins
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An interval passed, and she felt her strength returning. She raised herself on her knees and hid her face on the bed. She tried to pray—to pray to be forgiven for seeking the refuge of death. Frantic words burst from her lips—words which would have risen to cries, if she had not stifled them in the bedclothes. She started to her feet; despair strengthened her with a headlong fury against herself. In one moment she was back at the table; in another, the poison was once more in her hand.
She removed the cork and lifted the bottle to her mouth.
At the first cold touch of the glass on her lips, her strong young life leaped up in her leaping blood, and fought with the whole frenzy of its loathing against the close terror of Death. Every active power in the exuberant vital force that was in her rose in revolt against the destruction which her own will would fain have wreaked on her own life. She paused: for the second time, she paused in spite of herself. There, in the glorious perfection of her youth and health—there, trembling on the verge of human existence, she stood; with the kiss of the Destroyer close at her lips, and Nature, faithful to its sacred trust, fighting for the salvation of her to the last.
No word passed her lips. Her cheeks flushed deep; her breath came thick and fast. With the poison still in her hand, with the sense that she might faint in another moment, she made for the window, and threw back the curtain that covered it.
The new day had risen. The broad gray dawn flowed in on her, over the quiet eastern sea.
She saw the waters heaving, large and silent, in the misty calm; she felt the fresh breath of the morning flutter cool on her face. Her strength returned; her mind cleared a little. At the sight of the sea, her memory recalled the walk in the garden overnight, and the picture which her distempered fancy had painted on the black void. In thought, she saw the picture again—the murderer hurling the spud of the plow into the air, and setting the life or death of the woman who had deserted him on the hazard of the falling point. The infection of that terrible superstition seized on her mind as suddenly as the new day had burst on her view. The premise of release which she saw in it from the horror of her own hesitation roused the last energies of her despair. She resolved to end the struggle by setting her life or death on the hazard of a chance.
On what chance?
The sea showed it to her. Dimly distinguishable through the mist, she saw a little fleet of coasting-vessels slowly drifting toward the house, all following the same direction with the favoring set of the tide. In half an hour—perhaps in less—the fleet would have passed her window. The hands of her watch pointed to four o’clock. She seated herself close at the side of the window, with her back toward the quarter from which the vessels were drifting down on her—with the poison placed on the windowsill and the watch on her lap. For one half-hour to come she determined to wait there and count the vessels as they went by. If in that time an even number passed her, the sign given should be a sign to live. If the uneven number prevailed, the end should be Death.
With that final resolution, she rested her head against the window and waited for the ships to pass.
The first came, high, dark and near in the mist, gliding silently over the silent sea. An interval—and the second followed, with the third close after it. Another interval, longer and longer drawn out—and nothing passed. She looked at her watch. Twelve minutes, and three ships. Three.
The fourth came, slower than the rest, larger than the rest, further off in the mist than the rest. The interval followed; a long interval once more. Then the next vessel passed, darkest and nearest of all. Five. The next uneven number—
Five.
She looked at her watch again. Nineteen minutes, and five ships. Twenty minutes. Twenty-one, two, three—and no sixth vessel. Twenty-four, and the sixth came by. Twenty-five, twenty-six, twenty-seven, twenty-eight, and the next uneven number—the fatal Seven—glided into view. Two minutes to the end of the half-hour. And seven ships.
Twenty-nine, and nothing followed in the wake of the seventh ship. The minute-hand of the watch moved on halfway to thirty, and still the white heaving sea was a misty blank. Without moving her head from the window, she took the poison in one hand, and raised the watch in the other. As the quick seconds counted each other out, her eyes, as quick as they, looked from the watch to the sea, from the sea to the watch—looked for the last time at the sea—and saw the eighth ship.
She never moved, she never spoke. The death of thought, the death of feeling, seemed to have come to her already. She put back the poison mechanically on the ledge of the window and watched, as in a dream, the ship gliding smoothly on its silent way—gliding
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