The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
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The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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He would lead her away to a pocket in the sand-hills, secret amid the grey thorn-bushes and the grey, glassy grass. He held her close against him, felt all her firm, unutterably desirable mould of body through the fine fibre of the silk that fell about her limbs. The silk, slipping fierily on the hidden, yet revealed roundness and firmness of her body, her loins, seemed to run in him like fire, make his brain burn like brimstone. She liked it, the electric fire of the silk under his hands upon her limbs, the fire flew over her, as he drew nearer and nearer to discovery. She vibrated like a jet of electric, firm fluid in response. Yet she did not feel beautiful. All the time, she felt she was not beautiful to him, only exciting. She let him take her, and he seemed mad, mad with excited passion. But she, as she lay afterwards on the cold, soft sand, looking up at the blotted, faintly luminous sky, felt that she was as cold now as she had been before. Yet he, breathing heavily, seemed almost savagely satisfied. He seemed revenged.
A little wind wafted the sea grass and passed over her face. Where was the supreme fulfilment she would never enjoy? Why was she so cold, so unroused, so indifferent?
As they went home, and she saw the many, hateful lights of the bungalow, of several bungalows in a group, he said softly:
“Don’t lock your door.”
“I’d rather, here,” she said.
“No, don’t. We belong to each other. Don’t let us deny it.”
She did not answer. He took her silence for consent.
He shared his room with another man.
“I suppose,” he said, “it won’t alarm the house if I go across to happier regions.”
“So long as you don’t make a great row going, and don’t try the wrong door,” said the other man, turning in to sleep.
Skrebensky went out in his wide-striped sleeping suit. He crossed the big dining hall, whose low firelight smelled of cigars and whisky and coffee, entered the other corridor and found Ursula’s room. She was lying awake, wide-eyed and suffering. She was glad he had come, if only for consolation. It was consolation to be held in his arms, to feel his body against hers. Yet how foreign his arms and body were! Yet still, not so horribly foreign and hostile as the rest of the house felt to her.
She did not know how she suffered in this house. She was healthy and exorbitantly full of interest. So she played tennis and learned golf, she rowed out and swam in the deep sea, and enjoyed it very much indeed, full of zest. Yet all the time, among those others, she felt shocked and wincing, as if her violently-sensitive nakedness were exposed to the hard, brutal, material impact of the rest of the people.
The days went by unmarked, in a full, almost strenuous enjoyment of one’s own physique. Skrebensky was one among the others, till evening came, and he took her for himself. She was allowed a great deal of freedom and was treated with a good deal of respect, as a girl on the eve of marriage, about to depart for another continent.
The trouble began at evening. Then a yearning for something unknown came over her, a passion for something she knew not what. She would walk the foreshore alone after dusk, expecting, expecting something, as if she had gone to a rendezvous. The salt, bitter passion of the sea, its indifference to the earth, its swinging, definite motion, its strength, its attack, and its salt burning, seemed to provoke her to a pitch of madness, tantalizing her with vast suggestions of fulfilment. And then, for personification, would come Skrebensky, Skrebensky, whom she knew, whom she was fond of, who was attractive, but whose soul could not contain her in its waves of strength, nor his breast compel her in burning, salty passion.
One evening they went out after dinner, across the low golf links to the dunes and the sea. The sky had small, faint stars, all was still and faintly dark. They walked together in silence, then ploughed, labouring, through the heavy loose sand of the gap between the dunes. They went in silence under the even, faint darkness, in the darker shadow of the sandhills.
Suddenly, cresting the heavy, sandy pass, Ursula lifted her head, and shrank back, momentarily frightened. There was a great whiteness confronting her, the moon was incandescent as a round furnace door, out of which came the high blast of moonlight, over the seaward half of the world, a dazzling, terrifying glare of white light. They shrank back for a moment into shadow, uttering a cry. He felt his chest laid bare, where the secret was heavily hidden. He felt himself fusing down to nothingness, like a bead that rapidly disappears in an incandescent flame.
“How wonderful!” cried Ursula, in low, calling tones. “How wonderful!”
And she went forward, plunging into it. He followed behind. She too seemed to melt into the glare, towards the moon.
The sands were as ground silver, the sea moved in solid brightness, coming towards them, and she went to meet the advance of the flashing, buoyant water. She gave her breast to the moon, her belly to the flashing, heaving water. He stood behind, encompassed, a shadow ever dissolving.
She stood on the edge of the water, at the edge of the solid, flashing body of the sea, and the wave rushed over her feet.
“I want to go,” she cried, in a strong, dominant voice. “I want to go.”
He saw the moonlight on her face, so she was like metal, he heard her ringing, metallic voice, like the voice of a harpy to him.
She prowled, ranging on the edge of the water like a possessed creature, and he
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