Arthur Machen was a Welsh man of letters who wrote his most famous work in the late 1890s and early 1900s. While his body of work is wide, heโs perhaps best known for his supernaturally-flavored proto-horror short stories. The Great God Panโperhaps his most famous workโalong with โThe Inmost Lightโ and The White People deeply influenced later writers like H. P. Lovecraft. Stephen King has gone so far as to call The Great God Pan โmaybe the best [horror story] in the English language.โ
Besides his horror short stories, Machen also wrote a handful of post World War I supernatural shorts. One of these, โThe Bowmen,โ was published in a popular newspaper and was implied to be non-fiction, leading to the creation of the โAngels of Monsโ urban legend. This collection includes several other World War I short stories published by Machen.
is, perhaps, needless to say that my friends had never heard the name of Beaumont, and as I had never seen the lady, and was quite unable to describe her, I had to set to work in an indirect way. The people there know me; I have been able to do some of them a service now and again, so they made no difficulty about giving their information; they were aware I had no communication direct or indirect with Scotland Yard. I had to cast out a good many lines, though, before I got what I wanted, and when I landed the fish I did not for a moment suppose it was my fish. But I listened to what I was told out of a constitutional liking for useless information, and I found myself in possession of a very curious story, though, as I imagined, not the story I was looking for. It was to this effect. Some five or six years ago, a woman named Raymond suddenly made her appearance in the neighbourhood to which I am referring. She was described to me as being quite young, probably not more than seventeen or eighteen, very handsome, and looking as if she came from the country. I should be wrong in saying that she found her level in going to this particular quarter, or associating with these people, for from what I was told, I should think the worst den in London far too good for her. The person from whom I got my information, as you may suppose, no great Puritan, shuddered and grew sick in telling me of the nameless infamies which were laid to her charge. After living there for a year, or perhaps a little more, she disappeared as suddenly as she came, and they saw nothing of her till about the time of the Paul Street case. At first she came to her old haunts only occasionally, then more frequently, and finally took up her abode there as before, and remained for six or eight months. Itโs of no use my going into details as to the life that woman led; if you want particulars you can look at Meyrickโs legacy. Those designs were not drawn from his imagination. She again disappeared, and the people of the place saw nothing of her till a few months ago. My informant told me that she had taken some rooms in a house which he pointed out, and these rooms she was in the habit of visiting two or three times a week and always at ten in the morning. I was led to expect that one of these visits would be paid on a certain day about a week ago, and I accordingly managed to be on the lookout in company with my cicerone at a quarter to ten, and the hour and the lady came with equal punctuality. My friend and I were standing under an archway, a little way back from the street, but she saw us, and gave me a glance that I shall be long in forgetting. That look was quite enough for me; I knew Miss Raymond to be Mrs. Herbert; as for Mrs. Beaumont she had quite gone out of my head. She went into the house, and I watched it till four oโclock, when she came out, and then I followed her. It was a long chase, and I had to be very careful to keep a long way in the background, and yet not lose sight of the woman. She took me down to the Strand, and then to Westminster, and then up St. Jamesโs Street, and along Piccadilly. I felt queerish when I saw her turn up Ashley Street; the thought that Mrs. Herbert was Mrs. Beaumont came into my mind, but it seemed too improbable to be true. I waited at the corner, keeping my eye on her all the time, and I took particular care to note the house at which she stopped. It was the house with the gay curtains, the house of flowers, the house out of which Crashaw came the night he hanged himself in his garden. I was just going away with my discovery, when I saw an empty carriage come round and draw up in front of the house, and I came to the conclusion that Mrs. Herbert was going out for a drive, and I was right. I took a hansom and followed the carriage into the Park. There, as it happened, I met a man I know, and we stood talking together a little distance from the carriageway, to which I had my back. We had not been there for ten minutes when my friend took off his hat, and I glanced round and saw the lady I had been following all day. โWho is that?โ I said, and his answer was, โMrs. Beaumont; lives in Ashley Street.โ Of course there could be no doubt after that. I donโt know whether she saw me, but I donโt think she did. I went home at once, and, on consideration, I thought that I had a sufficiently good case with which to go to Clarke.โ
โWhy to Clarke?โ
โBecause I am sure that Clarke is in possession of facts about this woman, facts of which I know nothing.โ
โWell, what then?โ
Mr. Villiers leaned back in his chair and looked reflectively at Austin for a moment before he answered:
โMy idea was that Clarke and I should call on Mrs. Beaumont.โ
โYou would never go into such a house as that? No, no, Villiers, you cannot do it. Besides, consider; what resultโ โโ โฆโ
โI will tell you soon. But I was going to say that my information does not end here; it has been completed in an extraordinary manner.
โLook at this neat little packet of manuscript; it is paginated, you see, and I have indulged in the civil coquetry of a ribbon of red tape. It has almost a legal air, hasnโt it? Run your eye over it, Austin. It is an account of the entertainment Mrs. Beaumont provided
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