The Sorrows of Young Werther by J. W. von Goethe (early reader books TXT) 📕
Description
The Great Lisbon Earthquake of 1755 leveled the city of Lisbon and surrounding areas, and killed perhaps as many as 100,000 people. It came at a decisive time in the history of western thought: the melding of Faith, Philosophy, and Science into a post-enlightenment rational view of the universe. In some sense mankind had just begun to believe he had the universe figured out when the universe struck back with a tragedy so terrible in scale it could not be fit into any box of understanding. It was not predicted. It could not have been prevented. It was not rational. And it certainly could not have been the will of a benevolent God.
Lisbon was only one moment in a much larger context—industrialization was upending a pre-historic way of life, science was upending nature, and the first great republics in America and France were about to upend previously unchallenged forms of government. It was the awe, inspiration, and uncertainty of all this change that gave rise, ultimately, to Romanticism in art, literature, and music.
J. W. von Goethe is, by some accounts, the father of the romantic period in literature, or at least the proto-romantic Sturm und Drang (“Storm and Stress”) period. And The Sorrows of Young Werther was its genesis. It was Goethe’s first major work, an immediate sensation upon publication, and made Goethe a household name.
While Voltaire parodied rationalism in Candide, Goethe transcended it with the semi-autobiographical story of Werther, a young man governed more by his emotions than his reason, whose only employment is his delight in the romantic ideals of the pastoral lives he finds in the rural town of Walheim. There he also finds Charlotte, and in her an idealized but unobtainable old-world domesticity. Werther’s internal dialog about his growing obsession with Charlotte, and his inability to cope rationally with the fact that she is engaged to—and in love with—another man, form the bulk of the book in the form of a series of ever more intense letters to a friend.
Werther’s descent into sorrow has captivated readers for centuries, helped by Goethe’s intensely beautiful prose (translated here by R. D. Boylan), enchanting imagery, and obvious reverence for nature and a dying past.
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- Author: J. W. von Goethe
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August 28.
If my ills would admit of any cure, they would certainly be cured here. This is my birthday, and early in the morning I received a packet from Albert. Upon opening it, I found one of the pink ribbons which Charlotte wore in her dress the first time I saw her, and which I had several times asked her to give me. With it were two volumes in duodecimo of Wetstein’s Homer, a book I had often wished for, to save me the inconvenience of carrying the large Ernestine edition with me upon my walks. You see how they anticipate my wishes, how well they understand all those little attentions of friendship, so superior to the costly presents of the great, which are humiliating. I kissed the ribbon a thousand times, and in every breath inhaled the remembrance of those happy and irrevocable days which filled me with the keenest joy. Such, Wilhelm, is our fate. I do not murmur at it: the flowers of life are but visionary. How many pass away, and leave no trace behind—how few yield any fruit—and the fruit itself, how rarely does it ripen! And yet there are flowers enough! and is it not strange, my friend, that we should suffer the little that does really ripen, to rot, decay, and perish unenjoyed? Farewell! This is a glorious summer. I often climb into the trees in Charlotte’s orchard, and shake down the pears that hang on the highest branches. She stands below, and catches them as they fall.
August 30.
Unhappy being that I am! Why do I thus deceive myself? What is to come of all this wild, aimless, endless passion? I cannot pray except to her. My imagination sees nothing but her: all surrounding objects are of no account, except as they relate to her. In this dreamy state I enjoy many happy hours, till at length I feel compelled to tear myself away from her. Ah, Wilhelm, to what does not my heart often compel me! When I have spent several hours in her company, till I feel completely absorbed by her figure, her grace, the divine expression of her thoughts, my mind becomes gradually excited to the highest excess, my sight grows dim, my hearing confused, my breathing oppressed as if by the hand of a murderer, and my beating heart seeks to obtain relief for my aching senses. I am sometimes unconscious whether I really exist. If in such moments I find no sympathy, and Charlotte does not allow me to enjoy the melancholy consolation of bathing her hand with my tears, I feel compelled to tear myself from her, when I either wander through the country, climb some precipitous cliff, or force a path through the trackless thicket, where I am lacerated and torn by thorns and briers; and thence I find relief. Sometimes I lie stretched on the ground, overcome with fatigue and dying with thirst; sometimes, late in the night, when the moon shines above me, I recline against an aged tree in some sequestered forest, to rest my weary limbs, when, exhausted and worn, I sleep till break of day. O Wilhelm! the hermit’s cell, his sackcloth, and girdle of thorns would be luxury and indulgence compared with what I suffer. Adieu! I see no end to this wretchedness except the grave.
September 3.
I must away. Thank you, Wilhelm, for determining my wavering purpose. For a whole fortnight I have thought of leaving her. I must away. She has returned to town, and is at the house of a friend. And then, Albert—yes, I must go.
September 10.
Oh, what a night, Wilhelm! I can henceforth bear anything. I shall never see her again. Oh, why cannot I fall on your neck, and, with floods of tears and raptures, give utterance to all the passions which distract my heart! Here I sit gasping for breath, and struggling to compose myself. I wait for day, and at sunrise the horses are to be at the door.
And she is sleeping calmly, little suspecting that she has seen me for the last time. I am free. I have had the courage, in an interview of two hours’ duration, not to betray my intention. And O Wilhelm, what a conversation it was!
Albert had promised to come to Charlotte in the garden immediately after supper. I was upon the terrace under the tall chestnut trees, and watched the setting sun. I saw him sink for the last time beneath this delightful valley and silent stream. I had often visited the same spot with Charlotte,
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