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bags of money! Seventy-six hundred thousand million of parcels of banknotes!”

“Will somebody give me a quart pot?” exclaims her exasperated husband, looking helplessly about him and finding no missile within his reach. “Will somebody obleege me with a spittoon? Will somebody hand me anything hard and bruising to pelt at her? You hag, you cat, you dog, you brimstone barker!” Here Mr. Smallweed, wrought up to the highest pitch by his own eloquence, actually throws Judy at her grandmother in default of anything else, by butting that young virgin at the old lady with such force as he can muster and then dropping into his chair in a heap.

“Shake me up, somebody, if you’ll be so good,” says the voice from within the faintly struggling bundle into which he has collapsed. “I have come to look after the property. Shake me up, and call in the police on duty at the next house to be explained to about the property. My solicitor will be here presently to protect the property. Transportation or the gallows for anybody who shall touch the property!” As his dutiful grandchildren set him up, panting, and putting him through the usual restorative process of shaking and punching, he still repeats like an echo, “The⁠—the property! The property! Property!”

Mr. Weevle and Mr. Guppy look at each other, the former as having relinquished the whole affair, the latter with a discomfited countenance as having entertained some lingering expectations yet. But there is nothing to be done in opposition to the Smallweed interest. Mr. Tulkinghorn’s clerk comes down from his official pew in the chambers to mention to the police that Mr. Tulkinghorn is answerable for its being all correct about the next of kin and that the papers and effects will be formally taken possession of in due time and course. Mr. Smallweed is at once permitted so far to assert his supremacy as to be carried on a visit of sentiment into the next house and upstairs into Miss Flite’s deserted room, where he looks like a hideous bird of prey newly added to her aviary.

The arrival of this unexpected heir soon taking wind in the court still makes good for the Sol and keeps the court upon its mettle. Mrs. Piper and Mrs. Perkins think it hard upon the young man if there really is no will, and consider that a handsome present ought to be made him out of the estate. Young Piper and young Perkins, as members of that restless juvenile circle which is the terror of the foot-passengers in Chancery Lane, crumble into ashes behind the pump and under the archway all day long, where wild yells and hootings take place over their remains. Little Swills and Miss M. Melvilleson enter into affable conversation with their patrons, feeling that these unusual occurrences level the barriers between professionals and non-professionals. Mr. Bogsby puts up “The popular song of ‘King Death,’ with chorus by the whole strength of the company,” as the great Harmonic feature of the week and announces in the bill that “J. G. B. is induced to do so at a considerable extra expense in consequence of a wish which has been very generally expressed at the bar by a large body of respectable individuals and in homage to a late melancholy event which has aroused so much sensation.” There is one point connected with the deceased upon which the court is particularly anxious, namely, that the fiction of a full-sized coffin should be preserved, though there is so little to put in it. Upon the undertaker’s stating in the Sol’s bar in the course of the day that he has received orders to construct “a six-footer,” the general solicitude is much relieved, and it is considered that Mr. Smallweed’s conduct does him great honour.

Out of the court, and a long way out of it, there is considerable excitement too, for men of science and philosophy come to look, and carriages set down doctors at the corner who arrive with the same intent, and there is more learned talk about inflammable gases and phosphuretted hydrogen than the court has ever imagined. Some of these authorities (of course the wisest) hold with indignation that the deceased had no business to die in the alleged manner; and being reminded by other authorities of a certain inquiry into the evidence for such deaths reprinted in the sixth volume of the Philosophical Transactions; and also of a book not quite unknown on English medical jurisprudence; and likewise of the Italian case of the Countess Cornelia Baudi as set forth in detail by one Bianchini, prebendary of Verona, who wrote a scholarly work or so and was occasionally heard of in his time as having gleams of reason in him; and also of the testimony of Messrs. Fodere and Mere, two pestilent Frenchmen who would investigate the subject; and further, of the corroborative testimony of Monsieur Le Cat, a rather celebrated French surgeon once upon a time, who had the unpoliteness to live in a house where such a case occurred and even to write an account of it⁠—still they regard the late Mr. Krook’s obstinacy in going out of the world by any such byway as wholly unjustifiable and personally offensive. The less the court understands of all this, the more the court likes it, and the greater enjoyment it has in the stock in trade of the Sol’s Arms. Then there comes the artist of a picture newspaper, with a foreground and figures ready drawn for anything from a wreck on the Cornish coast to a review in Hyde Park or a meeting in Manchester, and in Mrs. Perkins’ own room, memorable evermore, he then and there throws in upon the block Mr. Krook’s house, as large as life; in fact, considerably larger, making a very temple of it. Similarly, being permitted to look in at the door of the fatal chamber, he depicts that apartment as three-quarters of a mile long by fifty yards high, at which the court is particularly charmed. All this

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