Short Fiction by Leonid Andreyev (fastest ebook reader TXT) π
Description
Leonid Andreyev was a Russian playwright and author of short stories and novellas, writing primarily in the first two decades of the 20th century. Matching the depression he suffered from an early age, his writing is always dark of tone with subjects including biblical parables, Russian life, eldritch horror and revolutionary fervour. H. P. Lovecraft was a reader of his work, and The Seven Who Were Hanged (included here) has even been cited as direct inspiration for the assassination of Arch-Duke Ferdinand: the event that started the first World War. Originally a lawyer, his first published short story brought him to the attention of Maxim Gorky who not only became a firm friend but also championed Andreyevβs writing in his collections to great commercial acclaim.
Widely translated into English during his life, this collection comprises the best individual translations of each of his short stories and novellas available in the public domain, presented in chronological order of their original publication in Russian.
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- Author: Leonid Andreyev
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βThou art wise! Thou art noble! Thou art wise!β
And this savage face seems to glow with such truly satanic joy that Pilate cannot repress a cry as he repels him with his foot, and Judas falls down to the ground. And lying on the flagstones, like an overturned devil, he still stretches out his hand towards Pilate and shouts as one infatuated:
βThou art wise! Thou art noble! Thou art wise!β
Then he swiftly leaps to his feet and flees accompanied by the laughter of the soldiers. All is not yet over. When they see the cross, when they see the nails, they may comprehend then.β ββ β¦ What then? Passingly he notices Thomas, breathless and pale, and for some reason nods to him assuringly. Then he catches up with Jesus on the way to the execution. The path is hard; the little stones roll from under oneβs feet; Judas suddenly realizes that he is tired. He concentrates his mind on finding a good foothold, and as he looks about he sees Mary Magdalene weeping, he sees a multitude of weeping women, with dishevelled hair, red eyes, distorted lips, all the infinite grief of the feminine soul given over unto despair. Suddenly he revives and taking advantage of an opportune moment, he rushes forward to Jesus:
βI am with Thee,β he whispers hurriedly.
The soldiers drive him away with stinging blows of their whips, and writhing to escape the leash, gnashing his teeth at the soldiers, he hurriedly explains:
βI am with Thee. Thither. Understandest Thou? Thither!β
Wiping the blood from his face he shakes his fist at the soldier who turns around and points him out to his comrades. He looks about for some reason in search of Thomas, but finds neither him nor any of the other disciples in the accompanying crowd. Again he feels weary and heavily shuffles his feet, carefully scanning the sharp little crumbling stones underfoot.
β¦ When the hammer was raised to nail the left hand of Jesus to the tree Judas shut his eyes and for an eternity neither breathed, nor saw, nor lived, only listened. But now iron struck iron with a gnashing sound, and blow after blow followed blunt, brief, low. One could hear the sharp nail entering the soft wood distending its particles.
One hand. It is not yet too late.
Another hand. It is not yet too late.
One foot, another. Is really all over? Irresolutely he opens his eyes and sees the cross rise unsteadily and take root in the ditch. He sees how the hands of Jesus convulse under the strain, extend agonizingly, how the wounds spread and suddenly the collapsing abdomen sinks below the ribs. The arms stretch and stretch and grow thin and white, they twist at the shoulders, the wounds under the nails redden and expand; they threaten to tear in an instantβ ββ β¦ But, they stop. All motion has stopped. Only the ribs move lightly, raised by His deep quick breathing.
On the very brow of the Earth rises the cross and on it hangs Jesus crucified. The terror and the dreams of Judas are accomplishedβ βhe rises from his knees (he had been kneeling for some reason) and looks around coldly. Thus may look some stern conqueror having purposed in his heart to visit ruin and death upon all as he takes one last look on the wealthy vanquished city, still living and noisy, but already spectral beneath the cold hand of death. And suddenly as clearly as his terrible triumph the Iscariot sees its ominous frailty. What if they realize? It is not yet too late. Jesus is still living. There He gazes with his beckoning, yearning eyes.β ββ β¦
What can keep from tearing the thin veil that covers the eyes of the people, so thin that it almost is not? What if they suddenly comprehend? What if they move in one immense throng of men, women and children, silent, without shouting, and overwhelm the soldiers, drowning them in their own blood, root out the accursed cross and the hands of the survivors raise aloft upon the brow of the Earth the released Jesus? Hosannah! Hosannah!
Hosannah? No. Let Judas lie down on the ground, let him lie down and bare his teeth like a dog and watch and wait until they all rise. But what has happened to time? Now it stops and one longs to kick it onward, to lash it like a lazy ass, now it rushes on madly downhill, cutting off oneβs breath, and one vainly seeks to steady oneself. There Mary Magdalene is weeping. There weeps the mother of Jesus. Let them weep. As if her tears meant anything, for that matter the tears of all the mothers, all the women in the universe!
βWhat are tears?β asks Judas and frenziedly pushes onward the disobliging time, pummels it with his fists, curses it like a slave. It is someone elseβs, that is why it does not obey. If it were Judas! but it belongs to all these who are weeping, laughing, gossiping as if they were in the marketplace. It belongs to the sun, it belongs to the cross and to the heart of Jesus who is dying so slowly.
What a miserable heart is that of Judas. He is holding it with his hands but it shouts Hosannah! so loudly that all will soon hear it. He presses it tightly to the ground, and it shouts Hosannah! Hosannah! like a poltroon scattering sacred mysteries in the street.
Suddenly a loud broken cryβ ββ β¦ Dull shouts, a hurried commotion around the cross. What is it? Have they comprehended?
No, Jesus is dying. And can this be? Yes, Jesus is dying. The pale arms are limp, but the face, the breast and the legs are quivering with short convulsions. And can this be? Yes, He is dying. The breath comes less frequently. Now it has stopped. No, another sigh, Jesus is still upon earth. And still another? Noβ ββ β¦ Noβ ββ β¦ Noβ ββ β¦ Jesus is dead.
It is finished. Hosannah! Hosannah!
The terror and the dreams are accomplished. Who will snatch the
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