The Three Musketeers by Alexandre Dumas (to read list txt) 📕
Description
The Three Musketeers is the first of three adventure novels written by Alexandre Dumas featuring the character of d’Artagnan.
The young d’Artagnan leaves home in Gascony for Paris to join the King’s Musketeers. On his way to Paris, the letter which will introduce him to the commander of the Musketeers is stolen by a mysterious man in the town of Meung. This “Man of Meung” turns out to be a confidant of the infamous Cardinal Richelieu, the chief minister of the government of France.
When he arrives in Paris and seeks an audience with the commander of the Musketeers, d’Artagnan sees this man again and rushes to confront him. As he pushes his way out he provokes three inseparable musketeers—Athos, Porthos and Aramis—and ends up setting up duels with all three of them that afternoon. At the first of the duels he discovers, to his surprise, that each of the three is a second to the other. As they start to fight, they are ambushed by the Cardinal’s men and join forces. So begins one of the most enduring partnerships in literature.
When d’Artagnan’s landlord tells him that his wife has been kidnapped, d’Artagnan investigates, falls in love and becomes embroiled in a plot to destabilize France.
The Three Musketeers was first published in 1844 and has been adapted for stage, film, television, and animation many times; such is the endurance of its appeal. At its heart is a fast-paced tale of love and adventure.
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- Author: Alexandre Dumas
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Milady had however achieved a half-triumph, and success doubled her forces.
It was not difficult to conquer, as she had hitherto done, men prompt to let themselves be seduced, and whom the gallant education of a court led quickly into her net. Milady was handsome enough not to find much resistance on the part of the flesh, and she was sufficiently skillful to prevail over all the obstacles of the mind.
But this time she had to contend with an unpolished nature, concentrated and insensible by force of austerity. Religion and its observances had made Felton a man inaccessible to ordinary seductions. There fermented in that sublimated brain plans so vast, projects so tumultuous, that there remained no room for any capricious or material love—that sentiment which is fed by leisure and grows with corruption. Milady had, then, made a breach by her false virtue in the opinion of a man horribly prejudiced against her, and by her beauty in the heart of a man hitherto chaste and pure. In short, she had taken the measure of motives hitherto unknown to herself, through this experiment, made upon the most rebellious subject that nature and religion could submit to her study.
Many a time, nevertheless, during the evening she despaired of fate and of herself. She did not invoke God, we very well know, but she had faith in the genius of evil—that immense sovereignty which reigns in all the details of human life, and by which, as in the Arabian fable, a single pomegranate seed is sufficient to reconstruct a ruined world.
Milady, being well prepared for the reception of Felton, was able to erect her batteries for the next day. She knew she had only two days left; that when once the order was signed by Buckingham—and Buckingham would sign it the more readily from its bearing a false name, and he could not, therefore, recognize the woman in question—once this order was signed, we say, the baron would make her embark immediately, and she knew very well that women condemned to exile employ arms much less powerful in their seductions than the pretendedly virtuous woman whose beauty is lighted by the sun of the world, whose style the voice of fashion lauds, and whom a halo of aristocracy gilds with enchanting splendors. To be a woman condemned to a painful and disgraceful punishment is no impediment to beauty, but it is an obstacle to the recovery of power. Like all persons of real genius, Milady knew what suited her nature and her means. Poverty was repugnant to her; degradation took away two-thirds of her greatness. Milady was only a queen while among queens. The pleasure of satisfied pride was necessary to her domination. To command inferior beings was rather a humiliation than a pleasure for her.
She should certainly return from her exile—she did not doubt that a single instant; but how long might this exile last? For an active, ambitious nature, like that of Milady, days not spent in climbing are inauspicious days. What word, then, can be found to describe the days which they occupy in descending? To lose a year, two years, three years, is to talk of an eternity; to return after the death or disgrace of the cardinal, perhaps; to return when d’Artagnan and his friends, happy and triumphant, should have received from the queen the reward they had well acquired by the services they had rendered her—these were devouring ideas that a woman like Milady could not endure. For the rest, the storm which raged within her doubled her strength, and she would have burst the walls of her prison if her body had been able to take for a single instant the proportions of her mind.
Then that which spurred her on additionally in the midst of all this was the remembrance of the cardinal. What must the mistrustful, restless, suspicious cardinal think of her silence—the cardinal, not merely her only support, her only prop, her only protector at present, but still further, the principal instrument of her future fortune and vengeance? She knew him; she knew that at her return from a fruitless journey it would be in vain to tell him of her imprisonment, in vain to enlarge upon the sufferings she had undergone. The cardinal would reply, with the sarcastic calmness of the skeptic, strong at once by power and genius, “You should not have allowed yourself to be taken.”
Then Milady collected all her energies, murmuring in the depths of her soul the name of Felton—the only beam of light that penetrated to her in the hell into which she had fallen; and like a serpent which folds and unfolds its rings to ascertain its strength, she enveloped Felton beforehand in the thousand meshes of her inventive imagination.
Time, however, passed away; the hours, one after another, seemed to awaken the clock as they passed, and every blow of the brass hammer resounded upon the heart of the prisoner. At nine o’clock, Lord de Winter made his customary visit, examined the window and the bars, sounded the floor and the walls, looked to the chimney and the doors, without, during this long and minute examination, he or Milady pronouncing a single word.
Doubtless both of them understood that the situation had become too serious to lose time in useless words and aimless wrath.
“Well,” said the baron, on leaving her “you will not escape tonight!”
At ten o’clock Felton came and placed the sentinel. Milady recognized his step. She was as well acquainted with it now as a mistress is with that of the lover of her heart; and yet Milady at the same time detested and despised this weak fanatic.
That was not the appointed hour. Felton did not enter.
Two hours after, as midnight sounded, the sentinel was relieved. This time it was the hour, and from this moment Milady waited with impatience. The new sentinel
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