Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âHaving said that, you will neither hesitate nor retract?â
âNo.â
âHere we are, then. Do not be afraid of passing the parlour window; no one will see you. My father and Matthew are at the mill, Mark is at school, the servants are in the back kitchen, Miss Moore is at the cottage, my mother in her bed, and Mrs. Horsfall in paradise. Observeâ âI need not ring. I open the door; the hall is empty, the staircase quiet; so is the gallery. The whole house and all its inhabitants are under a spell, which I will not break till you are gone.â
âMartin, I trust you.â
âYou never said a better word. Let me take your shawl. I will shake off the snow and dry it for you. You are cold and wet. Never mind; there is a fire upstairs. Are you ready?â
âYes.â
âFollow me.â
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twiceâ âthrice. A voice, known to one listener, at last said, âCome in.â
The boy entered briskly.
âMr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soapsuds in the back kitchen, so I asked her to step up.â
âUp here, sir?â
âUp here, sir; but if you object, she shall go down again.â
âIs this a place or am I a person to bring a lady to, you absurd lad?â
âNo; so Iâll take her off.â
âMartin, you will stay here. Who is she?â
âYour grandmother from that chĂąteau on the Scheldt Miss Moore talks about.â
âMartin,â said the softest whisper at the door, âdonât be foolish.â
âIs she there?â inquired Moore hastily. He had caught an imperfect sound.
âShe is there, fit to faint. She is standing on the mat, shocked at your want of filial affection.â
âMartin, you are an evil cross between an imp and a page. What is she like?â
âMore like me than you; for she is young and beautiful.â
âYou are to show her forward. Do you hear?â
âCome, Miss Caroline.â
âMiss Caroline!â repeated Moore.
And when Miss Caroline entered she was encountered in the middle of the chamber by a tall, thin, wasted figure, who took both her hands.
âI give you a quarter of an hour,â said Martin, as he withdrew, âno more. Say what you have to say in that time. Till it is past I will wait in the gallery; nothing shall approach; Iâll see you safe away. Should you persist in staying longer, I leave you to your fate.â
He shut the door. In the gallery he was as elate as a king. He had never been engaged in an adventure he liked so well, for no adventure had ever invested him with so much importance or inspired him with so much interest.
âYou are come at last,â said the meagre man, gazing on his visitress with hollow eyes.
âDid you expect me before?â
âFor a month, near two months, we have been very near; and I have been in sad pain, and danger, and misery, Cary.â
âI could not come.â
âCouldnât you? But the rectory and Briarmains are very nearâ ânot two miles apart.â
There was pain and there was pleasure in the girlâs face as she listened to these implied reproaches. It was sweet, it was bitter to defend herself.
âWhen I say I could not come, I mean I could not see you; for I came with mamma the very day we heard what had happened. Mr. MacTurk then told us it was impossible to admit any stranger.â
âBut afterwardsâ âevery fine afternoon these many weeks past I have waited and listened. Something here, Caryââ âlaying his hand on his breastâ ââtold me it was impossible but that you should think of me. Not that I merit thought; but we are old acquaintanceâ âwe are cousins.â
âI came again, Robert; mamma and I came again.â
âDid you? Come, that is worth hearing. Since you came again, we will sit down and talk about it.â
They sat down. Caroline drew her chair up to his. The air was now dark with snow; an Iceland blast was driving it wildly. This pair neither heard the long âwutheringâ rush, nor saw the white burden it drifted. Each seemed conscious but of one thingâ âthe presence of the other.
âSo mamma and you came again?â
âAnd Mrs. Yorke did treat us strangely. We asked to see you. âNo,â said she, ânot in my house. I am at present responsible for his life; it shall not be forfeited for half an hourâs idle gossip.â But I must not tell you all she said; it was very disagreeable. However, we came yet againâ âmamma, Miss Keeldar, and I. This time we thought we should conquer, as we were three against one, and Shirley was on our side. But Mrs. Yorke opened such a battery.â
Moore smiled. âWhat did she say?â
âThings that astonished us. Shirley laughed at last; I cried; mamma was seriously annoyed. We were all three driven from the field. Since that time I have only walked once a day past the house, just for the satisfaction of looking up at your window, which I could distinguish by the drawn curtains. I really dared not come in.â
âI have wished for you, Caroline.â
âI did not know that; I never dreamt one instant that you thought of me. If I had but most distantly imagined such a possibilityâ ââ
âMrs. Yorke would still have beaten you.â
âShe would not. Stratagem should have been tried, if persuasion failed. I would have come to the kitchen door; the servants should have let me in, and I would have walked straight upstairs. In fact, it was far more the fear of intrusionâ âthe fear of yourselfâ âthat baffled me than the fear of Mrs. Yorke.â
âOnly last night I despaired of ever seeing you again. Weakness has wrought terrible depression in meâ âterrible depression.â
âAnd you sit alone?â
âWorse than alone.â
âBut you must be getting better, since you can leave
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