The Tenant of Wildfell Hall by Anne Brontë (sci fi books to read TXT) 📕
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The Tenant of Wildfell Hall was the second novel written by Anne Brontë, the youngest of the Brontë sisters. First released in 1848 under the pseudonym Acton Bell, it was considered shocking by the standards of the time due to its themes of domestic disharmony, drunkenness and adultery. Perhaps this was why it quickly became a publishing success. However, when Anne died from tuberculosis her sister Charlotte prevented its republication until 1854, perhaps fearing for her sister’s reputation, though some attributed her actions to jealousy.
The story is framed as a series of letters by the protagonist Gilbert Markham to his friend Halford. Markham tells of the arrival of a young widow, Mrs. Graham, in his rural neighborhood. She brings with her her five year old son Arthur and takes up residence in the partly-ruined Wildfell Hall. Gossip soon begins to swirl around her, questioning her mysterious background and the closeness of her relationship with her landlord Frederick Lawrence. Dismissing these concerns, Gilbert Markham becomes deeply enamored of Helen Graham, and she seems to return his affection strongly. He however becomes increasingly suspicious and jealous of Lawrence, who makes frequent visits to the Hall. He secretly espies them walking together one night, apparently in a romantic relationship. After he confronts Helen over this, she gives him her diary of the last few years and tells him to read it to understand everything. Much of the rest of the novel is made up of extracts from Helen’s diary, which tells the story of her unhappy marriage.
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- Author: Anne Brontë
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By Anne Brontë.
Table of Contents Titlepage Imprint Author’s Preface to the Second Edition The Tenant of Wildfell Hall I II III IV V VI VII VIII IX X XI XII XIII XIV XV XVI XVII XVIII XIX XX XXI XXII XXIII XXIV XXV XXVI XXVII XXVIII XXIX XXX XXXI XXXII XXXIII XXXIV XXXV XXXVI XXXVII XXXVIII XXXIX XL XLI XLII XLIII XLIV XLV XLVI XLVII XLVIII XLIX L LI LII LIII Colophon Uncopyright ImprintThis ebook is the product of many hours of hard work by volunteers for Standard Ebooks, and builds on the hard work of other literature lovers made possible by the public domain.
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Author’s Preface to the Second EditionWhile I acknowledge the success of the present work to have been greater than I anticipated, and the praises it has elicited from a few kind critics to have been greater than it deserved, I must also admit that from some other quarters it has been censured with an asperity which I was as little prepared to expect, and which my judgment, as well as my feelings, assures me is more bitter than just. It is scarcely the province of an author to refute the arguments of his censors and vindicate his own productions; but I may be allowed to make here a few observations with which I would have prefaced the first edition, had I foreseen the necessity of such precautions against the misapprehensions of those who would read it with a prejudiced mind or be content to judge it by a hasty glance.
My object in writing the following pages was not simply to amuse the Reader; neither was it to gratify my own taste, nor yet to ingratiate myself with the Press and the Public: I wished to tell the truth, for truth always conveys its own moral to those who are able to receive it. But as the priceless treasure too frequently hides at the bottom of a well, it needs some courage to dive for it, especially as he that does so will be likely to incur more scorn and obloquy for the mud and water into which he has ventured to plunge, than thanks for the jewel he procures; as, in like manner, she who undertakes the cleansing of a careless bachelor’s apartment will be liable to more abuse for the dust she raises than commendation for the clearance she effects. Let it not be imagined, however, that I consider myself competent to reform the errors and abuses of society, but only that I would fain contribute my humble quota towards so good an aim; and if I can gain the public ear at all, I would rather whisper a few wholesome truths therein than much soft nonsense.
As the story of “Agnes Grey” was accused of extravagant over-colouring in those very parts that were carefully copied from the life, with a most scrupulous avoidance of all exaggeration, so, in the present work, I find myself censured for depicting con amore, with “a morbid love of the coarse, if not of the brutal,” those scenes which, I will venture to say, have not been more painful for the most fastidious of my critics to read than they were for me to describe. I may have gone too far; in which case I shall be careful not to trouble myself or my readers in the same way again; but when we have to do with vice and vicious characters, I maintain it is better to depict them as they really are than as they would wish to appear. To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of life to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts—this whispering, “Peace, peace,” when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience.
I would not be understood to suppose that the proceedings of the unhappy scapegrace, with his few profligate companions I have here introduced, are a specimen of the common practices of society—the case is an extreme one, as I trusted none would fail to perceive; but I know that such characters do exist, and if I have warned one rash youth from following in their steps, or prevented one thoughtless girl from falling into the very natural error of my heroine, the book has not been written in vain. But, at the same time, if any honest reader shall have derived more pain than pleasure from its perusal, and have closed the last volume
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