The Hill of Dreams by Arthur Machen (best books for students to read .txt) 📕
Description
An ancient Roman hilltop fort proves an irresistible draw to Lucian Taylor, but what awaits at the top isn’t just a view of the surrounding Welsh landscape but a bacchal experience his young soul isn’t ready for. This experience sets his path as he attempts to transcribe his increasingly elaborate visions into the perfect book; the book that will actually mean something more than the banal novels he sees the publishing houses push out.
The Hill of Dreams is a semi-autobiographical work, with Arthur Machen following a similar physical journey to the novel: a childhood in rural Wales followed by attempts to become an author in London. Machen was inspired by a review of Tristram Shandy that described it as “a picaresque of the mind,” and determined to write “a Robinson Crusoe of the soul.” The protagonist’s isolation from the rest of society certainly resonates with that description.
Machen wrote this ten years earlier than its original 1907 publication, it having been turned down by the publishers of the time. While it was mostly ignored on its initial release, it has picked up admirers over the years and is now viewed as one of Machen’s most important works.
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- Author: Arthur Machen
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“Yes, sir; but I’ve been taking a bit of supper to old Mrs. Gibbon. She’s been very poorly the last few days, and there’s nobody to do anything for her.”
Then there were really people who helped one another; kindness and pity were not mere myths, fictions of “society,” as useful as Doe and Roe, and as nonexistent. The thought struck Lucian with a shock; the evening’s passion and delirium, the wild walk and physical fatigue had almost shattered him in body and mind. He was “degenerate,” decadent, and the rough rains and blustering winds of life, which a stronger man would have laughed at and enjoyed, were to him “hailstorms and fire-showers.” After all, Messrs. Beit, the publishers, were only sharp men of business, and these terrible Dixons and Gervases and Colleys merely the ordinary limited clergy and gentry of a quiet country town; sturdier sense would have dismissed Dixon as an old humbug, Stanley Gervase, Esquire, J.P., as a “bit of a bounder,” and the ladies as “rather a shoddy lot.” But he was walking slowly now in painful silence, his heavy, lagging feet striking against the loose stones. He was not thinking of the girl beside him; only something seemed to swell and grow and swell within his heart; it was all the torture of his days, weary hopes and weary disappointment, scorn rankling and throbbing, and the thought “I had rather call the devils my brothers and live with them in hell.” He choked and gasped for breath, and felt involuntary muscles working in his face, and the impulses of a madman stirring him; he himself was in truth the realization of the vision of Caermaen that night, a city with mouldering walls beset by the ghostly legion. Life and the world and the laws of the sunlight had passed away, and the resurrection and kingdom of the dead began. The Celt assailed him, becoming from the weird wood he called the world, and his far-off ancestors, the “little people,” crept out of their caves, muttering charms and incantations in hissing inhuman speech; he was beleaguered by desires that had slept in his race for ages.
“I am afraid you are very tired, Master Lucian. Would you like me to give you my hand over this rough bit?”
He had stumbled against a great round stone and had nearly fallen. The woman’s hand sought his in the darkness; as he felt the touch of the soft warm flesh he moaned, and a pang shot through his arm to his heart. He looked up and found he had only walked a few paces since Annie had spoken; he had thought they had wandered for hours together. The moon was just mounting above the oaks, and the halo round the dark hill brightened. He stopped short, and keeping his hold of Annie’s hand, looked into her face. A hazy glory of moonlight shone around them and lit up their eyes. He had not greatly altered since his boyhood; his face was pale olive in colour, thin and oval; marks of pain had gathered about the eyes, and his black hair was already stricken with grey. But the eager, curious gaze still remained, and what he saw before him lit up his sadness with a new fire. She stopped too, and did not offer to draw away, but looked back with all her heart. They were alike in many ways; her skin was also of that olive colour, but her face was sweet as a beautiful summer night, and her black eyes showed no dimness, and the smile on the scarlet lips was like a flame when it brightens a dark and lonely land.
“You are sorely tired, Master Lucian, let us sit down here by the gate.”
It was Lucian who spoke next: “My dear, my dear.” And their lips were together again, and their arms locked together, each holding the other fast. And then the poor lad let his head sink down on his sweetheart’s breast, and burst into a passion of weeping. The tears streamed down his face, and he shook with sobbing, in the happiest moment that he had ever lived. The woman bent over him and tried to comfort him, but his tears were his consolation and his triumph. Annie was whispering to him, her hand laid on his heart; she was whispering beautiful, wonderful words, that soothed him as a song. He did not know what they meant.
“Annie, dear, dear Annie, what are you saying to me? I have never heard such beautiful words. Tell me, Annie, what do they mean?”
She laughed, and said it was only nonsense that the nurses sang to the children.
“No, no, you are not to call me Master Lucian any more,” he said, when they parted, “you must call me Lucian; and I, I worship you, my dear Annie.”
He fell down before her, embracing her knees, and adored, and she allowed him, and confirmed his worship. He followed slowly after her, passing the path which led to her home with a longing glance. Nobody saw any difference in Lucian when he reached the rectory. He came in with his usual dreamy indifference, and told how he had lost his way by trying the shortcut. He said he had met Dr. Burrows on the road, and that he had recommended the path by the fields. Then, as dully as if he had been reading some story out of a newspaper, he gave his father the outlines of the Beit case, producing the pretty little book called The Chorus in Green. The parson listened in amazement.
“You mean to tell me that you wrote this book?” he said. He was quite roused.
“No; not all of it. Look; that bit is mine, and that; and the beginning of this chapter. Nearly the whole of the third chapter is by me.”
He closed the
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