The Story of the Amulet by E. Nesbit (important books to read txt) 📕
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In this conclusion to the Psammead Trilogy, Cyril, Anthea, Robert, and Jane are reunited with the cantankerous Sand-fairy. While the old creature can’t grant them wishes anymore, it points them towards an old Egyptian amulet that can grant their hearts’ desire—in this case the return of their parents and baby brother. While their amulet is only half of a whole, it still acts as a time portal which they use to visit locales like Ancient Egypt, Babylon, Atlantis, and even a utopian future in search of the missing other half.
Perhaps one of E. Nesbit’s most personal works, The Story of the Amulet benefited from her interest in the ancient world, particularly Egypt. With the help of A. E. Wallis Budge, to whom the book is dedicated—then Head of the Assyrian Departments of the British Museum and translator of the Egyptian Book of the Dead—she conducted extensive research on the topic and is thus able to bring an exquisite attention to detail. For example, the titular amulet is shaped after the tyet, an Egyptian symbol also known as the “knot of Isis.” Likewise, the inscription at the back of the amulet is written in authentic Egyptian hieroglyphs.
A staunch supporter of democratic socialism and a founding member of the Fabian Society, E. Nesbit cultivated friendships with other like-minded writers, such as George Bernard Shaw and H. G. Wells, whose influence on this book is easy to notice. She practiced what she preached, so much so that despite her literary successes, her acts of charity brought her close to bankruptcy.
These political beliefs are prominently displayed in the book. The children encounter memorable characters during their adventures, chief among them the Queen of Babylon, who causes quite a stir when she later pays them a call in their contemporary London. When the visiting Queen witnesses the squalid living conditions of the London working class, she’s amazed at how poorly they’re treated compared to the slaves of her own Babylon. Likewise, the utopian future—which features a wink to her friend H. G. Wells, the “great reformer”—is a striking contrast in terms of the happiness, care, and education of the general populace.
The book’s legacy can be found in the works of other writers. Most notably, C. S. Lewis incorporated several elements in his Chronicles of Narnia: the Calormene civilization of The Horse and His Boy draws heavily from The Amulet’s Babylon, and the episode in The Magician’s Nephew where Jadis, the White Witch, causes chaos during her short stay in London is also a direct homage to the aforementioned visit from the Queen. The format of these stories, where a group of people take their audience on adventures through time and space to learn about distant cultures, is an uncanny precursor to the popular British TV series Doctor Who.
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- Author: E. Nesbit
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Everyone in the village was so busy that the place was like an ant-heap when you have walked into it by accident. The women were busy and even the children.
Quite suddenly all the air seemed to glow and grow red—it was like the sudden opening of a furnace door, such as you may see at Woolwich Arsenal if you ever have the luck to be taken there—and then almost as suddenly it was as though the furnace doors had been shut. For the sun had set, and it was night.
The sun had that abrupt way of setting in Egypt eight thousand years ago, and I believe it has never been able to break itself of the habit, and sets in exactly the same manner to the present day. The girl brought the skins of wild deer and led the children to a heap of dry sedge.
“My father says they will not attack yet. Sleep!” she said, and it really seemed a good idea. You may think that in the midst of all these dangers the children would not have been able to sleep—but somehow, though they were rather frightened now and then, the feeling was growing in them—deep down and almost hidden away, but still growing—that the Psammead was to be trusted, and that they were really and truly safe. This did not prevent their being quite as much frightened as they could bear to be without being perfectly miserable.
“I suppose we’d better go to sleep,” said Robert. “I don’t know what on earth poor old Nurse will do with us out all night; set the police on our tracks, I expect. I only wish they could find us! A dozen policemen would be rather welcome just now. But it’s no use getting into a stew over it,” he added soothingly. “Good night.”
And they all fell asleep.
They were awakened by long, loud, terrible sounds that seemed to come from everywhere at once—horrible threatening shouts and shrieks and howls that sounded, as Cyril said later, like the voices of men thirsting for their enemies’ blood.
“It is the voice of the strange men,” said the girl, coming to them trembling through the dark. “They have attacked the walls, and the thorns have driven them back. My father says they will not try again till daylight. But they are shouting to frighten us. As though we were savages! Dwellers in the swamps!” she cried indignantly.
All night the terrible noise went on, but when the sun rose, as abruptly as he had set, the sound suddenly ceased.
The children had hardly time to be glad of this before a shower of javelins came hurtling over the great thorn-hedge, and everyone sheltered behind the huts. But next moment another shower of weapons came from the opposite side, and the crowd rushed to other shelter. Cyril pulled out a javelin that had stuck in the roof of the hut beside him. Its head was of brightly burnished copper.
Then the sound of shouting arose again and the crackle of dried thorns. The enemy was breaking down the hedge. All the villagers swarmed to the point whence the crackling and the shouting came; they hurled stones over the hedges, and short arrows with flint heads. The children had never before seen men with the fighting light in their eyes. It was very strange and terrible, and gave you a queer thick feeling in your throat; it was quite different from the pictures of fights in the illustrated papers at home.
It seemed that the shower of stones had driven back the besiegers. The besieged drew breath, but at that moment the shouting and the crackling arose on the opposite side of the village and the crowd hastened to defend that point, and so the fight swayed to and fro across the village, for the besieged had not the sense to divide their forces as their enemies had done.
Cyril noticed that every now and then certain of the fighting-men would enter the maze, and come out with brighter faces, a braver aspect, and a more upright carriage.
“I believe they go and touch the Amulet,” he said. “You know the Psammead said it could make people brave.”
They crept through the maze, and watching they saw that Cyril was right. A headman was standing in front of the skin curtain, and as the warriors came before him he murmured a word they could not hear, and touched their foreheads with something that they could not see. And this something he held in his hands. And through his fingers they saw the gleam of a red stone that they knew.
The fight raged across the thorn-hedge outside. Suddenly there was a loud and bitter cry.
“They’re in! They’re in! The hedge is down!”
The headman disappeared behind the deerskin curtain.
“He’s gone to hide it,” said Anthea. “Oh, Psammead dear, how could you leave us!”
Suddenly there was a shriek from inside the hut, and the headman staggered out white with fear and fled out through the maze. The children were as white as he.
“Oh! What is it? What is it?” moaned Anthea. “Oh, Psammead, how could you! How could you!”
And the sound of the fight sank breathlessly, and swelled fiercely all around. It was like the rising and falling of the waves of the sea.
Anthea shuddered and said again, “Oh, Psammead, Psammead!”
“Well?” said a brisk voice, and the curtain of skins was lifted at one
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