Vanity Fair by William Makepeace Thackeray (best thriller novels to read TXT) 📕
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Vanity Fair is perhaps Thackeray’s most famous novel. First serialized over the course of 19 volumes in Punch Magazine and first printed as a single volume in 1849, the novel cemented Thackeray’s literary fame and kept him busy with frequent revisions and even lecture circuits.
The story is framed as a puppet play, narrated by an unreliable narrator, that presents the story of Becky Sharp and Emmy Sedley and the people in their lives as they struggle through the Napoleonic Wars. The story itself, like many other Thackeray novels, is a satire of the lives of the Victorian English of a certain class. Thackeray packed the novel with allusions, many of which were difficult even for his contemporary readers; part of the heavy revisions he later made were making the allusions more accessible to his evolving audience.
As part of his satirical bent, Thackeray made a point to make each character flawed, so that there are no “heroes” in the book—hence the subtitle “A Novel Without a Hero.” Thackeray’s goal was not only to entertain, but to instruct; to that end, he wanted the reader to look within themselves after finishing the unhappy conclusion, in which there’s no hint as to how society might be able to improve on the evils shadowed in the events of novel.
Vanity Fair received glowing praise by its critical contemporaries, and remains a popular book well into modern times, having been adapted repeatedly for film, radio, and television.
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- Author: William Makepeace Thackeray
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So, in a word, Pitt Crawley thought he would do something for his brother, and then thought that he would think about it some other time.
And with regard to Becky, she was not a woman who expected too much from the generosity of her neighbours, and so was quite content with all that Pitt Crawley had done for her. She was acknowledged by the head of the family. If Pitt would not give her anything, he would get something for her some day. If she got no money from her brother-in-law, she got what was as good as money—credit. Raggles was made rather easy in his mind by the spectacle of the union between the brothers, by a small payment on the spot, and by the promise of a much larger sum speedily to be assigned to him. And Rebecca told Miss Briggs, whose Christmas dividend upon the little sum lent by her Becky paid with an air of candid joy, and as if her exchequer was brimming over with gold—Rebecca, we say, told Miss Briggs, in strict confidence that she had conferred with Sir Pitt, who was famous as a financier, on Briggs’s special behalf, as to the most profitable investment of Miss B.’s remaining capital; that Sir Pitt, after much consideration, had thought of a most safe and advantageous way in which Briggs could lay out her money; that, being especially interested in her as an attached friend of the late Miss Crawley, and of the whole family, and that long before he left town, he had recommended that she should be ready with the money at a moment’s notice, so as to purchase at the most favourable opportunity the shares which Sir Pitt had in his eye. Poor Miss Briggs was very grateful for this mark of Sir Pitt’s attention—it came so unsolicited, she said, for she never should have thought of removing the money from the funds—and the delicacy enhanced the kindness of the office; and she promised to see her man of business immediately and be ready with her little cash at the proper hour.
And this worthy woman was so grateful for the kindness of Rebecca in the matter, and for that of her generous benefactor, the Colonel, that she went out and spent a great part of her half-year’s dividend in the purchase of a black velvet coat for little Rawdon, who, by the way, was grown almost too big for black velvet now, and was of a size and age befitting him for the assumption of the virile jacket and pantaloons.
He was a fine open-faced boy, with blue eyes and waving flaxen hair, sturdy in limb, but generous and soft in heart, fondly attaching himself to all who were good to him—to the pony—to Lord Southdown, who gave him the horse (he used to blush and glow all over when he saw that kind young nobleman)—to the groom who had charge of the pony—to Molly, the cook, who crammed him with ghost stories at night, and with good things from the dinner—to Briggs, whom he plagued and laughed at—and to his father especially, whose attachment towards the lad was curious too to witness. Here, as he grew to be about eight years old, his attachments may be said to have ended. The beautiful mother-vision had faded away after a while. During near two years she had scarcely spoken to the child. She disliked him. He had the measles and the whooping-cough. He bored her. One day when he was standing at the landing-place, having crept down from the upper regions, attracted by the sound of his mother’s voice, who was singing to Lord Steyne, the drawing-room door opening suddenly, discovered the little spy, who but a moment before had been rapt in delight, and listening to the music.
His mother came out and struck him violently a couple of boxes on the ear. He heard a laugh from the Marquis in the inner room (who was amused by this free and artless exhibition of Becky’s temper) and fled down below to his friends of the kitchen, bursting in an agony of grief.
“It is not because it hurts me,” little Rawdon gasped out—“only—only”—sobs and tears wound up the sentence in a storm. It was the little boy’s heart that was bleeding. “Why mayn’t I hear her singing? Why don’t she ever sing to me—as she does to that baldheaded man with the large teeth?” He gasped out at various intervals these exclamations of rage and grief. The cook looked at the housemaid, the housemaid looked knowingly at the footman—the awful kitchen inquisition which sits in judgement in every house and knows everything—sat on Rebecca at that moment.
After this incident, the mother’s dislike increased to hatred; the consciousness that the child was in the house was a reproach and a pain to her. His very sight annoyed her.
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