Sinister Street by Compton Mackenzie (great books to read TXT) đź“•
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Michael Fane arrives in the thin red house in Carlington Road to his new family of Nurse, Cook, Annie the housemaid, his younger sister Stella, and the occasional presence of Mother. From here, the novel follows the next twenty years of his life as he tries to find his place in the upper echelons of Edwardian society, through prep school, studies at Oxford, and his emergence into the wide world. The setting is rich in period detail, and the characters portrayed are vivid and more nuanced in their actions and stories than first impressions imply.
Sinister Street was an immediate critical success on publication, although not without some worry for its openness to discuss less salubrious scenes, and it was a favourite of George Orwell and John Betjeman. Compton Mackenzie had attended both St. James’ school and St. Mary’s College at Oxford and the novel is at least partly autobiographical, but for the same measure was praised as an accurate portrayal of that experience; Max Beerbohm said “There is no book on Oxford like it. It gives you the actual Oxford experience.” Although originally published in two volumes (in 1913 and 1914) for commercial reasons, the two form a single novel and have been brought back together again for this edition.
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- Author: Compton Mackenzie
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“Comeragh and Anstruther are working downstairs, I expect,” Guy explained, as one by one, while his guests waited in the dim light, he made a great illumination with wax candles. Then he poked up the fire and set glasses ready for anyone’s need. Great armchairs were pulled round in a semicircle: pipes were lit: the stillness and mystery of the Oxford night crept along the ancient street, a stillness which at regular intervals was broken by multitudinous chimes, or faintly now and then by passing footfalls. Unexcited by argument the talk rippled in murmurous contentment.
Michael was in no mood himself for talking, and he sat back listening now and then, but mostly dreaming. He thought of the conversation in that long riverside room in Paris with its extravagance and pretentiousness. Here in this time-haunted Holywell Street was neither. To be sure, Christianity and the soul’s immortality and the future of England and contemporary art were running the gauntlet of youth’s examination, but the Academic Muse had shown the company her ægis, had turned everything to unpassionate stone, and softened all presumption with her guarded glances. It was extraordinary how under her guidance every subject was stripped of obtrusive reality, how even women, discussed never so grossly, remained untarnished; since they ceased to be real women, but mere abstractions wanton or chaste in accordance with the demands of wit. The ribaldry was Aristophanic or Rabelaisian with as little power to offend, so much was it consecrated and refined by immemorial usages. Michael wished that all the world could be touched by the magical freedom and equally magical restraint of the Academic Muse, and as he sat here in this ancient room, hoped almost violently that never again would he be compelled to smirch the present clarity and steadiness of his vision.
IX The Lesson of SpainPerhaps Michael enjoyed more than anything else during his accumulation of books the collection of as many various editions of Don Quixote as possible. He had brought up from London the fat volume illustrated by Doré over which he had fallen asleep long ago and of which owing to Nurse’s disapproval he had in consequence been deprived. Half the pages still showed where they had been bent under the weight of his small body: this honorable scar and the familiar musty smell and the book’s unquestionable if slightly vulgar dignity prevented Michael from banishing it from the shelf that now held so many better editions. However much the zest in Doré’s illustrations had died away in the flavor of Skelton’s English, Michael could not abandon the big volume with what it held of childhood’s first intellectual adventure. The shelf of Don Quixotes became in all his room one of the most cherished objects of contemplation. There was something in the Q and the X repeated on the back of volume after volume that positively gave Michael an impression in literal design of the Knight’s fantastic personality. The very soul of Spain seemed to be symbolized by those sere quartos of the seventeenth century, nor was it imperceptible even in Smollett’s cockney rendering bound in marbled boards. Staring at the row of Don Quixotes on a dull December afternoon, Michael felt overwhelmingly a desire to go to Spain himself, to drink at the source of Cervantes’ mighty stream of imagination which with every year’s new reading seemed to him to hold more and more certainly all that was most vital to life’s appreciation. He no longer failed to see the humor of Don Quixote, but even now tears came more easily than laughter, and he regretted as poignantly as the Knight himself those times of chivalry which with all the extravagance of their decay were yet in essence superior to the mode that ousted them into ignominy. Something akin to Don Quixote’s impulsive dismay Michael experienced in his own view of the twentieth century. He felt he needed a constructive ideal of conduct to sustain him through the long pilgrimage that must ensue after these hushed Oxford dreams.
Term was nearly over. Michael had heard from Stella that she was going to spend two or three months in Germany. Her Brahms recitals, she wrote, had not been so successful as she ought to have made them. In London she was wasting time. Mother was continually wanting her to come to the theater. It seemed almost as if mother were trying to throw her in the way of marrying Prescott. He had certainly been very good, but she must retreat into Germany, and there again work hard. Would not Michael come too? Why was he so absurdly prejudiced against Germany? It was the only country in which to spend Christmas.
The more Stella praised Germany, the more Michael felt the need of going to a country as utterly different from it as possible. He did not want to spend the vacation in London. He did not want his mother to talk vaguely to him of the advantage for Stella in marrying Prescott. The idea was preposterous. He would be angry with his mother, and he would blurt out to Prescott his dislike of such a notion. He would thereby wound a man whom he admired and display himself in the light of the objectionably
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