The Turn of the Screw by Henry James (easy books to read .TXT) 📕
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One of the most famous ghost stories in literature, The Turn of the Screw earned its place in the annals of influential English novellas not for its qualities as a gothic ghost story, but rather for the many complex and subtle ways the reader can come to opposing conclusions as to tale’s very nature. Are the ghosts the governess sees real, or are they figments of her quiet insanity?
The Turn of the Screw was originally published as a serial, and later went through many revisions by James himself. Though there aren’t any overt suggestion that James intended his novella to be anything but a simple ghost story, the ambiguity in the narrative has captured the imagination of generations of readers and critics.
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- Author: Henry James
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“Because the thing had been such a scare?”
He continued to fix me. “You’ll easily judge,” he repeated: “You will.”
I fixed him, too. “I see. She was in love.”
He laughed for the first time. “You are acute. Yes, she was in love. That is, she had been. That came out—she couldn’t tell her story without its coming out. I saw it, and she saw I saw it; but neither of us spoke of it. I remember the time and the place—the corner of the lawn, the shade of the great beeches and the long, hot summer afternoon. It wasn’t a scene for a shudder; but oh—!” He quitted the fire and dropped back into his chair.
“You’ll receive the packet Thursday morning?” I inquired.
“Probably not till the second post.”
“Well then; after dinner—”
“You’ll all meet me here?” He looked us round again. “Isn’t anybody going?” It was almost the tone of hope.
“Everybody will stay!”
“I will”—and “I will!” cried the ladies whose departure had been fixed. Mrs. Griffin, however, expressed the need for a little more light. “Who was it she was in love with?”
“The story will tell,” I took upon myself to reply.
“Oh, I can’t wait for the story!”
“The story won’t tell,” said Douglas; “not in any literal, vulgar way.”
“More’s the pity, then. That’s the only way I ever understand.”
“Won’t you tell, Douglas?” somebody else inquired.
He sprang to his feet again. “Yes—tomorrow. Now I must go to bed. Good night.” And quickly catching up a candlestick, he left us slightly bewildered. From our end of the great brown hall we heard his step on the stair; whereupon Mrs. Griffin spoke. “Well, if I don’t know who she was in love with, I know who he was.”
“She was ten years older,” said her husband.
“Raison de plus—at that age! But it’s rather nice, his long reticence.”
“Forty years!” Griffin put in.
“With this outbreak at last.”
“The outbreak,” I returned, “will make a tremendous occasion of Thursday night;” and everyone so agreed with me that, in the light of it, we lost all attention for everything else. The last story, however incomplete and like the mere opening of a serial, had been told; we handshook and “candlestuck,” as somebody said, and went to bed.
I knew the next day that a letter containing the key had, by the first post, gone off to his London apartments; but in spite of—or perhaps just on account of—the eventual diffusion of this knowledge we quite let him alone till after dinner, till such an hour of the evening, in fact, as might best accord with the kind of emotion on which our hopes were fixed. Then he became as communicative as we could desire and indeed gave us his best reason for being so. We had it from him again before the fire in the hall, as we had had our mild wonders of the previous night. It appeared that the narrative he had promised to read us really required for a proper intelligence a few words of prologue. Let me say here distinctly, to have done with it, that this narrative, from an exact transcript of my own made much later, is what I shall presently give. Poor Douglas, before his death—when it was in sight—committed to me the manuscript that reached him on the third of these days and that, on the same spot, with immense effect, he began to read to our hushed little circle on the night of the fourth. The departing ladies who had said they would stay didn’t, of course, thank heaven, stay: they departed, in consequence of arrangements made, in a rage of curiosity, as they professed, produced by the touches with which he had already worked us up. But that only made his little final auditory more compact and select, kept it, round the hearth, subject to a common thrill.
The first of these touches conveyed that the written statement took up the tale at a point after it had, in a manner, begun. The fact to be in possession of was therefore that his old friend, the youngest of several daughters of a poor country parson, had, at the age of twenty, on taking service for the first time in the schoolroom, come up to London, in trepidation, to answer in person an advertisement that had already placed her in brief correspondence with the advertiser. This person proved, on her presenting herself, for judgment, at a house in Harley Street, that impressed her as vast and imposing—this prospective patron proved a gentleman, a bachelor in the prime of life, such a figure as had never risen, save in a dream or an old novel, before a fluttered, anxious girl out of a Hampshire vicarage. One could easily fix his type; it never, happily, dies out. He was handsome and bold and pleasant, offhand and gay and kind. He struck her, inevitably, as gallant and splendid, but what took her most of all and gave her the courage she afterward showed was that he put the whole thing to her as a kind of favor, an obligation he should gratefully incur. She conceived him as rich, but as fearfully extravagant—saw him all in a glow of
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